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Sound radiation from a water-filled pipe, radiation into light fluid.

This paper is concerned with the sound radiation from a water-filled exhaust pipe. The pipe opening and a plate attached to it form a vibrating surface for this radiation. Fluid-structural coupling between the pipe and enclosed fluid is included in the system modeling, but light fluid assumption is used for sound radiation into the space above the vibrating surface. In this paper, a numerical study on the n = 0 mode in the pipe shows that the wave types associated with this mode have different characteristics in two regions of the nondimensional frequency omega. In the first region of 0<omega<0.5 and 1<omega<1.3, the fluid and structural waves are weakly coupled, and the fluid and structural response of the pipe is governed by the resonance of each wave type. The fluid and structural waves are strongly coupled in the second region (0.5<omega<1). Simple correlation between the pipe response and uncoupled mode distributions does not exist. Significant contribution of multiple wave-types to the model energy is evident. The ultimate goal of our system modeling is to illustrate the contribution of all wave types (structural-borne and water-borne waves of the system) to sound radiation from the pipe opening and the attached plate. This paper also demonstrates the effect of these waves and their coupling in the water-filled pipe and across the plate and pipe boundary on the radiated sound pressure. Experimental results obtained in a semi-anechoic room are used to partially validate the theoretical and numerical predictions.

Journal Article↗

Investigation of phase coupling phenomena in sustained portion of musical instruments sound.

This work investigates aperiodicities that occur in the sustained portion of a sound of musical instrument played by a human player, due to synchronous versus asynchronous deviations of the partial phases. By using an additive sinusoidal analysis, phases of individual partials are precisely extracted and their correlation statistics and coupling effects are analyzed. It is shown that various musical instruments exhibit different phase coupling characteristics. The effect of phase coupling is compared to analysis by means of higher order statistics and it is shown that both methods are closely mathematically related. Following a detailed analysis of phase coupling for various musical instruments it is suggested that phase coupling is an important characteristic of a sustained portion of sound of individual musical instruments, and possibly even of instrumental families. Interesting differences in phase deviations where found for the flute, trumpet and cello. For the cello, the effect of vibrato is examined by comparing the analysis of a closed string sound played with a natural vibrato to analysis of an open string sound that contains no vibrato. Following, a possible model for phase deviations in the cello is presented and a simulation of phase fluctuations for this model is performed.

Journal Article↗

Short sound decay of ancient Chinese music bells.

Ancient Chinese music bells, which have oval-like cross sections, possess the unique feature of a short sound-decay time that is especially suitable for music with fast tempo. Although recorded in the literature nearly 1000 years ago, this feature has never been truly understood. Recent damping measurement of oval pipes with different axial ratios suggested a challenging task for acousticians as the increase of the modal damping with the pipe's axial ratio is significant only when the pipe response is measured in air but not in vacuum. In this paper, the decrease of sound-decay time of oval pipes with the increased cross-section ovality is investigated. This is the first time that such short sound-decay feature is explained in terms of the rich sound radiation characteristics of the symmetric modes of music bells and the oval pipes. Finite element and boundary element methods are employed to explain how axial ratio significantly affects the normal velocity distribution, radiation efficiency, and directivity of acoustic modes.

Journal Article↗

Diffraction of sound from a dipole source near to a barrier or an impedance discontinuity.

Pierce's formulation for the diffraction of spherical waves by a hard wedge has been extended to the case of the sound field due to a dipole source. The same approach is also used to extend a semiempirical model for sound propagation above an impedance discontinuity due to a dipole source. The resulting formulas have been validated by comparing their numerical solutions with that computed by summing the sound fields due to two closely spaced monopole sources of equal magnitude but opposite in phase. These new formulations are then used to develop a simple model for calculating the dipole sound field diffracted by a barrier above an impedance ground. Applications of these models relate to transportation noise prediction, particularly railway noise abatement, for which dipole sources are commonly used. The numerical predictions have been found to compare reasonably well with indoor measurements using piezoceramic transducers as dipole sources.

Journal Article↗

The shock formation distance in a bounded sound beam of finite amplitude.

This paper investigates the shock formation distance in a bounded sound beam of finite amplitude by solving the Khokhlov-Zabolotskaya-Kuznetsov (KZK) equation using frequency-domain numerical method. Simulation results reveal that, besides the nonlinearity and absorption, the diffraction is another important factor that affects the shock formation of a bounded sound beam. More detailed discussions of the shock formation in a bounded sound beam, such as the waveform of sound pressure and the spatial distribution of shock formation, are also presented and compared for different parameters.

Journal Article↗

The representation of periodic sounds in simulated sustained chopper units of the ventral cochlear nucleus.

