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Results for “Pitch Perception”

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At least 19 recordsLinked to original sources
PubMed1985

Relationship between expressive language ability and rhythm perception, pitch perception, vocal range, and vocal midpoint among mentally retarded adults.

This study investigated the relationship between expressive language ability and rhythm perception, pitch perception, vocal range, and vocal midpoint for 28 mentally retarded adults. A standardized speech test determined language scores, a standardized music test assessed rhythm and pitch perception, and vocalization determined vocal range and midpoint. Multiple correlation and multiple linear regression analyses indicated a significant correlation between expressive language ability and rhythm perception. Further research with music tests more appropriate for mentally retarded adults is recommended.

Adult↗
PubMed1985

Infant pitch perception: evidence for responding to pitch categories and the missing fundamental.

While numerous studies on infant perception have demonstrated the infant's ability to discriminate sounds having different frequencies, little research has evaluated more sophisticated pitch perception abilities such as perceptual constancy and perception of the missing fundamental. In the present study 7-8-month-old infants demonstrated the ability to discriminate harmonic complexes from two pitch categories that differed in pitch by approximately 20% (e.g., 160 vs 200 Hz). Using a visually reinforced conditioned head-turning paradigm, a number of spectrally different tonal complexes that contained varying harmonic components but signaled the same two pitch categories were presented. After learning the basic pitch discrimination, the same infants learned to categorize spectrally different tonal complexes according to the pitches signaled by their fundamental frequencies. That is, the infants showed evidence of perceptual constancy for the pitch of harmonic complexes. Finally, infants heard tonal complexes that signaled the same pitch categories but for which the fundamental frequency was removed. Infants were still able to categorize the harmonic complexes according to their pitch categories. These results suggest that by 7 months of age infants show fairly sophisticated pitch perception abilities similar to those demonstrated by adults.

Acoustic Stimulation↗
PubMed1987

Pitch perception by cochlear implant subjects.

Direct electrical stimulation of the auditory nerve can be used to restore some degree of hearing to the profoundly deaf. Percepts due to electrical stimulation have characteristics corresponding approximately to the acoustic percepts of loudness, pitch, and timbre. To encode speech as a pattern of electrical stimulation, it is necessary to determine the effects of the stimulus parameters on these percepts. The effects of the three basic stimulus parameters of level, repetition rate, and stimulation location on subjects' percepts were examined. Pitch difference limens arising from changes in rate of stimulation increase as the stimulating rate increases, up to a saturation point of between 200 and 1000 pulses per second. Changes in pitch due to electrode selection depend upon the subject, but generally agree with a tonotopic organization of the human cochlea. Further, the discriminability of such place-pitch percepts seems to be dependent on the degree of current spread in the cochlea. The effect of stimulus level on perceived pitch is significant but is highly dependent on the individual tested. The results of these experiments are discussed in terms of their impact on speech-processing strategies and their relevance to acoustic pitch perception.

Acoustic Stimulation↗
PubMedDate not supplied

[Modeling of auditory mechanisms of pitch perception].

A hypothesis of two subordinately interconnected pitch perception systems is put forward and described. The leading system is responsible for the analysis of periodical sequences of spikes along audioneurons whose generation moments are synchronized by the acting sound oscillations. This system allows measuring of any periodical sound--simple or complex--including the residual sound. However, the system of periodicity analysis does not ensure the experimentally determined precision of pitch change perception. It is shown that the signal distribution along the basilar membrane enables the activation of the second system which analyses the spatial--temporal image by means of a great number of well innervated internal receptor cells. This system functioning is characterized by small values of differential threshold pitches, since as a discriminatory characteristic a curt decline of the basilar membrane oscillation envelope is used which is formed after a prolonged sinusoidal sound.

Basilar Membrane↗
PubMed1989

Silicon modeling of pitch perception.

We have designed and tested an integrated circuit that models human pitch perception. The chip receives as input a time-varying voltage corresponding to sound pressure at the ear and produces as output a map of perceived pitch. The chip is a physiological model; subcircuits on the chip correspond to known and proposed structures in the auditory system. Chip output approximates human performance in response to a variety of classical pitch-perception stimuli. The 125,000-transistor chip computes all outputs in real time by using analog continuous-time processing.

Computer Simulation↗
PubMed1989

Syllabic pitch perception in 2- to 3-month-old infants.

