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PubMed1978

Apparent movement of successively generated subjective figures.

In the present studies a pair of random-dot frames was constructed so that two areas in the first frame (f1) were correlated with two areas in the second frame (f2). The alternation of the pair of frames (an f1--f2 sequence) gave rise to two subjective figures. When two pairs of randomdot frames (an f1--f2 sequence and an f3--f4 sequence), each of which produced two subjective figures in different locations, were thmeselves alternated, the subjective figures from the f1--f2 sequence interacted with the subjective figures from the f3--f4 sequence to produce apparent movement. With any one of the four general kinds of displays which we constructed, subjects usually perceived only one of two types of subjective-figure movement. The type of movement that was perceived with a given display depended primarily upon the degree of change (across the interval between an f1--f2 and an f3--f4 sequence) of the internal structure of the successively generated subjective figures. Relative intensity differences between the subjective figures and their backgrounds influenced the type of apparent movement seen, whereas variations in the density of elements in a display did not. We tentatively propose a two-stage model to explain the apparent movement of the subjective figures: the first stage is assumed to generate the subjective figures by means of a cross-correlation of the intensity distributions of the two frames within an f1--f2 sequence and within an f3--f4 sequence; on the basis of inputs from the first stage, the second stage generates apparent movement signals for the subjective figures.

Discrimination, Psychological↗
PubMed1979

Figure-ground formation by movement: influences and effects.

A twelve-letter array was segmented into figure and ground by moving some of its letters. Moved letters were shifted one letter-width left of right, independently of each other, in apparent movement. Since the figure of a display attracts attention, identification of letters of the figure segment should show an advantage over letters of the background segment. Three results are of interest. First, moved letters were identified more accurately and faster than stationary letters when only one or two letters moved. Stationary letters showed the advantage when eight of the twelve letters moved. This result suggests that the segment seen as figure is determined by both rapidly encodable letter movement and by the number of moved letters within the display. Second, segmentation of the visual display acids identification of moved letters in less than 90 ms, or well before the eye can move to the selected letter position. Third, letters in the figure segment which are closer to fixation are more likely to be identified than more eccentric letters.

Cues↗
PubMed1980

The binocular: monocular sensitivity ratio for movement detection varies with temporal frequency.

Binocular sensitivity to the movement or flicker visible in a phase-reversing grating pattern is higher by a factor of about 1.7 to 2.0 compared with monocular sensitivity, at low rates of phase reversal. This factor decreases as the temporal frequency of the phase reversal increases, especially above 10 Hz. For different observers, the ratio may be higher or lower overall with gratings of spatial frequency 5 cycles deg-1 than with 0.5 cycle deg-1 gratings.

Eye Movements↗
PubMed1982

Metaphor in pictures.

Pictures can be literal or metaphoric. Metaphoric pictures involve intended violations of standard modes of depiction that are universally recognizable. The types of metaphoric pictures correspond to major groups of verbal metaphors, with the addition of a class of pictorial runes. Often the correspondence between verbal and pictorial metaphors depends on individual features of objects and such physical parameters as change of scale. A more sophisticated analysis is required for some pictorial metaphors, involving juxtapositions of well-known objects and indirect reference.

Art↗
PubMed1985

Shape, height and angular movement in stereokinesis.

Cues affecting the apparent height (depth) of a stereokinetic 'core' were investigated by comparing heights for pairs of rotating figures. Apparent height was shown to be independent of the number of bands on the figure and of the geometric perspective by which it was drawn. On the other hand, apparent height was strongly dependent on eccentricity within the figure, with maximum apparent height being achieved at full eccentricity. The reason for the existence of such a definite maximum remains obscure.

Cues↗
PubMed1986

Multiple 3-D interpretations in a classic stereokinetic effect.

It is known that a flat ellipse rotating in the frontoparallel plane sooner or later appears as a rigid circular disc tilting in 3-D space. An experiment is reported in which prolonged exposure to the same flat pattern produces a second previously unnoticed 3-D percept: an elongated egg slanted in 3-D space, which points towards the observer and the end parts of which describe a circular trajectory in the frontal plane. It is shown that the achievement of this alternative percept is not affected by the particular shape of the ellipse, although the time needed to reach it increases with an ellipse with a 2:3 axis ratio.

