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Cooperative and non-cooperative processes of apparent movement of random-dot cinematograms.

In this study, we investigated the cooperative and non-cooperative models of stereopsis on apparent movement of the short-range process using spatial frequency filtered random-dot cinematograms. Our results showed that when spatial frequencies were below 4 cycles/degree, maximum displacement (dmax) was decreasing (linearly) with increasing mean frequencies, but at 4 cycles/degree and above dmax stayed constant. For low frequencies, non-cooperative models such as Marr and Poggio's could explain these findings, but not for frequencies above 4 cycles/degree. However, in a previous study we found that the average cooperative neighbourhood for apparent movement of the short-range process is 15 arc min. This fortuitous agreement on 4 cycles/degree could suggest that dmax being constant at frequencies above 4 cycles is related to a cooperative process.

Depth Perception↗

Direction- and velocity-specific responses from beyond the classical receptive field in the middle temporal visual area (MT).

The true receptive field of more than 90% of neurons in the middle temporal visual area (MT) extends well beyond the classical receptive field (crf), as mapped with conventional bar or spot stimuli, and includes a surrounding region that is 50 to 100 times the area of the crf. These extensive surrounds are demonstrated by simultaneously stimulating the crf and the surround with moving stimuli. The surrounds commonly have directional and velocity-selective influences that are antagonistic to the response from the crf. The crfs of MT neurons are organized in a topographic representation of the visual field. Thus MT neurons are embedded in an orderly visuotopic array, but are capable of integrating local stimulus conditions within a global context. The extensive surrounds of MT neurons may be involved in figure-ground discrimination, preattentive vision, perceptual constancies, and depth perception through motion cues.

Animals↗

Perceived motion in depth.

We examine how various sources of information contribute to the percept of motion in depth. Subjects were presented with targets moving in depth, and were asked to judge their velocities and final positions. On each presentation, the target's position relative to the two eyes (target vergence), the size of the target's retinal image and the difference in this image's position relative to that of the background in the two eyes (relative disparity), each either changed as they normally would for a target moving at a fixed speed towards the observer, or did not change at all. Subjects' judgements for various such combinations show that all three sources of information influence both the perceived velocity of motion in depth and the final perceived position, but in different ways. This is not too surprising, because the assumptions that the use of each source of information are based on, are different for the two tasks. We propose that the way the different sources are combined is governed by the likelihood of the assumptions, that are required to use that information, being true under the given circumstances.

Depth Perception↗

Perceiving object motion using vision and touch.

In a previous experiment, we showed that bistable visual object motion was partially disambiguated by tactile input. Here, we investigated this effect further by employing a more potent visuotactile stimulus. Monocular viewing of a tangible wire-frame sphere (TS) rotating about its vertical axis produced bistable alternations of direction. Touching the TS biased simultaneous and subsequent visual perception of motion. Both of these biases were in the direction of the tactile stimulation and, therefore, constituted facilitation or priming, as opposed to interference or adaptation. Although touching the TS biased visual perception, tactile stimulation was not able to override the ambiguous visual percept. This led to periods of sensory conflict, during which visual and tactile motion percepts were incongruent. Visual and tactile inputs can sometimes be fused to form a coherent percept of object motion but, when they are in extreme conflict, can also remain independent.

Cues↗

Perception of moving lines: interactions between local perpendicular signals and 2D motion signals.

An oblique line translating vertically behind a horizontal rectangular aperture is perceived as moving in the horizontal direction, i.e., in the line-ending's direction. When a feature is added on the line, and thus provides a vertical unambiguous motion signal, the line's perceived direction is still horizontal. In parallel, the feature appears to slide obliquely along the line (Wallach, 1935). We first show that this finding which we call "the sliding effect" is robust and easy to replicate for different orientations of the rectangular aperture (up to about 20 deg from vertical). This effect also occurs with an invisible circular aperture. In this case, using an adjustment task, observers have great difficulty extracting the actual direction of the feature (a gap or a dot on the line). Instead, a systematic bias towards the direction of "sliding" is observed. This misperception of the feature's velocity is markedly reduced or even suppressed when the circular aperture is outlined or when a visible circle is drawn around this invisible aperture. The line's perceived direction is always roughly orthogonal to the line's orientation regardless of the presence of a visible circular outline. This latter result is important because it shows that the feature on the line does not disambiguate the perpendicular signals extracted along the contour, even in conditions where this feature's motion is almost correctly perceived. Altogether, these results suggest that line-endings are not used by the visual system in the same way as a feature on the line when it comes to determining the line's perceived direction.

Female↗

Visual processing of the motion of an object in three dimensions for a stationary or a moving observer.

