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At least 1,099 records · Page 61Linked to original sources
PubMed1979

The response of neonates to intra-uterine sounds.

Playing prerecorded intra-uterine sounds to newborns reportedly soothes the babies. This study investigates this claim, particularly because of its promise for identifying neonates with severe hearing losses. 60 babies, up to eight days old, were observed individually under two conditions. In one, activity was rated on the Brazelton scale before and during presentation of intra-uterine sounds. In another, similar ratings were made but no sounds presented. The results indicate that intra-uterine sounds calm 90 per cent of babies who are fussy or crying but have no evident effect on babies who are awake but merely alert or who are slightly drowsy. These findings are discussed and improvements in procedure are suggested for use of intra-uterine sounds in routine screening for severe neonatal hearing loss.

Female↗
PubMed1988

Does airway closure affect lung sound generation?

The purpose of this experiment was to test the hypothesis that airway closure impedes the production of lung sounds at low lung volume. We recorded breath sounds in three healthy men during inspiratory vital capacity manoeuvres in upright, head-down and lateral decubitus postures. We then compared the rate of increase of breath sound intensity (BSI) between the dependent and non-dependent lung zones. Closing volumes, measured separately, were normal in the upright but increased in the head-down postures. The data revealed no consistent lag in the rate of increase of BSI over the dependent lung zones in any of the postures. Our data suggest that airway closure does not influence lung sound generation. If true, this implies that lung sounds are produced proximally to the site of physiologic airway closure.

Adult↗
PubMed2000

Sound absorption of cellular metals with semiopen cells.

A combined experimental and theoretical study is presented for the feasibility of using aluminum foams with semiopen cells for sound-absorption applications. The foams are processed via negative-pressure infiltration, using a preform consisting of water-soluble spherical particles. An analytical model is developed to quantify the dependence of pore connectivity on processing parameters, including infiltration pressure, particle size, wetting angle, and surface tension of molten alloy. Normal sound-absorption coefficient and static flow resistance are measured for samples having different porosity, pore size, and pore opening. A theory is developed for idealized semiopen metallic foams, with a regular hexagonal hollow prism having one circular aperture on each of its eight surfaces as the unit cell. The theory is built upon the acoustic impedance of the circular apertures (orifices) and cylindrical cavities due to viscous effects, and the principle of electroacoustic analogy. The predicted sound-absorption coefficients are compared with those measured. To help select processing parameters for producing semiopen metallic foams with desirable sound-absorbing properties, emphasis is placed on revealing the correlation between sound absorption and morphological parameters such as pore size, pore opening, and porosity.

Acoustics↗
PubMed2000

Sounds produced by Australian Irrawaddy dolphins, Orcaella brevirostris.

Sounds produced by Irrawaddy dolphins, Orcaella brevirostris, were recorded in coastal waters off northern Australia. They exhibit a varied repertoire, consisting of broadband clicks, pulsed sounds and whistles. Broad-band clicks, "creaks" and "buzz" sounds were recorded during foraging, while "squeaks" were recorded only during socializing. Both whistle types were recorded during foraging and socializing. The sounds produced by Irrawaddy dolphins do not resemble those of their nearest taxonomic relative, the killer whale, Orcinus orca. Pulsed sounds appear to resemble those produced by Sotalia and nonwhistling delphinids (e.g., Cephalorhynchus spp.). Irrawaddy dolphins exhibit a vocal repertoire that could reflect the acoustic specialization of this species to its environment.

Animal Communication↗
PubMed2001

Sound localization in a new-world frugivorous bat, Artibeus jamaicensis: acuity, use of binaural cues, and relationship to vision.

Passive sound-localization acuity and its relationship to vision were determined for the echolocating Jamaican fruit bat (Artibeus jamaicensis). A conditioned avoidance procedure was used in which the animals drank fruit juice from a spout in the presence of sounds from their right, but suppressed their behavior, breaking contact with the spout, whenever a sound came from their left, thereby avoiding a mild shock. The mean minimum audible angle for three bats for a 100-ms noise burst was 10 degrees-marginally superior to the 11.6 degrees threshold for Egyptian fruit bats and the 14 degrees threshold for big brown bats. Jamaican fruit bats were also able to localize both low- and high-frequency pure tones, indicating that they can use both binaural phase- and intensity-difference cues to locus. Indeed, their ability to use the binaural phase cue extends up to 6.3 kHz, the highest frequency so far for a mammal. The width of their field of best vision, defined anatomically as the width of the retinal area containing ganglion-cell densities at least 75% of maximum, is 34 degrees. This value is consistent with the previously established relationship between vision and hearing indicating that, even in echolocating bats, the primary function of passive sound localization is to direct the eyes to sound sources.

