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Perceptual grouping of tone sequences by normally hearing and hearing-impaired listeners.

This study examined the perceptual grouping of rapid tone sequences for listeners with normal hearing and listeners with unilateral and bilateral cochlear hearing loss. The sequence ABA-ABA- was used, where A and B represent sinusoidal tones bursts (10-ms rise/fall, 80-ms steady state, 20-ms interval between tones) and - represents a silent interval of 120 ms. Tone A was fixed in frequency at 250, 500, 1000, or 2000 Hz. Tone B started with a frequency well above or below that of tone A, and its frequency was swept towards that of tone A so that the frequency separation between them decreased in an exponential manner. Listeners were required to indicate when they could no longer hear the tones A and B as two separate streams, but heard only a single stream with a "gallop" rhythm. This is called the fission boundary. For the normally hearing listeners, the separation between tones A and B at the fission boundary was roughly independent of the frequency of tone A when expressed as the difference in number of ERBs (delta E) between A and B, which is consistent with a recent model of stream segregation [M. W. Beauvois and R. Meddis, J. Acoust. Soc. Am. 99, 2270-2280 (1996)]. For the unilaterally hearing-impaired listeners, there was no consistent difference in the delta E magnitudes across ears, even though the auditory filters were broader in the impaired ears. This is not consistent with the theory of Beauvois and Meddis. The bilaterally hearing-impaired listeners sometimes showed delta E magnitudes within the normal range, and sometimes showed larger than normal delta E magnitudes. The results are discussed in terms of the factors that might influence perceptual stream formation in hearing-impaired listeners.

Adult↗

Loudness of dynamic stimuli in acoustic and electric hearing.

Traditional loudness models have been based on the average energy and the critical band analysis of steady-state sounds. However, most environmental sounds, including speech, are dynamic stimuli, in which the average level [e.g., the root-mean-square (rms) level] does not account for the large temporal fluctuations. The question addressed here was whether two stimuli of the same rms level but different peak levels would produce an equal loudness sensation. A modern adaptive procedure was used to replicate two classic experiments demonstrating that the sensation of "beats" in a two- or three-tone complex resulted in a louder sensation [E. Zwicker and H. Fastl, Psychoacoustics-Facts and Models (Springer-Verlag, Berlin, 1990)]. Two additional experiments were conducted to study exclusively the effects of the temporal envelope on the loudness sensation of dynamic stimuli. Loudness balance was performed by normal-hearing listeners between a white noise and a sinusoidally amplitude-modulated noise in one experiment, and by cochlear implant listeners between two harmonic stimuli of the same magnitude spectra, but different phase spectra, in the other experiment. The results from both experiments showed that, for two stimuli of the same rms level, the stimulus with greater temporal fluctuations sometimes produced a significantly louder sensation, depending on the temporal frequency and overall stimulus level. In normal-hearing listeners, the louder sensation was produced for the amplitude-modulated stimuli with modulation frequencies lower than 400 Hz, and gradually disappeared above 400 Hz, resulting in a low-pass filtering characteristic which bore some similarity to the temporal modulation transfer function. The extent to which loudness was greater was a nonmonotonic function of level in acoustic hearing and a monotonically increasingly function in electric hearing. These results suggest that the loudness sensation of a dynamic stimulus is not limited to a 100-ms temporal integration process, and may be determined jointly by a compression process in the cochlea and an expansion process in the brain. A level-dependent compression scheme that may better restore normal loudness of dynamic stimuli in hearing aids and cochlear implants is proposed.

Acoustics↗

Electrode discrimination and speech recognition in postlingually deafened adult cochlear implant subjects.