A rate of change of relatively disparity is a sufficient binocular stimulus for the perception of motion in depth. For motion within the meridian that contains the eyes, disparity change associated with approaching motion is processed through four channels, each tuned to a different direction of motion in depth. Directional discrimination is most acute but detection sensitivity falls to a minimum for a trajectory passing approximately midway between the eyes. This can be explained if discrimination depends on the relatively of the four channels. Two binocular retinal-image correlates of the direction of the motion of an object in depth are the ratio between the velocities of the retinal images of the object in the left and right eyes [(d phi/dt)R/(d phi/dt)L], and the ratio between the translational velocity of the binocularly fused images and the rates of change of disparity [(d phi/dt)/(d gamma/dt)]. Directional discrimination is possible by using the second cue alone. An isotropic rate of expansion of the retinal image is a sufficient monocular stimulus for the perception of motion in depth. There is no evidence that expansion is processed through channels tuned to the direction of motion in depth. Two monocular correlates of the direction of the motion of an object in depth are the ratio between the translational velocity and the rate of expansion of the retinal image of the object [(d phi/dt)/(d theta/dt)], and the ratio between the velocities of opposite edges of the retinal image [(d alpha 1/dt)/(d alpha 2/dt)]. Subjects are able monocularly to discriminate the direction of motion in depth with high acuity (better than 0.1 deg threshold) in the vertical, horizontal, or oblique meridians, even when the direction and the speed of translational motion are removed as cues. Visual discrimination of time to contact with an approaching object can be disconfounded from discrimination of its rate of expansion and vice versa with a threshold separation ratio of as much as 100:1.

Cues↗

Local and global factors affecting the coherent motion of gratings presented in multiple apertures.

Using stimuli composed of two independent gratings viewed through multiple apertures, we investigate a number of parameters affecting the integration of locally ambiguous motions into globally coherent motion. In four experiments, we varied local factors (grating spatial frequency, speed, contrast, duty cycle, orientation) and global factors (degree of similarity and common fate between the gratings, and symmetry in the configuration of the grating pattern) and examined their effects on global motion coherence. Our results, confirming accounts offered by previous investigators, indicate that local competition between motion signals generated by contours (ambiguous) and their line terminations (unambiguous) is important in determining global motion coherence in multiple-aperture stimuli. Our results also indicate that global factors can affect perceived coherence independently of local motion signals, suggesting the involvement of higher-level motion areas and a role for non-motion processes such as those involved in pattern and form perception. Comparing motion coherence with other two-dimensional (2-D) stimuli (plaids) shows that 2-D multiple-aperture stimuli are not analogous and that coherence models derived from plaid stimuli do not account for the data.

Humans↗

Motion aftereffect: a global mechanism for the perception of rotation.

Observers adapted to motion by looking at rotating logarithmic spirals. They were tested with a stationary mirror image of the adapting spiral in which all contours were at 90 degrees to those of the first spiral. Motion aftereffects were reported in the contrarotational direction--that is, observers who had seen clockwise rotating motion reported seeing counterclockwise aftereffects. These aftereffects lasted one-third as long as the aftereffects obtained when the adapting spiral was used as the test figure. These two aftereffects were shown to have different storage properties, thereby indexing the operation of at least two different mechanism. We interpret the motion aftereffect that is obtained with the mirror-image stimulus as indicative of the existence of global rotation detectors.

Figural Aftereffect↗

Characterization of the percepts evoked by discontinuous motion over the perioral skin.

The capacity of human subjects to process information about discontinuous and continuous movement was evaluated. Constant-velocity brushing stimuli were delivered through aperture plates that rested lightly upon the mandibular skin. Each plate consisted of either two spatially separated, slit-like openings or a single continuous, longer opening. It was discovered that percepts of smooth apparent motion were achieved with the split apertures (i.e., from discontinuous movement) for only limited ranges of stimulus velocity. Moreover, the optimal velocity supporting smooth apparent motion increased with the separation between the slit-like openings. In a second series of experiments, subjects' ability to discriminate opposing directions of discontinuous and continuous movement was evaluated. It was found that subjects could derive directional information from percepts elicited by discontinuous movement. However, the capacity to discriminate opposing directions of continuous movement cannot be explained solely in terms of the ability to process information about the change in position of a stimulus from its onset to its offset.

Discrimination Learning↗

Integration of motion information during binocular rivalry.

When two moving gratings are superimposed in normal viewing they often combine to form a pattern that moves with a single direction of motion. Here, we investigated whether the same mechanism underlies pattern motion when drifting gratings are presented independently to the two eyes. We report that, with relatively large circular grating patches (4 deg), there are periods of monocular dominance in which one eye's orientation alone is perceived, usually moving orthogonal to the contours (component motion). But, during the transitions from one monocular view to the other, a fluid mosaic is perceived, consisting of contiguous patches, each containing contours of only one of the gratings. This entire mosaic often appears to move in a single direction (pattern motion), just as when two gratings are literally superimposed. Although this implies that motion signals from the perceptually suppressed grating continue to influence the perception of motion, an alternative possibility is that it reflects a strategy that involves integrating directional information from the contiguous single-grating patches. To test between these possibilities, we performed a second experiment with very small grating stimuli that were about the same size as the contiguous single-grating patches in the mosaic (1-deg diameter). Despite the fact that the form of only one grating was perceived, we report that pattern motion was still perceived on about one third of trials. Moreover, a decrease in the occurrence of pattern motion was apparent when the contrast and spatial frequency of the gratings were made more different from each other. This phenomenon clearly demonstrates an independent binocular interaction for form and motion.

Humans↗