The nature of the neural processing underlying the extraction of pitch information from harmonic complex sounds is still unclear. Electrophysiological studies in the auditory nerve and many psychophysical and modeling studies suggest that pitch might be extracted successfully by applying a mechanism like autocorrelation to the temporal discharge patterns of auditory-nerve fibers. The current modeling study investigates the possible role of populations of sustained chopper (Chop-S) units located in the mammalian ventral cochlear nucleus (VCN) in this process. First, it is shown that computer simulations can predict responses to periodic and quasiperiodic sounds of individual Chop-S units recorded in the guinea-pig VCN. Second, it is shown that the fundamental period of a periodic or quasiperiodic sound is represented in the first-order, interspike interval statistics of a population of simulated Chop-S units. This is true across a wide range of characteristic frequencies when the chopping rate is equal to the f0 of the sound. The model was able to simulate the results of psychophysical studies involving the pitch height and pitch strength of iterated ripple noise, the dominance region of pitch, the effect of phase on pitch height and pitch strength, pitch of inharmonic stimuli, and of sinusoidally amplitude modulated noise. Simulation results indicate that changes in the interspike interval statistics of populations of Chop-S units compare well with changes in the pitch perceived by humans. It is proposed that Chop-S units in the ventral cochlear nucleus may play an important role in pitch extraction: They can convert a purely temporal pitch code as observed in the auditory nerve into a temporal place code of pitch in populations of cochlear-nucleus, Chop-S with different characteristic frequencies, and chopping rates. Thus, populations of cochlear-nucleus Chop-S units, together with their target units presumably located in the inferior colliculus, may serve to establish a stable rate-place code of pitch at the level of the auditory cortex.

Action Potentials↗

Limits to the role of a common fundamental frequency in the fusion of two sounds with different spatial cues.

Two experiments establish constraints on the ability of a common fundamental frequency (F0) to perceptually fuse low-pass filtered and complementary high-pass filtered speech presented to different ears. In experiment 1 the filter cut-off is set at 1 kHz. When the filters are sharp, giving little overlap in frequency between the two sounds, listeners report hearing two sounds even when the sounds at the two ears are on the same F0. Shallower filters give more fusion. In experiment 2, the filters' cut-off frequency is varied together with their slope. Fusion becomes more frequent when the signals at the two ears share low-frequency components. This constraint mirrors the natural filtering by head-shadow of sound sources presented to one side. The mechanisms underlying perceptual fusion may thus be similar to those underlying auditory localization.

Acoustic Stimulation↗

The discrimination of baboon grunt calls and human vowel sounds by baboons.

The ability of baboons to discriminate changes in the formant structures of a synthetic baboon grunt call and an acoustically similar human vowel (/epsilon/) was examined to determine how comparable baboons are to humans in discriminating small changes in vowel sounds, and whether or not any species-specific advantage in discriminability might exist when baboons discriminate their own vocalizations. Baboons were trained to press and hold down a lever to produce a pulsed train of a standard sound (e.g., /epsilon/ or a baboon grunt call), and to release the lever only when a variant of the sound occurred. Synthetic variants of each sound had the same first and third through fifth formants (F1 and F3-5), but varied in the location of the second formant (F2). Thresholds for F2 frequency changes were 55 and 67 Hz for the grunt and vowel stimuli, respectively, and were not statistically different from one another. Baboons discriminated changes in vowel formant structures comparable to those discriminated by humans. No distinct advantages in discrimination performances were observed when the baboons discriminated these synthetic grunt vocalizations.

Animals↗

Analysis of the sound field in finite length infinite baffled cylindrical ducts with vibrating walls of finite impedance.

This paper describes an analytical model of finite cylindrical ducts with infinite flanges. This model is used to investigate the sound radiation characteristics of the gradient coil system of a magnetic resonance imaging (MRI) scanner. The sound field in the duct satisfies both the boundary conditions at the wall and at the open ends. The vibrating cylindrical wall of the duct is assumed to be the only sound source. Different acoustic conditions for the wall (rigid and absorptive) are used in the simulations. The wave reflection phenomenon at the open ends of the finite duct is described by general radiation impedance. The analytical model is validated by the comparison with its counterpart in a commercial code based on the boundary element method (BEM). The analytical model shows significant advantages over the BEM model with better numerical efficiency and a direct relation between the design parameters and the sound field inside the duct.

Journal Article↗

Parameter fitting for piano sound synthesis by physical modeling.