This study investigated the relationship between electrode discrimination and speech recognition in 11 postlingually deafened adult cochlear implant subjects who were implanted with the Nucleus/Cochlear Corporation multichannel device. The discriminability of each electrode included in a subject's clinical map was measured using adaptive and fixed-level discrimination tasks. Considerable variability in electrode discriminability was observed across subjects. Two subjects could discriminate all electrodes, and discrimination performance by the remaining nine subjects varied from near perfect to very poor. In these nine subjects, the results obtained from the discrimination tasks were used to create a map that contained only discriminable electrodes, and subjects' performance on speech recognition tasks using this experimental map was measured. Four different speech recognition tests were administered: a nine-choice closed-set medial vowel recognition task, a 14-choice closed-set medial consonant recognition task, the NU6 Monosyllabic Words Test [T. W. Tillman and T. Carhart, Tech. Rep. No. SAM-TR-66-55, USAF School of Aerospace Medicine, Brooks Air Force Base, Texas (1966)] scored for both words and phonemes correct, and the Central Institute for the Deaf (CID) Everyday Sentences test [H. Davis and S. R. Silverman, Hearing and Deafness (Holt, Rinehart, and Winston, New York, 1978)]. Seven of the nine subjects tested with the experimental map showed significant improvement on at least one speech recognition measure, even though the experimental map contained fewer electrodes than the original map. Three subjects' scores improved significantly on the CID Everyday Sentences test, three subjects' scores improved significantly on the NU6 Monosyllabic Words test, and five subjects' scores improved significantly on the NU6 Monosyllabic Words test scored for phonemes correct. None of the subjects' scores improved significantly on either the vowel or consonant tests. No significant correlation was observed between electrode discrimination ability and speech recognition scores or between electrode discrimination ability and improvement in speech recognition scores when programmed with the experimental map. The results of this study suggest that electrode discrimination tasks may be used to improve speech recognition of some cochlear implant subjects, and that each electrode site does not necessarily provide perceptually distinct information.

Adult↗

Cross-modality matching and the loudness growth function for click stimuli.

Loudness-intensity functions for click stimuli were obtained from 30 adult listeners having normal (n = 10), flat (n = 10), or sloping (n = 10) high-frequency cochlear hearing loss configurations. The procedure of cross-modality matching (CMM) between loudness and perceived line length [R. P. Hellman and C. H. Meiselman, J. Speech Hear. Res. 31, 605-615 (1988); J. Acoust. Soc. Am. 88, 2596-2606 (1990); J. Acoust. Soc. Am. 93, 966-975 (1993)] was used to validate their loudness growth functions. Mean group loudness exponents were similar to those reported in recent investigations that utilized pure tone stimuli, further supporting the validity and reliability of the CMM task as an estimate of the loudness growth function. The results also suggest that the mean loudness function for clicks is similar to the function obtained with tonal stimuli at least for listeners with moderately impaired hearing or better. Moreover, CMM produced less variability than the more conventional psychophysical methods of magnitude estimation and production for the groups with cochlear hearing loss. Toward direct application of the CMM technique, in lieu of absolute exponential slope values, the individually determined loudness growth function over a range of intensities should be compared to the normal mean functions for calculations of deviations.

Acoustic Stimulation↗

Within-channel gap detection using dissimilar markers in cochlear implant listeners.

Temporal gap detection thresholds were measured between perceptually dissimilar electrical markers in cochlear implant listeners. Both markers were presented to the same electrode pair. The amplitude and pulse rate of the first marker were fixed, and gap thresholds were measured as a function of either the pulse rate or the amplitude of the second marker. In either case, U-shaped functions were obtained, with lowest gap thresholds occurring when the two markers were similar in both amplitude and pulse rate. Because the two markers were presented to the same electrode pair, the data cannot be accounted for on the basis of across-channel interactions. It is hypothesized that when different markers are used, the perceptual discontinuity from the first marker to the second is similar to the sensation of a brief gap, and dominates the gap detection process. Thus, gap threshold functions with electrically dissimilar markers serve more as indicators of perceptual distance between the markers and less as measures of temporal resolution.

Auditory Threshold↗

On loudness at threshold.

