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Biomedical subjects

P Bressan

Publications and source records attributed to P Bressan.

16 recordsLinked to original sources

Motion aftereffects with rotating ellipses.

The perceptual outcome and the motion-aftereffect duration generated by the rotation on the frontal plane of an ellipse with a bar depend on whether the bar is placed along the major or the minor axis. When the bar is placed along the minor axis, a stereokinetic transformation occurs, and the pattern looks like a tilting ring with a perpendicular bar moving rigidly with it. Placing the bar along the major axis prevents the stereokinetic transformation: subjects report deformations and relative motion of the bar with respect to the ellipse. We found that motion aftereffects last longer when the bar is placed along the minor rather than along the major axis. A series of experiments was carried out to investigate whether differences in aftereffect duration are related to the stereokinetic transformation. Results seem to suggest that they are not.

Adult

A context-dependent illusion in the perception of velocity.

It has so far been assumed that velocity contrast effects can be explained by local lateral inhibition processes which act to enhance the difference in velocity between a target and its immediate surround. A new velocity illusion is here reported that seriously questions this notion.

Humans

Occlusion and the perception of coherent motion.

Recent work (Shimojo, Silverman & Nakayama, 1989; Vision Research, 29, 619-626) suggests that the visual system must discriminate between extrinsic boundaries (boundaries created by front occluding surfaces) and intrinsic boundaries (real object boundaries) in order to recognize objects and that this would importantly affect the way it solves the so-called "aperture problem" in motion. With the aid of a series of demonstrations (plus two formal experiments) we (1) propose a new explanation for the fact that edge line terminators in a "barber pole" display are perceived as intrinsic; (2) show that inner line terminators in a plaid pattern (i.e. those resulting from the intersection of the two sets of bars) specify coherent or incoherent motion depending on the availability of occlusion-related depth information; and (3) suggest a unitary scheme integrating the two current alternative solutions to the aperture problem, the one based on line terminators and the one based on a velocity space combination of orthogonal components.

Depth Perception

Illusory depth from moving subjective figures and neon colour spreading.

If a pattern of concentric circles, interrupted so as to produce the perception of a subjective bar extending from the centre to the periphery of the pattern, was slowly rotated in a plane perpendicular to the line of sight, observers reported seeing the bar slanted in depth and moving over complete and stationary concentric circles. When the interrupted concentric circles were completed by red segments--thereby giving rise to a neon colour-spreading effect--observers reported seeing a reddish bar, which sometimes appeared to be slanted in depth, moving behind the plane of the concentric circles. A combination of the two patterns was found to originate a compelling percept of a unitary bar slanted in depth: part of the bar (the subjective half) appeared to be located in front of its inducing elements, whereas the other part (the neon-like half) appeared to continue behind them. When translatory instead of rotary motion was used, the bars did not look slanted in depth: however, the neon bar appeared either behind or in front of the inducing lines, depending on the luminance contrast between the segments and the inducing lines themselves.

Attention

Wheels: a new illusion in the perception of rolling objects.

A new illusory effect is described which consists of a conspicuous perceptual overestimation of the speed at which a wheel rolling across an observer's visual field appears to be rotating. Wheels appear to revolve much faster than is compatible with their linear displacement. Experimental verification of the genuineness and magnitude of the effect is reported, along with a discussion of some of the variables upon which it may depend.

Acceleration

The perception of 3-dimensional affine structure from minimal apparent motion sequences.

