Search PubMed⌕ Search

SEARCH · Search PubMed

Results for “SINGER”

Search indexed PubMed citations on genomics, clinical trials, systematic reviews and public health. Explore titles, authors and supplied subject terms, then open the PubMed record.

Quote a phrase for an exact phrase match. Source license links do not imply unrestricted reuse.

At least 163 records · Page 9Linked to original sources

Variation of electrolaryngographically derived closed quotient for trained and untrained adult female singers.

The derivation of larynx closed quotient (CQ) measures from the electrolarynogograph output is discussed and data are presented for a group of trained and untrained adult female singers (N = 26) for a sung two-octave G major scale. Statistically significant trends are observed between the trained and untrained groups that suggest for the trained group: (a) CQ tends to be lower for pitches below D4 and higher for pitches above B4, and (b) the gradient [CQ/log(F0)] tends to correlate positively with the number of years singing training/experience. These data are compared with those reported previously for an adult male group, and it is suggested that CQ could be a useful parameter to include in a real-time visual display for singing training.

Electric Stimulation↗

Nonspecific laryngeal granuloma: a case study of a professional singer.

A professional singer with laryngeal granuloma underwent surgery following failed response to conservative treatments. Two primary findings emerged. First, although a sizable lesion was present initially, presurgical voice measures were largely normal or superior. The exception was elevated phonatory effort during singing. Second, postsurgical voice functions were entirely normal or superior (including phonatory effort), despite demanding singing performances a few weeks following surgery. The results add to the limited corpus of quantitative, normative-referenced data on voice in patients with granulomas and are inconsistent with previous reports of voice abnormalities in such patients and poor functional response to surgery.

Adult↗

The external frame function in the control of pitch, register, and singing mode: radiographic observations of a female singer.

This study investigates pitch control, register, and singing mode related movements of the laryngo-pharyngeal structures by radiographic methods. One trained female singer served as the subject. The results show that singing voice production involves complex movements in the laryngeal structures. Pitch related increase in the thyro-arytenoid distance (vocal fold length) is nonlinear, slowing down as pitch rises. Similar observations have been made earlier. At the highest pitches, a shortening of the distance can be seen, suggesting the use of alternative pitch control mechanisms. The various observations made support the existence of three registers in this trained female singing voice. Open and covered modes of singing seemed to be distinguishable on the basis of different amounts of inner and outer forces acting on the larynx. Therefore, caution must be exercised when generalizing from the results.

Adult↗

Speech rehabilitation after total laryngectomy: long-term results with indwelling voice prosthesis Blom-Singer.

UNLABELLED: To evaluate long-term use of indwelling Blom-Singer voice prosthesis (VP) for vocal rehabilitation of patients submitted to total laryngectomy (TL). We studied the influence of time of performance of tracheo-esophageal puncture (TEP), use of radiotherapy (XRT), patients' age and length of follow-up, on the rate of success of use of VP. STUDY DESIGN: Clinical prospective. MATERIAL AND METHOD: Seventy-one patients were submitted to TL and rehabilitated with indwelling VP. Both otolaryngologist and speech pathologist evaluated all patients for the vocal functional issues during the follow-up. The relative data on time of placement of VP, time of use of PF, use of XRT, age, length of follow-up and interval of duration of each VP were recorded during the follow-up. RESULTS: There was 87% of patients with primary TEP and 13% with secondary. The follow-up varied from 12 to 87 months, with average of 38 months for primary and 51 months for secondary TEP. There were 59% of patients submitted to XRT. The general rate of success was of 94%. In primary TEP it was of 97% and in the secondary, it was 78% (p=0.07) and after two years, the success rate was of 96% in primary TEP and 75% in secondary TEP (p=0.07). The use of XRT and patient age did not influence the success of use of VP among primary and secondary TEP, independently of length of follow-up. CONCLUSION: Tendency to greater success rate in voice rehabilitation after TL with primary TEP was observed. Postoperative XRT and age did not influence success rate.

Follow-Up Studies↗

A modification of the Blom-Singer valve for restoration of voice after laryngectomy.

The authors have been involved in developing a modification of the Blom-Singer valved prosthesis for restoration of voice after laryngectomy. This is a case report on the first patient who underwent this procedure in Britain. It was found essential that a different design of valved prosthesis be invented and this is described. Aspects for consideration when selecting a potential candidate for this procedure are outlined, and guidelines given for choosing suitable patients.

Aged↗

Submental abscess: an unusual delayed complication of primary Blom-Singer valve insertion.

Voice restoration following laryngectomy can be achieved by the now well accepted technique of inserting a 'Blom-Singer' prosthesis through a tracheo-oesophageal fistula created either primarily or secondarily. Recognized complications of primary puncture and valve insertion include haemorrhage, oesophageal perforation, peristomal cellulitis and aspiration of saliva. We describe the previously unreported complication of a submental abscess developing probably as a result of air being forced from the fistula up between the trachea and the pharynx, this plane not having fully healed as a result of previous radiotherapy. The problem was compounded by the patient's over-zealous attempts to phonate. To prevent this problem arising in future we recommend leaving the fistula at least six weeks to mature before inserting the valve, when the patient has had previous radiotherapy, and encouraging relaxation when learning to phonate with this technique.