Animals↗
PubMed2004

Click sounds produced by cod (Gadus morhua).

Conspicuous sonic click sounds were recorded in the presence of cod (Gadus morhua), together with either harp seals (Pagophilus groenlandicus), hooded seals (Cystophora cristata) or a human diver in a pool. Similar sounds were never recorded in the presence of salmon (Salmo salar) together with either seal species, or from either seal or fish species when kept separately in the pool. It is concluded that cod was the source of these sounds and that the clicks were produced only when cod were approached by a swimming predatorlike body. The analyzed click sounds (n = 377) had the following characteristics (overall averages +/- S.D.): peak frequency = 5.95 +/- 2.22 kHz; peak-to-peak duration = 0.70 +/- 0.45 ms; sound pressure level (received level) = 153.2 +/- 7.0 dB re 1 microPa at 1 m. At present the mechanism and purpose of these clicks is not known. However, the circumstances under which they were recorded and some observations on the behavior of the seals both suggest that the clicks could have a predator startling function.

Animal Communication↗
PubMed2004

The effect of loading on disturbance sounds of the Atlantic croaker Micropogonius undulatus: air versus water.

Physiological work on fish sound production may require exposure of the swimbladder to air, which will change its loading (radiation mass and resistance) and could affect parameters of emitted sounds. This issue was examined in Atlantic croaker Micropogonius chromis by recording sounds from the same individuals in air and water. Although sonograms appear relatively similar in both cases, pulse duration is longer because of decreased damping, and sharpness of tuning (Q factor) is higher in water. However, pulse repetition rate and dominant frequency are unaffected. With appropriate caution it is suggested that sounds recorded in air can provide a useful tool in understanding the function of various swimbladder adaptations and provide reasonable approximation of natural sounds. Further, they provide an avenue for experimentally manipulating the sonic system, which can reveal details of its function not available from intact fish underwater.

Acoustics↗
PubMed1982

Localization of paired sound sources in cats: effects of variable arrival times.

Six adult cats were trained to perform sound-localization tasks involving either single or paired sound sources. The behavioral response consisted of the cat releasing the left of two foot pedals when sound was perceived to the left of midline, and to release the right pedal, when the sound occurred on the right. In sessions with paired sounds, the effects of varying the time interval between the arrival of clicks from the left and right speakers were examined. The intervals used were 0.0, 0.2, 0.3, 0.5, 1.0, 2.0, 3.0, 5.0, 7.0, and 9.0 ms. For the group as a whole, the optimal delay interval for most accurate localization fell within the range from 0.5 to 2.0 ms.

Animals↗
PubMed1986

The sound level of the singer's formant in professional singing.

The relative sound level of the "singer's formant," measured in a 1/3-oct band with a center frequency of 2.5 kHz for males and of 3.16 kHz for females, has been investigated for 14 professional singers, nine different modes of singing, nine different vowels, variations in overall sound-pressure level, and fundamental frequencies ranging from 98 up to 880 Hz. Variation in the sound level of the singer's formant due to differences among male singers was small (4 dB), the factors vowels (16 dB) and fundamental frequency (9-14 dB) had an intermediate effect, while the largest variation was found for differences among female singers (24 dB), between modes of singing (vocal effort) (23 dB), and in overall sound-pressure level (more than 30 dB). In spite of this great potential variability, for each mode of singing the sound level of the singer's formant was remarkably constant up to F0 = 392 Hz, due to adaptation of vocal effort. This may be explained as the result of the perceptual demand of a constant voice quality. The definition of the singer's formant is discussed.

Female↗
PubMed1986

Sounds, source levels, and associated behavior of humpback whales, southeast Alaska.