Depth Perception↗
PubMed1986

Subjective contours can produce stereokinetic effects.

When a pattern of interrupted concentric circles drawn so as to produce an anomalous contour ellipse is slowly rotated in the frontoparallel plane, the subjective figure appears first to deform and then to tilt as a ring in 3-D space over motionless circles. Also, Benussi's floating cone can be obtained by placing an eccentric gray dot upon an anomalous solid ellipse and setting this figure into rotation. These patterns provide strong evidence that subjective contours can produce stereokinetic effects as effectively as real contours can. Implications for current explanations of stereokinetic effects are presented and discussed.

Depth Perception↗
PubMed1987

Dependence of apparent movement of a subjective figure on the perceptual fate of inducing elements.

In a series of demonstrations, two stimulus frames that contained subjective figures were alternated. It is shown that the perception of apparent movement of a subjective figure depends upon the configuration of the inducing stimuli and whether or not conditions of presentation favor the short-range or long-range process in apparent movement. Those conditions that favor the long-range process result in global apparent movement of the subjective figure. However, those conditions that favor the short-range process may prevent apparent movement of the subjective figure, or may result in a kind of apparent movement that is qualitatively different from that seen when similar physical contours are alternated. These results are interpreted in terms of the assumed differences between the short-range and long-range processes.

Form Perception↗
PubMed1987

Modal completion: critical variables in apparent transparency.

Conditions for perceptual modal completion are investigated using a stimulation pattern consisting of a figure moving behind a black opaque strip. This configuration leads, depending on conditions, either to the amodal Michotte tunnel effect, or to modal completion, ie the apparent transparency phenomenon. Four experiments are reported in which an attempt was made to define the critical variables of this latter effect. The results show that modal completion is not typically related to luminance interactions, ie to assimilation, but depends on the figural dominance of the filled-in object, this being determined by structural factors such as figure-ground relationship and stimulation change. The effect also depends strongly on the complexity of the spatiotemporal integration needed to maintain phenomenal identity of the object. No significant effect was found for the two other variables investigated, ie formal complexity of the figure and depth between the figure and the strip. The data are discussed in relation to those on moving visual phantoms.

Attention↗
PubMed1989

Perceptual linkage of multiple objects rotating in depth.

When multiple objects rotate in depth, they are frequently perceived to rotate in the same direction even when perspective information signals counterrotation. Three experiments are reported on this tendency to recover the rotation directions of multiple objects in a nonindependent fashion (termed rotational linkage). Rotational linkage was strongly affected by slant in depth of the objects, image perspective, and relative starting phase of the objects. Linkage was found not to vary as a function of the relative rotation speed of the objects or the relative alignment of their rotation axes. Rotational linkage is interpreted as a tendency of the visual system to assign signed depths to objects based on a communality of image point direction.

Computer Simulation↗
PubMed1989

Figure and ground in space and time: 1. Temporal response surfaces of perceptual organization.

The figure-ground organization of an ambiguous bipartite pattern can be manipulated by altering the temporal-frequency content of the two regions of the pattern. Ambiguous patterns in which the two regions of each pattern contained sine-wave gratings of either 8, 4, 1, or 0.5 cycles deg-1 undergoing contrast reversal at rates of 0, 3.75, 7.5, or 15 Hz were tested for figure-ground organization under conditions of equated space-averaged and time-averaged luminance and perceived contrast. All combinations of temporal-frequency differences between the two regions were tested at each spatial frequency. The data are reported for two levels of temporal resolution (15 and 30 s). The pattern region with the relatively higher temporal frequency tended to be seen as the background a higher percentage of the viewing time. There were significant linear trends for the appearance as background of the region of higher temporal frequency with respect to the magnitude of the temporal-frequency difference between the two regions of each pattern for all spatial frequencies and data intervals except the final 15 s interval of the lowest (0.5 cycle deg-1) spatial-frequency condition.