Absolute thresholds for and loudness matches between pure tones and four- and ten-tone complexes were used to assess the form of the function relating loudness to sensation level, SL, at low and moderate levels. The components of the tone complexes had equal SLs and were separated by one, two, four, or six critical bands. Six listeners with normal hearing were tested. The thresholds for the multitone complexes indicate that they generally can be detected even when the level of a single component is a few dB below the threshold. The average detection advantage is consistent with predictions for multiple observations in independent, frequency-selective auditory channels, but differences among listeners are apparent. The loudness matches also vary somewhat among listeners. Five of the six listeners matched tone complexes composed of subthreshold components to a pure tone a few dB above threshold. This indicates that the loudness of tones at or even below threshold is greater than zero for these five listeners. A simple model of loudness summation was used to obtain loudness functions from the individual listeners' loudness matches. The slopes of the loudness functions [log(loudness) plotted as a function of log(intensity)] generally exceed unity at low levels and are near 0.2 at 40 dB SL. This shallow slope at moderate levels agrees with loudness functions derived from data on temporal integration of loudness. The average loudness function derived from the present data also is in good agreement with a variety of previous data obtained by magnitude estimation, magnitude production, ratio production, and measurements of binaural loudness summation.

Adolescent↗

Temporal integration of loudness under partial masking.

This paper tests the hypothesis that the loudness ratio between equal-SPL tones with different durations is the same at all SPLs. Detection thresholds and levels required to produce equal loudness for 5- and 200-ms tones presented in quiet or in broadband noise were measured using adaptive, two-interval, two-alternative forced-choice procedures. Tone levels ranged from 5 dB SL to 90 dB SPL for the long tones and about 100 dB SPL for the short tones. Results from six listeners with normal hearing show that the amount of temporal integration, defined as the level difference between equally loud 5- and 200-ms tones, varies nonmonotonically with level and is greatest at moderate levels. The average amount of temporal integration in quiet is about 15 dB near threshold, increases to a peak of 27 dB when the 5-ms tone is about 58 dB SPL, and decreases to about 15 dB near 100 dB SPL. For masker levels of 40, 60, and 80 dB SPL, the amount of temporal integration near masked threshold remains near 15 dB. The maximum amount of temporal integration decreases as masker level increases and occurs at progressively higher levels. At high levels, the amount of temporal integration is nearly the same as in the quiet for all masker levels. Loudness functions derived by applying the equal-loudness-ratio hypothesis to the data yield excellent predictions of loudness matches between tones in the quiet and partially masked tones with the 40- and 60-dB maskers. For the 80-dB masker, clear deviations are present. These results support the equal-loudness-ratio hypothesis, but suggest that intense masking may alter the loudness ratio between 200- and 5-ms tones.

Adult↗

The effects of varying signal intensity on the perceptual organization of rhythmic auditory patterns.

Cyclic repetitions of temporally structured sequences of sound bursts and gaps are perceived as rhythmic patterns. Some are perceptually unambiguous--the pattern organization is unique; others are perceptually ambiguous--the organization changes. Previous research suggests that the pattern of neuronal adaptation and recovery from adaptation associated with these stimuli determines how listeners perceptually organize the sequences. It follows that variations in the intensity of specific sound elements, which should produce specific changes in the underlying patterns of neuronal activation, should produce predictable changes in the perceptual organization of the sequences. The present study tested this hypothesis by observing the perceptual responses of listeners while varying the intensity of critical elements of unambiguous and ambiguous sequences. The results support the hypothesis in that an unambiguous sequence was made ambiguous and an ambiguous sequence was made less ambiguous. However, the unambiguous sequence did not completely reverse its perceptual organization, nor did the ambiguous sequence become completely unambiguous. The outcome is discussed focusing on the range of intensity increments tested, the type of stimuli used, and the possibility that neurosensory factors may interact with other organizing factors in determining the perceptual organization of rhythmic auditory sequences.