Humpback whales in Southeast Alaskan waters produced five categories of sounds: moans, grunts, pulse trains, blowhole-associated sounds, and surface impacts. Frequencies (Hz) of moans and grunts were 20-1900. Major energy in low-frequency pulse trains was in a band of 25-80 Hz with pulse duration of 300-400 ms. Blowhole-associated sounds, recorded as transiting whales encountered one another, were of two types: shrieks, 555-2000 Hz, and trumpetlike horn blasts with fundamental at 414 Hz (median). Pulses and spread spectrum noise were associated with gas bubble formation and explosive bursts, respectively, in connection with spiral feeding maneuvers. Surface impacts resulted from fluke or flipper slaps in sequences of 3-21 sounds. Source levels ranged from 162 (low-frequency pulse trains) to 192 dB (surface impacts), re: 1 microPa, 1 m. Songs, commonly heard on winter breeding grounds, were absent from our recordings. Feeding and perhaps certain other whale activities can be monitored based on sound production.

Animals↗
PubMed1986

Localization of sound in rooms, III: Onset and duration effects.

The steady-state sound field of a sine tone does not provide useful localization information in a room. Nevertheless, listeners can localize a sine tone in a room if it has an onset transient which allows the precedence effect to operate. In the present study, we made a quantitative assessment of onsets and the precedence effect by systematically varying onset duration from 0 s (impulsive), where the precedence effect is maximal, to 5 s, where there is no precedence effect at all. We also assessed listeners' sensitivity to the steady-state sound field under impulsive conditions by varying the total duration of tone pulses. Our experiments were conducted in a room with a single acoustical reflection having various directions and delays, and in an anechoic room. The results for tones of various frequencies (500 and 2000 Hz) and sound-pressure levels (65 and 40 dBA) indicate the following: Localization in rooms is facilitated by onsets even if the onsets are as long as 100 ms. The facilitation depends upon the peak intensity of the tone, as well as the onset duration, suggesting that onset rate is critical for the precedence effect; our results are most consistent with rate expressed as an increase in sound pressure per unit time. The facilitation also depends upon the reflection delay time for a room; gradual onsets take on much more importance for the precedence effect in rooms with long delays. As onsets begin to lose their effectiveness listeners become increasingly "misdirected" by invalid cues in the steady-state sound field. The pattern of misdirection suggests a perceptual averaging of cues over an interval more than an order of magnitude longer than previous estimates of the summation window for the precedence effect. The pattern of misdirection varies with the frequency of a tone, due to frequency-dependent interference effects in a room, but it is independent of signal level. Localization of an impulsive sine tone in rooms is very insensitive to the pulse duration; this suggests that binaural inhibition models of the precedence effect must be supplemented by an evaluative component that we term the "plausibility hypothesis."

Acoustic Stimulation↗
PubMed1987

Sounds and source levels from bowhead whales off Pt. Barrow, Alaska.

Sounds were recorded from bowhead whales migrating past Pt. Barrow, AK, to the Canadian Beaufort Sea. They mainly consisted of various low-frequency (25- to 900-Hz) moans and well-defined sound sequences organized into "song" (20-5000 Hz) recorded with our 2.46-km hydrophone array suspended from the ice. Songs were composed of up to 20 repeated phrases (mean, 10) which lasted up to 146 s (mean, 66.3). Several bowhead whales often were within acoustic range of the array at once, but usually only one sang at a time. Vocalizations exhibited diurnal peaks of occurrence (0600-0800, 1600-1800 h). Sounds which were located in the horizontal plane had peak source spectrum levels as follows--44 moans: 129-178 dB re: 1 microPa, 1 m (median, 159); 3 garglelike utterances: 152, 155, and 169 dB; 33 songs: 158-189 dB (median, 177), all presumably from different whales. Based on ambient noise levels, measured total propagation loss, and whale sound source levels, our detection of whale sounds was theoretically noise-limited beyond 2.5 km (moans) and beyond 10.7 km (songs), a model supported by actual localizations. This study showed that over much of the shallow Arctic and sub-Arctic waters, underwater communications of the bowhead whale would be limited to much shorter ranges than for other large whales in lower latitude, deep-water regions.

Alaska↗
PubMed1989

Indoor human response to blast sounds that generate rattles.