The pitch patterns present in speech addressed to infants may play an important role in perceptual processing by infants. In this study, the high-amplitude sucking procedure was used to assess discrimination by 2- to 3-month-old infants of rising versus falling pitch patterns in 400-msec synthetic [ra] and [la] tokens. The syllables' intonation contour was modeled on infant-directed speech, and covered a range characteristic of an adult female speaker (180-300 Hz). Group data indicated that the 2- to 3-month-old infants discriminated the pitch contour for both stimuli. Results are discussed with reference to previous studies of syllabic pitch perception.

Arousal↗
PubMed1988

Pitch perception of complex tones and human temporal-lobe function.

Sixty-four patients with unilateral temporal-lobe excisions as well as 18 normal control subjects were tested in a missing fundamental pitch perception task. Subjects were required to indicate if the pitch of a pair of tones rose or fell. The excisions encroached upon Heschl's gyri in some cases, whereas, in others, this region was spared. All subjects included for study were able to perform well on a control task in which complex tones including a fundamental were presented. Stimuli for the experimental task, which was procedurally identical with the control task, consisted of several harmonic components spanning the same spectral range, but without a fundamental. Only subjects with right temporal lobectomy in whom Heschl's gyri were excised committed significantly more errors than the normal control group on this task. Patients with left temporal-lobe lesions or with anterior right temporal-lobe excisions were unimpaired. These results suggest that Heschl's gyri and surrounding cortex in the right cerebral hemisphere play a crucial role in extracting the pitch corresponding to the fundamental from a complex tone.

Auditory Perception↗
PubMed1989

Relative pitch perception in the European starling (Sturnus vulgaris): further evidence for an elusive phenomenon.

Relative pitch perception in animals has been difficult to demonstrate. This failing is due in part to stimulus sets that make an absolute pitch solution viable. In Experiment 1, starlings failed to acquire a discrimination that could be solved only on the basis of relative pitch. In Experiment 2, starlings were trained on a smaller set of pitch patterns, for which both absolute and relative pitch solutions were available, then tested with three series of unreinforced probe stimuli. Series 1 assessed stimulus control by absolute pitch. In Series 2, absolute pitch cues dictated one response, and relative pitch cues dictated a different response. Results indicate that starlings extract relative pitch from artificial pitch patterns only after acquiring a discrimination that permits both absolute and relative pitch solutions. Results are discussed in terms of the relative salience of absolute and relative pitch.

Animals↗
PubMed1991

Periodicity and pitch perception.

There has been experimental evidence pointing to at least two pitch mechanisms, the first involving low-order harmonics that are resolved along the basilar membrane, and the second a periodicity mechanism that depends only on the repetition rate of the time waveform on the basilar membrane. If this time waveform is derived from repeated bursts of sinusoidal tone, the second mechanism might be the sole pitch mechanism. It is found that this can be so up to rates as high as 250 bursts of 4978-Hz tone per second. The stimuli used are periodic patterns of equally spaced tone bursts, with either successive tone bursts in the same phase, or every fourth tone burst 180 degrees out of phase with respect to the rest. Up to a critical transitional rate of tone bursts a second, the two sequences sound exactly the same, despite their different fundamental frequencies and frequency separation of harmonics. Critical rate data are given for sinusoidal bursts of seven different frequencies. Critical rates appear to be closely related to the critical bandwidth. Pitch matching appears to be consistent with these observations; it is on rate below the critical rate and can be on fundamental frequency above the critical rate.

Attention↗
PubMed1990

Transient ischemic attacks presenting with a loss of pitch perception.

It has been suggested that the non-dominant hemisphere is specialized for receptive and expressive music and prosody. The present report describes a patient who experienced a series of non-dominant hemisphere transient ischemic attacks (TIA's) which included an inability to perceive intonation during one episode, and a failure to perceive melody during another. The perceptual losses during these TIA's are consistent with experimental results which suggest that the non-dominant hemisphere is specialized for complex-pitch processing. In some instances, amusia, dysprosody, and aprosodia reflect a common functional deficit.

Cerebrovascular Disorders↗
PubMed1989

The influence of duration on the perception of pitch in single and simultaneous complex tones.

The influence of duration on the virtual pitch of complex tones was measured using an absolute identification paradigm. If performance with two-tone complexes is expressed in terms of a single central frequency-coding noise function, this function is found to depend on duration in about the same way as the pure-tone difference limen function. The function is further found to be a reasonably good predictor of pitch identification performance with multitone complexes. Another experimental finding was that subjects tend to switch to the analytic mode of pitch perception when complex tones are shortened (i.e., they tend to hear the spectral pitches instead of the virtual ones). A third finding was that with simultaneous complex tones the degradation of each pitch percept depends not only on duration and harmonic order of the tone but also on the harmonic order of the other tone.

Audiometry↗