The research described in the present article was designed to identify the minimal conditions for the visual perception of 3-dimensional structure from motion by comparing the theoretical limitations of ideal observers with the perceptual performance of actual human subjects on a variety of psychophysical tasks. The research began with a mathematical analysis, which showed that 2-frame apparent motion sequences are theoretically sufficient to distinguish between rigid and nonrigid motion and to identify structural properties of an object that remain invariant under affine transformations, but that 3 or more distinct frames are theoretically necessary to adequately specify properties of euclidean structure such as the relative 3-dimensional lengths or angles between nonparallel line segments. A series of four experiments was then performed to verify the psychological validity of this analysis. The results demonstrated that the determination of structure from motion in actual human observers may be restricted to the use of first order temporal relations, which are available within 2-frame apparent motion sequences. That is to say, the accuracy of observers' judgments did not improve in any of these experiments as the number of distinct frames in an apparent motion sequence was increased from 2 to 8, and performance on tasks involving affine structure was of an order of magnitude greater than performance on similar tasks involving euclidean structure.

Attention

Perceptual alternations in stereokinesis.

When a flat ellipse is slowly rotated in the frontoparallel plane, two different 3-D percepts can be obtained: (i) a rigid circular disc tilting back and forth in 3-D space, and (ii) an elongated egg, slanted into 3-D space, whose end parts seem to be located at different distances from the observer and describe a circular trajectory with respect to the frontal plane. Under prolonged observation, the two 3-D percepts alternate in time, separated by brief intervals in which either the rotation of a rigid flat ellipse in the frontal plane or an amoeba-like distortion of a 2-D shape can be perceived. An experiment is reported in which the sequence of perceptual alternations was investigated. Results show that the 3-D disc is mostly preceded by impressions of elastic amoeba-like deformations, whereas the 3-D egg is mostly preceded by the percept of a rotating flat ellipse. Direct transitions from egg to disc are not as frequent as transitions from disc to egg. Results are discussed in relation to Braunstein and Andersen's hypothesis that phenomena of this sort might result from the stimulation of automatic mechanisms for perceiving size change (changing-size neutral channels).

Attention

Stereokinesis with moving visual phantoms.

When a flat pattern composed of a solid ellipse with two symmetrical semirings (corresponding to the visible parts of a contour ellipse whose major axis is perpendicular to that of the solid ellipse) is slowly rotated in the frontoparallel plane, a compelling three-dimensional impression occurs. Subjects report seeing an egg-shaped object that is inserted into a circular ring: the two objects move solidly into three-dimensional space and a moving visual phantom is generated so that the ring appears completed by an illusory curved bar in the region closest to the observer during rotation. A number of variations of this illusion are presented. It is shown that stereokinetic phantoms (i) maintain the shape of the inducing elements; (ii) appear only after the stereokinetic transformation has taken place; and (iii) depend on the organization of the three-dimensional percept as a whole. Relations between stereokinetic phantoms and other completion phenomena are presented and discussed.

Depth Perception

Learning to see stereokinetic effects.

The Saturn illusion is a stereokinetic effect that occurs when a flat pattern composed of a full ellipse with two symmetrical semirings is rotated slowly in the frontoparallel plane. Subjects report seeing an egg-shaped object inserted into a circular ring, and the two objects move solidly into 3-D space as a single rigid body. Inexperienced observers show a conspicuous delay before reaching this percept. Two experiments are reported in which it is shown that this incubation time progressively decreases with repeated exposures to the stimulus pattern. A certain amount of time (14 s on average) is, however, required to obtain the effect, even after six successive exposures. It is argued that this time, which is independent of the speed of rotation and is not further reducible, is a fixed entity and is needed to compute the most rigid 3-D solution from deformations in the 2-D image. The results are discussed in relation to current theories of perception of structure from motion.

Depth Perception

Subjective rarefaction in illusory figures: the inadequacy of apparent lightness as an explanation.

Apparent rarefaction in subjective figures seems to violate the principle of size scaling. It has been claimed that this anomaly is due to a difference in illusory lightness which counteracts the expected effect of illusory depth. Qualitative evidence is presented that neither illusory lightness nor illusory depth have a relevant part in the phenomenon. An alternative account, in which contrast and size are shown to play major roles, is presented and discussed.

Color Perception

Vicario's illusion of sloping steps reexamined.