A difficult issue in the synthesis of piano tones by physical models is to choose the values of the parameters governing the hammer-string model. In fact, these parameters are hard to estimate from static measurements, causing the synthesis sounds to be unrealistic. An original approach that estimates the parameters of a piano model, from the measurement of the string vibration, by minimizing a perceptual criterion is proposed. The minimization process that was used is a combination of a gradient method and a simulated annealing algorithm, in order to avoid convergence problems in case of multiple local minima. The criterion, based on the tristimulus concept, takes into account the spectral energy density in three bands, each allowing particular parameters to be estimated. The optimization process has been run on signals measured on an experimental setup. The parameters thus estimated provided a better sound quality than the one obtained using a global energetic criterion. Both the sound's attack and its brightness were better preserved. This quality gain was obtained for parameter values very close to the initial ones, showing that only slight deviations are necessary to make synthetic sounds closer to the real ones.

Journal Article↗

Relaxation of sound fields in rooms of diffusely reflecting boundaries and its application in acoustical radiosity simulation.

The acoustical radiosity method is a computationally expensive acoustical simulation algorithm that assumes an enclosure with ideal diffuse reflecting boundaries. Miles observed that for such an enclosure, the sound energy decay of every point on the boundaries will gradually converge to exponential manner with a uniform decay rate. Therefore, the ratio of radiosity between every pair of points on the boundaries will converge to a constant, and the radiosity across the boundaries will approach a fixed distribution during the sound decay process, where radiosity is defined as the acoustic power per unit area leaving (or being received by) a point on a boundary. We call this phenomenon the "relaxation" of the sound field. In this paper, we study the relaxation in rooms of different shapes with different boundary absorptions. Criteria based on the relaxation of the sound field are proposed to terminate the costly and unnecessary radiosity computation in the later phase, which can then be replaced by a fast regression step to speed up the acoustical radiosity simulation.

Journal Article↗

Representation of speech-like sounds in the discharge patterns of auditory-nerve fibers.

It is now possible to study how acoustic characteristics important for speech discrimination are represented in the discharge patterns of auditory-nerve fibers. The electrical activity of single auditory-nerve fibers in response to speech-like sounds (single and two formant synthetic stimuli and "fricative" noise bursts) was recorded with microelectrodes in anesthetized cats. Results demonstrate that a conceptualization of some basic properties of responses to simple acoustic stimuli is useful in interpreting qualitatively how certain characteristics of speech-like sounds can be coded. Specific examples are given for (1) the rapid changes in amplitude and spectrum that occur for each syllable, (2) the fundamental frequency of voiced sounds, and (3) the spectral envelope of fricative consonants. It is also shown that the presence of background noise can have qualitatively different effects on how various characteristics of speech-like sounds are represented.

Animals↗

Central factors in the discrimination and identification of complex sounds.

The paper by Jesteadt and Norton [J. Acoust. Soc. Am. 78, 365-374 (1985)] described certain similarities between psychophysical and physiological measures of frequency selectivity. Although the hearing of naturally occurring sounds is dependent upon these peripherally based relationships, recent research has shown that other, more central, processes are also strongly involved in the perception of complex acoustic events. The present paper describes research on the discrimination of complex sounds other than those of speech or music. In contrast to the more peripherally determined limits on the listener's sensitivity for single tones and other simple stimuli, the processing of complex sounds requires the interaction of peripheral and central mechanisms. These issues are discussed in relation to recent studies of the responses of the cochlea to speech stimuli. It is suggested that the peripheral processor may be relatively transparent to the essential spectral-temporal properties of speech, whereas more central processing severely limits the rates and amount of information that can be extracted from complex sounds.

Attention↗

On the accuracy of models for predicting sound propagation in fitted rooms.

The objective of this article is to make a contribution to the evaluation of the accuracy and applicability of models for predicting the sound propagation in fitted rooms such as factories, classrooms, and offices. The models studied are 1:50 scale models; the method-of-image models of Jovicic, Lindqvist, Hodgson, Kurze, and of Lemire and Nicolas; the emprical formula of Friberg; and Ondet and Barbry's ray-tracing model. Sound propagation predictions by the analytic models are compared with the results of sound propagation measurements in a 1:50 scale model and in a warehouse, both containing various densities of approximately isotropically distributed, rectangular-parallelepipedic fittings. The results indicate that the models of Friberg and of Lemire and Nicolas are fundamentally incorrect. While more generally applicable versions exist, the versions of the models of Jovicic and Kurze studied here are found to be of limited applicability since they ignore vertical-wall reflections. The Hodgson and Lindqvist models appear to be accurate in certain limited cases. This preliminary study found the ray-tracing model of Ondet and Barbry to be the most accurate of all the cases studied. Furthermore, it has the necessary flexibility with respect to room geometry, surface-absorption distribution, and fitting distribution. It appears to be the model with the greatest applicability to fitted-room sound propagation prediction.

Acoustics↗

Where the action is: Weber fractions as a function of sound pressure at low frequencies.