Adolescent↗

Cubic distortion product otoacoustic emissions in young and aged chinchillas exposed to low-frequency noise.

The aim of this study was to examine susceptibility to noise-induced hearing loss in animals with and without age-related hearing loss (AHL), using cubic distortion product otoacoustic emissions (CDPs) to assess the functional status of the outer hair cell (OHC) system. Subjects were young (< or = 3-yr-old) and aged (10- to 15-yr-old) chinchillas. CDP thresholds and input/output (I/O) functions were measured before and after exposure to 95 dB or 106 dB SPL low-frequency noise. The results indicate that (a) aging in the chinchilla is associated with significant elevations of CDP thresholds and depression of CDP I/O functions, (b) noise exposures cause equivalent CDP threshold elevations and amplitude reductions in young animals with normal hearing and older animals with AHL, and (c) CDP threshold and amplitude measures provide information that complements evoked potentials measured from the auditory midbrain.

Aging↗

Temporal integration of loudness in listeners with hearing losses of primarily cochlear origin.

To investigate how hearing loss of primarily cochlear origin affects the loudness of brief tones, loudness matches between 5- and 200-ms tones were obtained as a function of level for 15 listeners with cochlear impairments and for seven age-matched controls. Three frequencies, usually 0.5, 1, and 4 kHz, were tested in each listener using a two-interval, two--alternative forced--choice (2I, 2AFC) paradigm with a roving-level, up-down adaptive procedure. Results for the normal listeners generally were consistent with published data [e.g., Florentine et al., J. Acoust Soc. Am. 99, 1633-1644 (1996)]. The amount of temporal integration--defined as the level difference between equally loud short and long tones--varied nonmonotonically with level and was largest at moderate levels. No consistent effect of frequency was apparent. The impaired listeners varied widely, but most showed a clear effect of level on the amount of temporal integration. Overall, their results appear consistent with expectations based on knowledge of the general properties of their loudness-growth functions and the equal-loudness-ratio hypothesis, which states that the loudness ratio between equal-SPL long and brief tones is the same at all SPLs. The impaired listeners' amounts of temporal integration at high SPLs often were larger than normal, although it was reduced near threshold. When evaluated at equal SLs, the amount of temporal integration well above threshold usually was in the low end of the normal range. Two listeners with abrupt high-frequency hearing losses (slopes > 50 dB/octave) showed larger-than-normal maximal amounts of temporal integration (40 to 50 dB). This finding is consistent with the shallow loudness functions predicted by our excitation-pattern model for impaired listeners [Florentine et al., in Modeling Sensorineural Hearing Loss, edited by W. Jesteadt (Erlbaum, Mahwah, NJ, 1997), pp. 187-198]. Loudness functions derived from impaired listeners' temporal-integration functions indicate that restoration of loudness in listeners with cochlear hearing loss usually will require the same gain whether the sound is short or long.

Adult↗

Effects of stimulation mode on threshold and loudness growth in multielectrode cochlear implants.

The effect of increasing the separation between the two members of a stimulating electrode pair was studied in four users of the Nucleus-22 cochlear implant. Two experiments were performed. In experiment 1, detection threshold for a 200-ms, 500-pulses/s biphasic pulse train was measured as the spatial separation between the active and return electrodes was increased. In experiment 2, loudness-growth functions were measured as the electrode separation was increased. The results of experiment 1 indicate that (a) threshold decreases monotonically toward an asymptote (monopolar threshold) as the electrode separation is increased and (b) the threshold versus electrode separation function is similar across subjects and electrode location. The results of experiment 2 indicate that loudness L is related to the current amplitude I by a simple exponential function: L = e beta I, where beta, the exponent of the loudness function, is, to a first approximation, linearly related to the separation between the electrodes of the stimulating pair. Thus, dynamic range and the shape of loudness growth can be directly linked to the spatial separation between active and return electrodes.

Auditory Threshold↗

Factors affecting the loudness of modulated sounds.

