Caricatures; Especially Medical Caricatures.
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Understanding caricatures of faces.
Lateral caricatures are transformed faces like caricatures but the transformation is orthogonal (in the face-space, Valentine, 1991) to the direction of caricaturization. It has been reported that lateral caricatures are more difficult to recognize than anti-caricatures (Rhodes & Tremewan, 1994). To investigate this effect, oblique caricatures (transformed obliquely to caricaturing) were generated by morphing between a veridical face and a reference face. Two experiments used a forced-choice similarity task to find which images are perceived to have the least change from the veridical. An advantage for caricatures over anti-caricatures was found, but none was found between oblique and anti-caricatures. Performance of theoretical lateral caricatures was extrapolated from the oblique caricature data. These lateral caricatures would be perceived as more similar to veridical faces than were the anti-caricatures.
Adult↗
Facial distinctiveness and the power of caricatures.
Caricatures, which increase the distinctiveness of faces, are generally recognised at least as well as undistorted images of those faces. However, caricatures seem to facilitate recognition more for some faces than others. An investigation was made into whether the effectiveness of caricaturing depends on a face's initial distinctiveness. In experiments 1-3, subjects learned names for unfamiliar faces (photographs) that varied in distinctiveness, and were tested on recognition of caricatures, anticaricatures, and undistorted images of those faces. The test images were line drawing in experiment 1 and 2 photographic images in experiment 3. Experiments 1 and 2 were identical except that subjects had more exposure to the study photographs in experiment 1. In all three experiments, distinctive faces were recognised (named) more accurately than less-distinctive faces, and caricatures were recognised at least as accurately as undistorted images and better than anticaricatures. However, distinctiveness and caricature level did not interact. Nor did a face's initial distinctiveness correlate with the degree of recognition facilitation produced by caricaturing (experiments 1-3) or with the caricature level chosen as the best likeness (experiment 4). The effectiveness of caricatures varied across faces and experimental conditions, but these differences did not relate to differences in initial distinctiveness. These results prompted a more careful analysis of the expected relationship between initial distinctiveness and the power of caricatures, which indicated that the relationship may be curvilinear rather than linear. In addition, it was found that line-drawing caricatures functioned as superportraits (recognised better than undistorted images--experiment 1) but photographic caricatures did not (experiment 3) suggesting that the forensic potential of caricatures may be limited.
Adult↗
Caricature and face recognition.
Although caricatures are often gross distortions of faces, they frequently appear to be super-portraits capable of eliciting recognition better than veridical depictions. This may occur because faces are encoded as distinctive feature deviations from a prototype. The exaggeration of these deviations in a caricature may enhance recognition because it emphasizes the features of the face that are encoded. In two experiments, we tested the superportrait hypothesis and the encoding-by-caricature hypothesis. In the first experiment, caricatures were recognized better than faces, and true caricatures of previously seen faces were recognized better than the faces from which the caricatures had been developed. In the second experiment, faces and their caricatures were tachistoscopically presented in a sequential same/different reaction time task. Subjects were slower to distinguish the stimuli when the face preceded its caricature, indicating that caricatures are more similar to the encoded representation of a face than are stimuli in which the distinctive features are deemphasized.
Adult↗
Caricaturing facial expressions.
The physical differences between facial expressions (e.g. fear) and a reference norm (e.g. a neutral expression) were altered to produce photographic-quality caricatures. In Experiment 1, participants rated caricatures of fear, happiness and sadness for their intensity of these three emotions; a second group of participants rated how 'face-like' the caricatures appeared. With increasing levels of exaggeration the caricatures were rated as more emotionally intense, but less 'face-like'. Experiment 2 demonstrated a similar relationship between emotional intensity and level of caricature for six different facial expressions. Experiments 3 and 4 compared intensity ratings of facial expression caricatures prepared relative to a selection of reference norms - a neutral expression, an average expression, or a different facial expression (e.g. anger caricatured relative to fear). Each norm produced a linear relationship between caricature and rated intensity of emotion; this finding is inconsistent with two-dimensional models of the perceptual representation of facial expression. An exemplar-based multidimensional model is proposed as an alternative account.