Weber fractions for sound intensity were measured for 70-, 100-, 200-, 1000-, and 10,000-Hz tone pulses at sound-pressure levels (SPLs) ranging from just above individual listeners' absolute thresholds to near their highest tolerable SPLs, using a two-alternative forced-choice adaptive staircase technique governed by a 1-up, 3-down rule. Results for four listeners with normal hearing and varying experience, despite individual differences in absolute values, showed Weber fractions that declined as sound pressure increased above threshold and asymptoted at intermediate SPLs. A power function with a negative exponent describes the data of the individual listeners better than a logarithmic function does. The absolute value of the exponent of the power function, which measures the curvature of the function, was largest at 70 Hz and declined with increasing frequency, similar to how exponents of power functions relating loudness judgments or simple reaction time to stimulus intensity differ with sound frequency.

Acoustic Stimulation↗

Spatial distribution of sound pressure and energy flow in the ear canals of cats.

Spatial pressure distributions have been measured in the ear canals of ten cats and analyzed to obtain the energy reflection properties of the middle ear over a 10- to 25-kHz range of frequencies. Considerable intersubject variability is observed, much of which can be correlated with the condition of the tympanic membrane. For ears judged to be in good condition, reflection coefficients typically take values of about 0.2 between 15 and 25 kHz, indicating good matching of the dynamical properties of the auditory system to the ear canal sound field. At lower frequencies, the reflection coefficients tend to be somewhat higher and at higher frequencies the reflection coefficients increase quite rapidly with frequency. For ears judged to be in poorer condition, energy reflection coefficients of 0.5 and 0.9 were determined for the 15- to 25-kHz range. The variations of sound pressure along the canal (about 10 dB, even in well-coupled systems) confirm that single point pressure measurements may be inappropriate for defining the acoustical input at higher frequencies and new measures for specifying the input should be investigated. The net flow of acoustic energy into the auditory system, the sound power, is one possibility. Some initial measurements of sound power, obtained from analysis of the spatial pressure distributions, are presented.

Acoustic Stimulation↗

The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds.

The contribution of auditory beats to the perception of target sounds differing from an interfering background by their frequency modulation (FM) pattern or by a difference in fundamental frequency (F0) was investigated. On each trial, test sounds composed of a single, second-order formant were embedded in harmonic backgrounds and presented in successive intervals. The center frequencies of these "normal" formants differed across intervals. Subjects were to decide which interval contained the test formant with a center frequency matching that of an isolated target formant presented before each test stimulus. Matching thresholds were measured in terms of the width of modulation for FM stimuli or the mistuning of the F0's of unmodulated test formants relative to that of the background. Beats may have allowed the identification of the spectral region of the target in both experiments. To reduce interactions between test and background components, matching thresholds were measured for "flat" formants composed of two or three equal-amplitude components embedded in a harmonic background in which components corresponding to those of test formants were absent. These measures were repeated with the addition of a pink noise floor. Matching was still possible in all cases, though at higher thresholds than for normal formants. Computer simulations suggested that the modulation depth of envelope fluctuations within auditory channels played a significant role in the matching of target sounds when their components were mixed in the same frequency region with those of an interfering sound, but not when the target and background components were separated by as much as 250 Hz, the F0 of the stimulus.

Adult↗

Relationships of intensity discrimination to sensation and loudness levels: dependence on sound frequency.

The main purpose of the experiments described in this article was to establish the frequency dependence of auditory intensity jnd's (just noticeable differences) for pure tones as functions of loudness level (LL). For this purpose, two sets of experiments were performed. In the first, the jnd's were measured as functions of sensation level (SL) at sound frequencies of 0.125, 0.5, 1, 2, 4, 6, and 8 kHz. The SLs were set at 10, 20, 40, 60, and 80 dB in a random order. In the second, LLs corresponding to the set of the SL at 1 kHz were obtained, and the relationship of the jnd's to LL was determined. We investigated to what extent the constant loudness-constant jnd relationship found previously intrafrequency can be applied interfrequency. The detection experiments were performed with a continuous-pedestal paradigm and an adaptive two-alternative, forced-choice (2AFC) procedure that converges on 75% of correct responses. We found that the jnd's in dB plotted versus SL decreased roughly according to power functions, the rate of decrease depending on sound frequency. The jnd's increased with sound frequency at low SLs but became practically constant at high SLs. According to the second experiment, the jnd's followed approximately the same function of LL at all sound frequencies, except for a multiplicative constant, irrespective of the slope of the loudness level function. Thus, the constant loudness-constant jnd relationship appears to apply interfrequency except for a multiplicative constant that, with the continuous-pedestal paradigm, grew monotonically with the frequency.

Adult↗