Abscess↗

Respiratory kinematics in classical (opera) singers.

Anteroposterior diameter changes of the rib cage and abdomen were recorded during respiratory, speaking, and singing activities in six adult male subjects, all baritones with extensive classical singing training and performance experience. Data were charted to solve for lung volume, volume displacements of the rib cage and abdomen, and inferred muscular mechanisms. Separate major roles were inferred for different parts of the respiratory apparatus in the singing process. The abdomen served as a posturing element that mechanically tuned the diaphragm and rib cage to optimal configurations for performance. The rib cage operated as a pressure-flow generating element that regulated expiratory drive. And, the diaphragm functioned as an inspiratory element devoted to reinflating the lungs. Subjects' descriptions of how they thought they breathed during singing bore little correspondence to how they actually breathed. Implications for the training of singers are offered.

Abdominal Muscles↗

Custom retainer for the Blom-Singer adjustable tracheostoma valve.

This article presents a procedure that allows the laryngectomy patient to be fitted with a well-sealed custom device. The custom device provides near-normal speech during a variety of activities. The custom retainer for the Blom-Singer adjustable tracheostoma valve can be fabricated with medical grade silicone using routine prosthodontic techniques.

Biocompatible Materials↗

The Kadison-Singer problem in mathematics and engineering.

We will see that the famous intractible 1959 Kadison-Singer Problem in C*-algebras is equivalent to fundamental open problems in a dozen different areas of research in mathematics and engineering. This work gives all these areas common ground on which to interact as well as explaining why each area has volumes of literature on their respective problems without a satisfactory resolution.

Journal Article↗

Dynamic, yet structured: The cell membrane three decades after the Singer-Nicolson model.

The fluid mosaic membrane model proved to be a very useful hypothesis in explaining many, but certainly not all, phenomena taking place in biological membranes. New experimental data show that the compartmentalization of membrane components can be as important for effective signal transduction as is the fluidity of the membrane. In this work, we pay tribute to the Singer-Nicolson model, which is near its 30th anniversary, honoring its basic features, "mosaicism" and "diffusion," which predict the interspersion of proteins and lipids and their ability to undergo dynamic rearrangement via Brownian motion. At the same time, modifications based on quantitative data are proposed, highlighting the often genetically predestined, yet flexible, multilevel structure implementing a vast complexity of cellular functions. This new "dynamically structured mosaic model" bears the following characteristics: emphasis is shifted from fluidity to mosaicism, which, in our interpretation, means nonrandom codistribution patterns of specific kinds of membrane proteins forming small-scale clusters at the molecular level and large-scale clusters (groups of clusters, islands) at the submicrometer level. The cohesive forces, which maintain these assemblies as principal elements of the membranes, originate from within a microdomain structure, where lipid-lipid, protein-protein, and protein-lipid interactions, as well as sub- and supramembrane (cytoskeletal, extracellular matrix, other cell) effectors, many of them genetically predestined, play equally important roles. The concept of fluidity in the original model now is interpreted as permissiveness of the architecture to continuous, dynamic restructuring of the molecular- and higher-level clusters according to the needs of the cell and as evoked by the environment.

Animals↗

Describing different styles of singing: a comparison of a female singer's voice source in "Classical", "Pop", "Jazz" and "Blues".

The voice is apparently used in quite different manners in different styles of singing. Some of these differences concern the voice source, which varies considerably with loudness, pitch, and mode of phonation. We attempt to describe voice source differences between Classical, Pop, Jazz and Blues styles of singing as produced in a triad melody pattern by a professional female singer in soft, middle and loud phonation. An expert panel was asked to identify these triads as examples of either Classical, Pop, Jazz or Blues. The voice source was analysed by inverse filtering. Subglottal pressure Ps, closed quotient QClosed, glottal compliance (ratio between the air volume contained in a voice pulse and Ps), and the level difference between the two lowest source spectrum partials were analysed in the styles and in four modes of phonation: breathy, flow, neutral, and pressed. The same expert panel rated the degree of pressedness in the entire material. Averages across pitch were calculated for each mode and style and related to their total range of variation in the subject. The glottogram data showed a high correlation with the ratings of pressedness. Based on these correlations a pressedness factor was computed from the glottogram data. A phonation map was constructed with the axes representing mean adduction factor and mean Ps, respectively. In this map Classical was similar to flow phonation, Pop and Jazz to neutral and flow phonation, and Blues to pressed phonation.

Female↗

Muscle activity in the classical singer's shoulder and neck region.