Loudness matches were obtained between unmodulated carriers and carriers that were amplitude modulated either periodically (rates between 2 and 32 Hz, modulation sinusoidal either on a linear amplitude scale or on a dB scale; the latter is called dB modulation) or with the envelope of the speech of a single talker. The carrier was a 4-kHz sinusoid, white noise, or speech-shaped noise. Both normally hearing subjects and subjects with cochlear hearing loss were tested. Results were expressed as the root-mean-square (rms) level of the modulated carrier minus the level of the unmodulated carrier at the point of equal loudness. If this difference is positive, this indicates that the modulated carrier has a higher rms level at the point of equal loudness. For normally hearing subjects, the results show: (1) For a 4000-Hz sinusoidal carrier, the difference was slightly positive (averaging about 0.7 dB). There was no significant effect of modulation rate or level over the range 20-80 dB SL. (2) For a speech-shaped noise or white noise carrier, the difference was close to zero, although for large modulation depths it tended to be negative. There was no clear effect of level (over the range 35-75 dB SPL) or modulation rate. For the hearing-impaired subjects, the differences were small, but tended to be slightly negative for both the 4000-Hz carrier and the noise carriers, when the modulation rate was above 2 Hz. Again, there was no clear effect of overall level. However, for dB modulation, the differences became more negative with increasing modulation depth. For modulation rates in the range 4-32 Hz, the results could be fitted reasonably well using the assumption that the loudness of modulated sounds is based on the rms value of the time-varying intensity of the response of the basilar membrane (taking into account the compression that occurs in the normal cochlea). The implications of the results for the fitting of multi-band compression hearing aids and for the design of loudness meters are discussed.

Adult↗

Memory for pitch versus memory for loudness.

The decays of pitch traces and loudness traces in short-term auditory memory were compared in forced-choice discrimination experiments. The two stimuli presented on each trial were separated by a variable delay (D); they consisted of pure tones, series of resolved harmonics, or series of unresolved harmonics mixed with lowpass noise. A roving procedure was employed in order to minimize the influence of context coding. During an initial phase of each experiment, frequency and intensity discrimination thresholds [P(C) = 0.80] were measured with an adaptive staircase method while D was fixed at 0.5 s. The corresponding physical differences (in cents or dB) were then constantly presented at four values of D: 0.5, 2, 5, and 10 s. In the case of intensity discrimination, performance (d') markedly decreased when D increased from 0.5 to 2 s, but was not further reduced when D was longer. In the case of frequency discrimination, the decline of performance as a function of D was significantly less abrupt. This divergence suggests that pitch and loudness are processed in separate modules of auditory memory.

Humans↗

Loudness recalibration as a function of level.

Recent research on loudness has focused on contextual effects on loudness, both assimilation and recalibration. The current experiments examined loudness recalibration [Marks, J. Exp. Psychol. 20, 382-396 (1994)]. In the first experiment, an adaptive tracking procedure was used to measure loudness recalibration as a function of standard- and recalibration-tone level. The standard-tone frequencies were 500 and 2500 Hz and the levels were 80-, 70-, 60-, and 40-dB SPL, and threshold. Seventeen dB of loudness recalibration was obtained (combined over both frequencies) in the 60-dB SPL condition. This amount of loudness recalibration, while substantial, is still less than that obtained by Marks (22 dB), using the method of paired comparisons. The second experiment sought to duplicate Marks' earlier experiment [Marks, J. Exp. Psychol. 20, 382-396 (1994), experiment 2]. The results of this experiment (21 dB) were almost identical to those obtained by Marks. The results of experiment 1 indicate that loudness recalibration is maximum when the recalibration tone is moderately louder than the subsequent standard tones. Relatively little loudness recalibration is exhibited when the standard-tone level equals the recalibration-tone level. In addition, there is no loudness recalibration at threshold. The tracking procedure also identified that the onset of loudness recalibration is very rapid. The difference between the maximum loudness recalibration obtained at each frequency (11 dB at 500 Hz, 6 dB at 2500 Hz) suggests that loudness recalibration is dependent upon the frequency of the standard tone.