Adult↗
Three-dimensional caricatures of human heads: distinctiveness and the perception of facial age.
A standard facial-caricaturing algorithm was applied to a three-dimensional representation of human heads. This algorithm sometimes produced heads that appeared 'caricatured'. More commonly, however, exaggerating the distinctive three-dimensional information in a face seemed to produce an increase in the apparent age of the face--both at a local level, by exaggerating small facial creases into wrinkles, and at a more global level via changes that seemed to make the underlying structure of the skull more evident. Concomitantly, de-emphasis of the distinctive three-dimensional information in a face made it appear relatively younger than the veridical and caricatured faces. More formally, face-age judgments made by human observers were ordered according to the level of caricature, with anticaricatures judged younger than veridical faces, and veridical faces judged younger than caricatured faces. These results are discussed in terms of the importance of the nature of the features made more distinct by a caricaturing algorithm and the nature of human representation(s) of faces.
Age Factors↗
Nonlinear, near photo-realistic caricatures using a parametric facial appearance model.
A mathematical model previously developed for use in computer vision applications is presented as an empirical model for face space. The term appearance space is used to distinguish this from previous models. Appearance space is a linear vector space that is dimensionally optimal, enables us to model and describe any human facial appearance, and possesses characteristics that are plausible for the representation of psychological face space. Randomly sampling from a multivariate distribution for a location in appearance space produces entirely plausible faces, and manipulation of a small set of defining parameters enables the automatic generation of photo-realistic caricatures. The appearance space model leads us to the new concept of nonlinear caricatures, and we show that the accepted linear method for caricature is only a special case of a more general paradigm. Nonlinear methods are also viable, and we present examples of photographic quality caricatures, using a number of different transformation functions. Results of a simple experiment are presented that suggest that nonlinear transformations can accurately capture key aspects of the caricature effect. Finally, we discuss the relationship between appearance space, caricature, and facial distinctiveness. On the basis of our new theoretical framework, we suggest an experimental approach that can yield new evidence for the plausibility of face space and its ability to explain processes of recognition.
Artificial Intelligence↗
Recognition of own-race and other-race caricatures: implications for models of face recognition.
Valentine's (Valentine T. Q J Exp Psychol 1991;43A:161-204) face recognition framework supports both a norm-based coding (NBC) and an exemplar-only, absolute coding, model (ABC). According to NBC; (1) faces are represented in terms of deviations from a prototype or norm; (2) caricatures are effective because they exaggerate this norm deviation information; and (3) other-race faces are coded relative to the (only available) own-race norm. Therefore NBC predicts that, for European subjects, caricatures of Chinese faces made by distorting differences from the European norm would be more effective than caricatures made relative to the Chinese norm. According to ABC; (1) faces are encoded as absolute values on a set of shared dimensions with the norm playing no role in recognition; (2) caricatures are effective because they minimise exemplar density and (3) the dimensions of face-space are inappropriate for other-race faces leaving them relatively densely clustered. ABC predicts that all faces would be recognised more accurately when caricatured against their own-race norm. We tested European subjects' identification of European and Chinese faces, caricatured against both race norms. The ABC model's prediction was supported. European faces were also rated as more distinctive and recognised more easily than Chinese faces. However, the own-race recognition bias held even when the races were equated for distinctiveness which suggests that the ABC model may not provide a complete account of race effects in recognition.
Facies↗
Laterality effects in identification of caricatures and photographs of famous faces.
Recent evidence suggests that memory representations of familiar faces may exaggerate distinctive information as do caricatures (G. Rhodes, S. Brennan, & S. Carey, Cognitive Psychology, 1987). Therefore caricatures should be effective representations of faces and should yield a right hemisphere processing advantage, as do photographs of faces. Photographs and caricatures of famous faces were presented to the left visual (LVF), the right visual field (RVF), and centrally (CVF), in a name-face verification task. There was a LVF (right hemisphere) advantage for both caricatures and photographs on name-face mismatches but no VF difference for matches. These results were true for both accuracy and reaction time. Processing strategy differences that may account for the difference between matches and mismatches are discussed. Performance was generally better for photographs than for caricatures, irrespective of visual field condition.