Form Perception↗
PubMed1989

Figure and ground in space and time: 2. Frequency, velocity, and perceptual organization.

The figure-ground organization of an ambiguous bipartite pattern in which the two regions of the pattern contained sine-wave gratings which differed in spatial frequency was examined for two pairs of spatial frequencies: 1 and 4 cycles deg-1, and 1 and 8 cycles deg-1. The region of higher spatial frequency underwent contrast reversal at one of four rates: 0, 3.75, 7.5, or 15 Hz. The region of lower spatial frequency was equated with either the temporal frequency or the velocity of the grating of higher spatial frequency in three sets of conditions: one stationary condition, three in which temporal frequency was equated, and three in which velocity was equated. For the 1 and 4 cycles deg-1 pair, the region of lower spatial frequency tended to be seen as the background a higher percentage of the time. There were significant linear trends for the appearance as background of the region of lower spatial frequency with respect to the magnitude of the velocity difference between the two regions of the pattern. The faster the 1 cycle deg-1 grating moved with respect to the 4 cycles deg-1 grating, the higher the percentage of the time it was seen as the ground. The results for the 1 and 8 cycles deg-1 pair were in some cases unexpected in that the 8 cycles deg-1 grating was seen as the ground behind the 1 cycle deg-1 grating even though it was of a higher spatial frequency and moved at a slower velocity. The spatiotemporal tuning of the visual system is discussed.

Form Perception↗
PubMed1992

Anomalous spiral aftereffects: a new twist to the perception of rotating spirals.

Stationary spirals viewed after inspecting rotating sectored disks appear to rotate and to expand or contract radially, even though the rotating disks contain no perceptible components of radial motion. Moreover, the relative directions of illusory rotation and radial motion observed in these instances are 'impossible' under the stimulus constraints normally imposed by the geometry of a spiral under rotation: the stationary spirals appeared to expand/contract in directions opposite to those normally observed under conditions of actual spiral rotation, and under conditions of illusory spiral rotation in classical spiral aftereffects.

Discrimination Learning↗
PubMed1997

Correcting some misperceptions of time-to-collision: a critical note.

Stewart et al (1993, Perception 22 1227-1224) attempted to demonstrate that the ratio of angular speed to angular acceleration, [symbol see text]/[symbol see text], of the approaching object is preferred as the source of time-to-collision information to the ratio of visual angle to angular speed, [symbol see text]/[symbol see text]. It is demonstrated that this is not justified.

Distance Perception↗
PubMed1997

Moving stimuli define the shape of stationary chromatic patterns.

A study is reported of phenomena involved in perceptually unified organisation of a stationary chromatic pattern and a moving black outline or dot pattern. When the corners of the outline pattern were temporally oscillated on a stationary chromatic square, the chromatic border appeared to follow the moving outline, as if captured by it. This capture effect was also observed with moving dots: the chromatic border was defined by an imaginary line connecting the moving dots. Both capture effects occur over a region that becomes wider with increasing velocity of the oscillation. These observations suggest that the visual system effectively uses information from moving features to define the shape of overlapping chromatic image regions.

Color Perception↗
PubMed1998

The dynamic specification of surfaces and boundaries.

Sequential changes in small separated texture elements can produce perception of a moving form with continuous boundaries. This process of spatiotemporal boundary formation may exist to provide a robust means of detecting moving objects that occlude more distant textured surfaces. Whereas most research on spatiotemporal boundary formation has been focused on boundary and shape perception, two experiments are reported here on the perception of surface qualities in spatiotemporal boundary formation. In experiment 1 a free-report procedure was used to investigate whether surface perception can be determined by dynamic information alone, apart from static spatial differences. Results showed that dynamic information was sufficient to determine the appearance of a surface. This dynamic information may play an important role in other aspects of perception. In experiment 2, it was shown that dynamically specifying an extended, opaque surface facilitated edge perception. Implications for the relation of boundary and surface perception and for theories of perceptual transparency are discussed.

Form Perception↗
PubMed1998

Depth perception.

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Contrast Sensitivity↗