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Results for “UNCONSCIOUSNESS”

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At least 1,171 records · Page 65Linked to original sources
PubMed1995

[The unconscious and nothing else? Comment on Reimut Reiche "From inside to outside?"].

The author criticizes Reimut Reiche's hypostatization of an (albeit intermittent) dualism between inside and outside worlds. She recalls the dialectics of individual and society, or more precisely individuation and socialisation, and demonstrates that the field of analytic social psychology-ignored by Reiche -could represent a way out of the theoretical blind alleys that he enlarges upon.

Freudian Theory↗
PubMed1995

Eating disorders, addictions, and unconscious fantasy.

Using concepts from object relations theory, the author extends the theories of eating disorders advanced by Freud and Bruch. Ogden's sensation-based autistic-contiguous position, Tustin's related concepts of autistic shapes and objects, and Fairbairn's theory of object relations are related to the addictive nature of eating disorders. A clinical illustration demonstrates how these recent theoretical concepts can help explain the unique qualities of the transference and countertransference that develop when working with eating disorder patients.

Adult↗
PubMed1994

[Images of the unconscious. On the history of psychoanalytic film theory].

In contrast to the customary practice of classifying everything that proceeds on theoretical lines vaguely connected with psychoanalysis as representing a contribution to "psychoanalytic film theory", the author reserves this term exclusively for work proceeding from Freud's version of psychoanalysis and done by actual psychoanalysts. Zeul traces the history of psychoanalytic film theory from its beginnings to the present, and shows that the majority of authors addressing the subject of psychoanalysis and cinema interpret films largely in terms of their content or "storyline", drawing upon categories of wish-fulfilment and narcissism to do so. In contrast to this, the author insists that the symbolic richness of a film can only be truly appreciated if its formal and aesthetic structure is taken seriously and the moving images are acknowledged as functioning in their own right. This contrast between content-oriented and formal film interpretation is to some extent reminiscent of the so-called "realism debate" in the thirties and forties, its protagonists being Georg Lukács and Bertolt Brecht.

Europe↗