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Psychoanalytic interpretation and cognitive transformation.

Psychoanalytic metapsychology should be recognized for what it is, namely a theory of cognition and affect that is not derived directly from clinical data but is advanced in order to provide the development background that will let us deal with the clinical findings of psychoanalysis as aberrations of and deviations from the normal and expected evolution of the thinking process. Its cornerstone is Freud's belief that thought depends on the forging of links between the sensory perception of objects and their appropriate verbal descriptions. He made no secret of his dissatisfaction with his metapsychology and repeatedly revised it in an attempt to encompass those clinical discoveries of psychoanalysis that outstripped the explanatory power of that metapsychology and demonstrated its shortcomings. Using what we now know about normal development in infancy and childhood through the work of Piaget, Vygotsky and other investigators, it is possible to formulate an explanatory theory that does justice to the varied and complex findings uncovered by the application of the psychoanalytic method. For example, the significance of Freud's postulated second censorship between the preconscious and consciousness, as well as the importance of the defence of disavowal that Freud emphasized in his writings after 1927, can now be accounted for with a theory of thought formation that was not available to the founder of psychoanalysis. The implications of this proposed reformulation for psychoanalytic interpretation and for the application of psychoanalysis to an increasingly wide range of psychopathology is discussed in some detail.

Cognition↗

Psychoanalytic interpretations: word-music and translation.

A perspective on psychoanalytic interpretations as a special case of artistic translations (i.e. translations of both content and formal aspects of discourse) is proposed. Mutative interpretations are seen as creative endeavours that always presuppose a prior text, which is itself already a translation. Freud's main uses of the metaphor of translation as an intrapsychic as well as an intersubjective phenomena, their resonance among later psychoanalytic thinkers and their convergence with classic theories of translation are presented. A perspective on psychoanalytic interpretations as an evolving self-other dialect is developed within the framework of Borges's theory of translation and Bakhtin's concept of exotopy. This framework questions the possibility of an original source, proposes the translator's inevitable implication in translation and underscores intersubjectivity as a necessary way towards the translation of absent meanings. The work of translation also highlights the relevance of space and time contexts, as well as the necessary role of a different other for the interpretation of unconscious processes. Differences between theories of translation reiterate contemporary psychoanalytic controversies about the preeminence of the analysand's subjectivity and the intersubjective approach to treatment. Borges's 'The Aleph' and an excerpt of Dora's case offer paradigmatic demonstrations of the limits and possibilities of understanding through translation.

Humans↗

Psychoanalytic interpretation of the Rorschach: do we have better hieroglyphics?

Schafer (1954) advanced the "Psychoanalytic Interpretation in Rorschach Testing" and asserted that thoughtful interpretation involved more than translating hieroglyphics or scores. In this book, he presented his thesis by describing four defensive styles (repression, denial, projective, and obsessive-compulsive) at various levels of severity of psychopathology. To investigate whether the Structural Summary data from Exner's (1986) Comprehensive System, with its improved reliability and validity and additional scores, allow one to make similar distinctions among the types of defense and severity of disturbance, we rescored the Schafer records. The results of this conservative test of Exner's system suggest that (a) the Comprehensive System reliably distinguishes the repressive style from the other styles, and (b) scores alone may provide adequate measures of severity of disturbance even with form quality excluded. We concluded that Rorschach scores must be understood as complex products of multiple psychological operations and may correspond to different subjective experiences in various contexts.

Defense Mechanisms↗

Methodological problems in the psychoanalytic interpretation of literature: a review of studies on Sophocles' Antigone.

Through a critical review of several studies dealing with Sophocles' drama, the Antigone, I have explored some of the prominent methodological problems encountered in the psychoanalytic interpretation of literature. Foremost among these is the inherent difficulty that the interpretation of literature is unable to benefit from the process of the analytic situation. Divorced from the realities of the therapeutic process, the drama itself is often used to corroborate an author's theoretical bias or to advance some special interest, with consequent distortion or blurring of the text. Although data about the artist's life and sociocultural environment may be of crucial significance, it is the text itself that must be the ultimate object of study. Through a re-examination of the Antigone as an aesthetic totality I have sketched out what appears to be an alternative manner of approaching the drama, and suggested that works of art reach us on both unconscious and conscious levels. I have stressed the need to analyze our emotional response to a work as affording a valuable source of insight into the work itself. Throughout, I have drawn attention to the need for greater scholarly rigor and the value of interdisciplinary collaboration. An open recognition of the problems in the psychoanalytic study of literature should serve to minimize dilettantism and raise the level of scholarship.

Drama↗