The objective of this study is to characterize the level of use of the trapezius (TR) and the sternocleidomastoideus (STM) muscles by singing students. We further try to lower the activity in both muscles by use of biofeedback (BF) from electromyographic recordings (EMG). We finally examine whether the experiences from the BF session can be transferred into regular singing by maintaining a mental focus on the experiences made in the BF session. Two groups, each consisting of eight conservatory singing students, all in their first or second year of study, volunteered as subjects. Two singing procedures were used, a song and a sustained tone of maximum possible duration. EMG activity was recorded bilaterally from the TR and STM by use of an ambulatory monitoring system. EMG BF appeared to lower muscle activity in the two muscles, thus the experiences made in the BF session could be transferred into regular singing. We conclude that singers, although having an enhanced awareness of posture, still may have overuse of especially the TR muscle, but probably also the STM muscle.

Biofeedback, Psychology↗

Vocal fatigue in young trained singers across a solo performance: a preliminary study.

This preliminary study aimed to measure changes in vocal function across a solo vocal performance task. Five participants, all trained singers, were required to complete a 10-min standard vocal warm-up, sing from a familiar repertoire for 40 min, and rest their voices for 10 min. Vocal function data were collected at 10-min intervals throughout the experimental session. Acoustic perturbation, sound pressure level and semitone pitch indices were employed as objective vocal function measures. A visual analogue scale and checklist of vocal fatigue symptoms were employed as self-report measures. Results revealed individual variation in vocal endurance, suggesting the importance of vocal history and repertoire factors in predisposing the onset of fatigue. Sound pressure level and pitch indices appeared more useful than perturbation indices in reflecting meaningful trends in vocal change.

Acoustics↗

Reliability and validity of scores from the Singer-Loomis Type Deployment Inventory.

This paper focuses on the Singer-Loomis Type Deployment Inventory (SL-TDI), which is an alternative to the Myers-Briggs Type Indicator (MBTI). The SL-TDI utilizes a continuous, non-forced choice format and therefore is a more accurate representation of Jung's personality theory of psychological types. The purpose of the study reported here is to evaluate the reliability and validity of scores from the SL-TDI. Specifically, the goals were to (a) provide estimates of the internal consistency of SL-TDI scores; (b) evaluate the divergent validity of SL-TDI scores by examination of their relationships with the scores on a social desirability responding measure; and (c) examine the test-retest stability of scores from the SL-TDI. Strong support was found for both the reliability and validity of SL-TDI scores.

Adult↗

Spectrum effects of subglottal pressure variation in professional baritone singers.

The audio signal from five professional baritones was analyzed by means of spectrum analysis. Each subject sang syllables [pae] and [pa] from loudest to softest phonation at fundamental frequencies representing 25%, 50%, and 75% of his total range. Ten subglottal pressures, equidistantly spaced between highest and lowest, were selected for analysis along with the corresponding production of the vowels. The levels of the first formant and singer's formant were measured as a function of subglottal pressure. Averaged across subjects, vowels, and F0, a 10-dB increase at 600 Hz was accompanied by a 16-dB increase at 3 kHz.

Adult↗

Effects of subglottal pressure variation on professional baritone singers' voice sources.

Five professional operatic baritone singers' voice-source characteristics were analyzed by means of inverse filtering of the flow signal as captured by a flow mask. The subjects sang a long sustained diminuendo, from loudest to softest, three times on the vowels [a:] and [ae:] at fundamental frequencies representing 25%, 50%, and 75% of their total pitch range as measured in semitones. During the diminuendos, they repeatedly inserted the consonant [p] so that associated subglottal pressures could be estimated from the oral pressure during the p-occlusions. Pooling the three takes of each condition, ten subglottal pressures, equidistantly spaced between highest and lowest, were selected for analysis. Sound-pressure levels (SPL), peak-to-peak glottal airflow, maximum flow declination rate, closed quotient, glottal dc flow, and the level difference between the two lowest partials of the source spectrum (H1-H2) were determined. All parameters except the glottal dc flow showed a systematic variation with subglottal pressure or the fractional excess pressure over threshold. The results are given in terms of equations representing the average across subjects for the relation between subglottal pressure and each of the mentioned voice-source parameters.

Adult↗

Two philosophers in search of a contradiction: a response to Singer and Kuhse.

Peter Singer and Helga Kuhse reject my claim that because their views on the mortality of infanticide are metaphysically incommensurate with those of Paul Ramsey they cannot refute his position. According to them, I have failed to see that Ramsey contradicts himself. Once this is seen, no further refutation is needed. I argue that there is no contradiction and offer further thoughts on the metaphysically incommensurate.

Ethical Analysis↗

Breath management: gender-based differences in classical singers.

Fifty-five subjects (38 female, 17 male), consisting of professional operatic singers, singing teachers and advanced classical voice students, were surveyed to explore gender-based differences in breath management strategies for singing. Respondents evaluated extent and significance of thoracic and abdominal movement for inhalation and for control of singing extended phrases. Females were found to concentrate breath efforts lower in the body than did men (hypogastric vs. epigastric regions). Both groups relied heavily on low thoracic activity to provide an antagonistic mechanism for control. Results corroborated a review of standard pedagogical literature, which showed variations in recommended breathing methods that strongly correlate to the gender of the author.

Adult↗