Attention↗
Children's recognition of caricatures.
This study examined children's and adults' perception and recognition of facial stimuli that were either systematically exaggerated (caricatures) or de-exaggerated (anticaricatures) relative to a norm face. The results showed that all age groups perceived caricatures as the most distinctive versions of a face and anticaricatures as the least distinctive, although the effect was smallest for 6-year-olds. In general, caricatures were identified as quickly as the veridical faces and faster than the anticaricatures. Across all age groups, participants' familiarity with the stimulus faces interacted with degree of caricature to determine speed of processing as well as choice of best likeness. The results are discussed in relation to the idea that distinctiveness information in a face is represented in relation to a norm.
Caricatures as Topic↗
A refutation of the hypothesis of the superfidelity of caricatures relative to photographs.
The experiment was designed to test the hypothesis that caricatures, relative to photographs, are 'superfaithful' carriers of information for facial recognition. Subjects were shown fifteen picutres of people's faces and were then asked to pick those same people out of a set of fifty-four pictures. There were three sets of pictures: caricatures, profile-view photographs, and three-quarter-view photographs. There were nine groups of subjecs: for three groups the exposure and test stimuli were in the same medium, for six groups the test stimuli were in one of the media not previously seen. Points were scored for the number of people correctly identified and the number of false positives. Facial recognition within medium was very good, but was seriously disrupted by any medium shift, especially those involving caricatures. It is argued that the superfidelity of caricature may be manifest only when the task involves recognition of actual persons rather than their pictures.
Face↗
Acromegaly, Mr Punch and caricature.
The origin of Mr Punch from the Italian Pulcinella of the Commedia dell'arte is well known but his feature, large hooked nose, protruding chin, kyphosis and sternal protrusion all in an exaggerated form also suggest the caricature of an acromegalic. This paper looks at the physical characteristics of acromegaly, the origin of Mr Punch and the development of caricature linking them together in the acromegalic caricature that now has a life of its own.
Acromegaly↗
Conceptual interrelatedness and caricatures.
Concepts are interrelated to the extent that the characterization of each concept is influenced by the other concepts, and are isolated to the extent that the characterization of one concept is independent of other concepts. The relative categorization accuracy of the prototype and caricature of a concept can be used as a measure of concept interrelatedness. The prototype is the central tendency of a concept, whereas a caricature deviates from the concept's central tendency in the direction opposite the central tendency of other acquired concepts. The prototype is predicted to be relatively well categorized when a concept is relatively independent of other concepts, but the caricature is predicted to be relatively well categorized when a concept is highly related to other concepts. Support for these predictions comes from manipulations of the labels given to simultaneously acquired concepts (Experiment 1) and of the order of categories during learning (Experiment 2).
Caricatures as Topic↗
Caricature effects, distinctiveness, and identification: testing the face-space framework.
According to the multidimensional space framework, faces are represented as locations in a psychological face-space. Our aim was to test whether the locations of veridical, caricatured, and anticaricatured face stimuli in face-space, derived from multidimensional scaling analyses, could account for identification accuracy and distinctiveness ratings for these stimuli. Caricatures were identified more accurately and rated as more distinctive than veridical images, whereas anticaricatures were identified less accurately but were not significantly less distinctive than veridical images. In the face-space derived from multidimensional scaling, caricatures were further from the origin and less densely clustered than veridical images, whereas anticaricatures were closer to the origin and located in denser regions of the space. A quantitative model successfully predicted identification performance from the spatial locations of the stimuli. In general, the physically transformed faces were systematically mapped in the psychological space.
Adult↗
Newt squamous carcinoma proves phylogenetic conservation of tumors as caricatures of tissue renewal.