If a few parallel horizontal rows of dots are set diagonally, like steps, across the visual field, the inner rows appear not to be horizontal but sloping up to one side; the effect holds as long as the vertical distances between the rows do not exceed a given visual angle. This illusion, described by Vicario in 1978, was never explained. An experiment is reported in which the illusion was still visible at row separations well in excess of the spatial limits originally considered, provided the stimulus elements were enlarged. The maximum illusion was obtained for length ratios (interrow distance to size of dots) identical to those which have been shown to produce the largest effects in a number of illusions of area and length. This suggests that Vicario's illusion is similar to other illusions of extent, and that it can be explained by a neural extent-coding model.

Humans

The Saturn illusion: a new stereokinetic effect.

When a 2-D pattern composed of a solid ellipse with two symmetrical semi-rings (corresponding to the visible parts of a contour ellipse whose major axis is perpendicular to that of the solid ellipse) is slowly rotated about an axis coincident with the line of sight, a compelling 3-dimensional impression occurs. Subjects report seeing an egg-shaped object which is inserted into a circular ring: the two objects move solidly into 3-D space and a moving visual phantom is generated so that the ring appears completed by an illusory curved segment in the region nearer to the observer during rotation. A sequence of nonrigid and rigid percepts (both 2-D and 3-D) precedes this Saturn-like configuration.

Depth Perception

Multiple 3-D interpretations in a classic stereokinetic effect.

It is known that a flat ellipse rotating in the frontoparallel plane sooner or later appears as a rigid circular disc tilting in 3-D space. An experiment is reported in which prolonged exposure to the same flat pattern produces a second previously unnoticed 3-D percept: an elongated egg slanted in 3-D space, which points towards the observer and the end parts of which describe a circular trajectory in the frontal plane. It is shown that the achievement of this alternative percept is not affected by the particular shape of the ellipse, although the time needed to reach it increases with an ellipse with a 2:3 axis ratio.

Depth Perception

Subjective contours can produce stereokinetic effects.

When a pattern of interrupted concentric circles drawn so as to produce an anomalous contour ellipse is slowly rotated in the frontoparallel plane, the subjective figure appears first to deform and then to tilt as a ring in 3-D space over motionless circles. Also, Benussi's floating cone can be obtained by placing an eccentric gray dot upon an anomalous solid ellipse and setting this figure into rotation. These patterns provide strong evidence that subjective contours can produce stereokinetic effects as effectively as real contours can. Implications for current explanations of stereokinetic effects are presented and discussed.

Depth Perception

Revisitation of the family tie between Münsterberg and Taylor-Woodhouse illusions.

Some observations suggest that, contrary to Taylor and Woodhouse's assumption, a strong relationship exists between the Taylor-Woodhouse and Münsterberg distortion illusions. An attempt is made to show that each of the major explanations put forward to account for the occurrence of the Münsterberg effect suits the Taylor-Woodhouse one as well.

Color Perception

On misoriented letters.

An experiment is reported in which subjects were presented with misoriented letters and asked to identify the transformations to which normal letters had been subjected to produce the misorientation. When two or more transformations were equally justifiable from the geometrical point of view, they did not have necessarily the same relevance from the perceptual standpoint. For instance, it was easier for the subjects to see an upside-down letter R as the outcome of two reflections (one about the horizontal axis and one about the vertical axis) rather than of a 180 degrees rotation in the picture plane. Contrary to expectation, for the same final result a reflection--a movement in three dimensions--was preferred to a rotation--a movement in two dimensions--and two reflections were preferred to a single rotation. To explain the distribution of the responses, a hypothesis on the 'mode of appearance' of equivocally oriented objects is presented. This postulates that the directional axes assigned to the objects tend to remain in correspondence with those of the environment. Moreover, the polarization of the up-down axis tends to be preserved, while that of the left-right axis does not. Implications of this simple model for the perception of misorientations are discussed.

Form Perception