Acoustic Stimulation↗

Vestibular responses to loud dance music: a physiological basis of the "rock and roll threshold"?

In this paper new evidence is provided to indicate that vestibular responses may be obtained from loud dance music for intensities above 90 dB(A) SPL (Impulse-weighted). In a sample of ten subjects acoustically evoked EMG were obtained from the sternocleidomastoid muscle in response to a sample of techno music typical of that which may be experienced in a dance club. Previous research has shown that this response is vestibularly mediated since it can be obtained in subjects with loss of cochlear function, but is absent in subjects with loss of vestibular function (Colebatch et al. [J. Neurol. Neurosurg. Psychiatr. 57, 190-197 (1994)]. Given that pleasurable sensations of self-motion are widely sought after by more normal means of vestibular stimulation, it is suggested that acoustically evoked sensations of self-motion may account for the compulsion to exposure to loud music. Given further the similarity between the thresholds found, and the intensities and frequency distributions that are typical in rock concerts and dance clubs, it is also suggested that this response may be a physiological basis for the minimum loudness necessary for rock and dance music to work-the "rock and roll threshold".

Audiometry, Pure-Tone↗

Effects of phase duration and electrode separation on loudness growth in cochlear implant listeners.

Loudness estimates were obtained in a group of four adult subjects implanted with the Nucleus-22 multielectrode cochlear implant device, for a range of pulse amplitudes and different fixed phase durations and electrode separations. The stimulus was a 200-ms long train of biphasic pulses presented at 500 pulses/s. Subjects estimated loudness as a number from 0 ("don't hear it") to 100 ("uncomfortably loud"). Loudness was found to grow exponentially with pulse amplitude, at a rate that was dependent upon the phase duration as well as the electrode separation. An equation of the form L = e(lambda + gamma M)(D theta)I, where L is the estimated loudness, M is the separation between electrodes of a stimulating pair, D is the phase duration, I is current amplitude, and lambda, gamma, and theta are constants, appears to describe the observed data adequately. The findings are remarkably consistent across subjects.

Adult↗

An effect of temporal asymmetry on loudness.

A set of experiments was conducted to examine the loudness of sounds with temporally asymmetric amplitude envelopes. Envelopes were generated with fast-attack/slow-decay characteristics to produce F-S (or "fast-slow") stimuli, while temporally reversed versions of these same envelopes produced corresponding S-F ("slow-fast") stimuli. For sinusoidal (330-6000 Hz) and broadband noise carriers, S-F stimuli were louder than F-S stimuli of equal energy. The magnitude of this effect was sensitive to stimulus order, with the largest differences between F-S and S-F loudness occurring after exposure to a preceding F-S stimulus. These results are not compatible with automatic gain control, power-spectrum models of loudness, or predictions obtained using the auditory image model [Patterson et al., J. Acoust. Soc. Am. 98, 1890-1894 (1995)]. Rather, they are comparable to phenomena of perceptual constancy, and may be related to the parsing of auditory input into direct and reverberant sound.

Auditory Threshold↗

Loudness-coding mechanisms inferred from electric stimulation of the human auditory system.

Two distinct physiological mechanisms underlying loudness sensation were inferred from electric stimulation of the human auditory nerve and brainstem. In contrast to a power function relating loudness and stimulus intensity in acoustic hearing, loudness in electric stimulation of the auditory nerve depends on stimulus frequency. Loudness is an exponential function of electric amplitude for high frequencies and is a power function for low frequencies. A frequency-dependent, two-stage model is suggested to explain the loudness function, in which the first stage of processing is performed by a mechanical mechanism in the cochlea for high-frequency stimuli and by a neural mechanism in the cochlear nucleus for low-frequency stimuli.

Acoustic Stimulation↗