Although regeneration-competent newts like Notophthalmus viridescens have been reported to be resistant to carcinogenesis, we have been able to induce transplantable epidermal squamous cell carcinomas with 10-20% incidence by implanting 20-methylcholanthrene s.c. into the scapular region, a tissue that cannot regenerate. As soon as 1 week after exposure to this carcinogen, malignant cells were present in the treated skin, and after 4 weeks, macroscopic tumors of infiltrating squamous carcinoma cells positive for Type IV collagenase and/or rasHa p21 had dissolved areas of the epidermal basement membrane and colonized the dermis. Analysis of Ki-67 expression revealed that these tumors grow via a high growth fraction rather than a short cell cycle time. Morphological and immunohistochemical analyses showed that these tumors caricature the biology of the renewing epidermis: the presence of basal-like cells; differentiating cells; apoptotic cells; and keratinized horn pearls with an exaggerated or overabundant stem cell compartment as compared to the differentiated cell compartment. Immunochemical analyses indicated that the squamous carcinomas arose from the epidermis rather than the mucous glands. Thus, the principle that malignant tumors caricature the process of tissue renewal originally established in rodent tumors appears to be valid down the phylogenetic tree at least to regeneration-competent amphibia. Such a broad conservation indicates that the caricature principle also holds in human tumors.
Animals↗
[Bodies scorned: when medicine and caricature meet].
With the advent of the illustrated press, in 1840, the art of caricature initiated an interesting dialogue with historical painting and portraiture. The article shows dr. Oswaldo Cruz as target of this humorous language in the early twentieth century. Caricature -- a line that cries out -- recognizes the pain of its injured subject and, under an unwritten intersubjective pact, uses humor to release the violence of suffered aggression.
Brazil↗
Sympathotonia in primary hypertension and in a caricature resembling dysautonomia.
1. Plasma catecholamines and adrenergic correlates of cardiac function were compared in young men with borderline hypetension, classified according to renin status (group 1). Plasma catecholamines were increased and cardiac pre-ejection periods were shortened in 'high'-renin patients. 2. Plasma catecholamines were raised in 70% of 'high'-renin patients with primary hypertension (group 2), were related directly with age in normotensive females and were related inversely with catecholamine responses to postural stress in both normotensive and hypertensive subject (P less than 0-01). 3. The raised catecholamines of four 'high'-renin patients with pronounced features of sympathetic nerve activity-acricatures were elevated further during,hypertensive periods. Mean arterial blood pressures were reduced 20-30% after either alpha- or beta-receptor blockade. Catecholamines were reduced after beta-receptor blockade. 4. There appears to be a spectrum of neurogenic 'gain' in primary hypertension; it is suppressed in 'low'-renin hypertension, directly related to blood pressure in 'normal'-renin hypertension, increased in 'high'-renin hypertension and achieves a maximum in caricatures. Neurogenic factors seem to be important in the cause and maintenance of 'high'- and 'normal'-renin hypertension respectively. The caricatures may be examples of a severe form of hypothalamic stimulation.
Adolescent↗
Mockery through caricature: a variant of introjection utilized by a masochistic woman.
This case study of a woman with moral masochism focuses upon her characteristic defenses. Particular attention is paid to her utilization of a variant of identification. This patient's mother was a strict, harsh disciplinarian who insisted upon total compliance as a condition for her approval and love. This roused considerable anger and resentment in this patient but also intense anxiety, lest she lose her mother's love. To deal with this, she adopted an ingenious strategy. She established a veneer of pseudocompliance, following her mother's dictates to the letter. She incorporated many of her severe attitudes. She took these to an extreme, in effect caricaturing her. Through this process of exaggerating these bits of maternal behavior she made herself miserable, i.e., she became anhedonic, anorectic, and anorgasmic except via painful anal intercourse. This was a most useful compromise formation that enabled her to appear as her mother's ideal child and, therefore, retain her love. At the same time, by achieving a state of misery through following her mother's orders, she exposed her as ridiculous, and thus covertly discharged considerable aggression.
Adult↗