The two major noise sources that cause environmental problems for the U. S. Army are helicopters and large weapons such as artillery, tanks, and demolition. These large weapons produce blast sounds that contain little energy above 200 Hz and that are particularly troublesome to deal with because they excite rattles in structures. The purpose of this study was to systematically test subjective response to the presence or absence of rattles in otherwise similar blast sound environments. A second purpose of the study was to test if there were structural changes that could reduce annoyance within the indoor blast sound environment. This study was done using a specially constructed test house and highly repeatable shake table to generate the blast sounds. The data clearly show that no commonly used environmental noise measure adequately describes the indoor environment when the blast excites rattles. Although the indoor blast ASEL changes by only about a decibel or so (and the indoor blast CSEL changes by even less), the subjective response changes by up to 13 dB. At low blast levels, the increase in human annoyance response is largest, and this annoyance response offset decreases to about 6 dB when the outside, flat-weighted peak sound-pressure level of the blast increases from 112 to 122 dB.

Acoustics↗
PubMed1990

Active localization of virtual sounds.

A simple virtual sound display built around a microcomputer and analog hardware is described. The display implements most of the primary cues for sound localization in the ear-level plane. Judging both from informal observations by users and from objective data obtained in an experiment on homing to virtual and real sounds, it is concluded that simple displays like the one described are effective in creating the impression of external sounds to which observers can locomote with ease; in particular, this means that simulation of the direction-dependent spectral shaping effects of the pinnae is not a necessary requirement for extracranial sound localization.

Adult↗
PubMed1992

Determination of sound speed in biological tissues based on frequency analysis of pulse response.

The sound speed in biological tissues provides important diagnostic and treatment planning information. Conventional methods of sound-speed determination generally require that transducers make physical contact with specimens in order to measure thickness and travel time in the time domain. The physical contact may cause deformation and affect blood flow and the measurement of travel time in the time domain may be sensitive to waveform distortion due to tissue inhomogeneity and surface roughness. A method for determination of the sound speed is proposed in which the sound travel time in the sample and the difference in total travel time from the transducer to the rigid reflector due to the presence of the sample are estimated in the frequency domain and which does not require physical contact of ultrasonic probes to living or freshly excised tissue specimens. Ultrasonic speed measurements in silicone rubber and acrylic resin specimens verified the method validity. The standard deviation of the measurements over a 10- x 10-mm area is less than 4 m/s. Sound-speed distribution measurements of porcine muscle are in agreement with previously published results.

Acoustics↗
PubMed1996

Sound production of gray whales, Eschrichtius robustus, along their migration route: a new approach to signal analysis.

Sound production of gray whales was investigated to determine their acoustic repertoire along the migration route, and to compare sound production in deep and shallow water. Recording was conducted off Monterey Bay and Carmel Bay, California, during the annual migrations of 1988 through 1991. Sounds were analyzed through digital signal processing. Six acoustic variables were measured. Three variables were used for final classification, chosen for their clarity in the presence of high levels of ambient noise (poor signal-to-noise ratio). These variables were 3-dB bandwidth, center frequency, and harmonic/sideband interval. Q ratio was used as an indicator of how broadband or narrow band a signal was relative to other gray whale signals. Four categories of signals were determined: M1, M3, M4, and M5. All signal types were concentrated below 1500 Hz. M3 signals had the lowest center frequency, averaging below 100 Hz. M1 were pulses and bonging signals, M3 were low-frequency moans, M4 were grunts, and M5 were subsurface exhalations. The rate of sound production was lower when whales traveled over deep water than over shallow water. Rate of sound production was less along the migration route compared to the lagoons. M3 signals were the most common, comprising 46.6% of the repertoire along the migration route, with M1 signals comprising 37.4%.

Acoustics↗
PubMed1998

The direct estimation of sound speed using pulse-echo ultrasound.

A method for the direct estimation of the longitudinal speed of sound in a medium is presented. This estimator derives the speed of sound through analysis of pulse-echo data received across a single transducer array following a single transmission, and is analogous to methods used in exploration seismology. A potential application of this estimator is the dynamic correction of beamforming errors in medical imaging that result from discrepancy between the assumed and actual biological tissue velocities. The theoretical basis of this estimator is described and its function demonstrated in phantom experiments. Using a wire target, sound-speed estimates in water, methanol, ethanol, and n-butanol are compared to published values. Sound-speed estimates in two speckle-generating phantoms are also compared to expected values. The mean relative errors of these estimates are all less than 0.4%, and under the most ideal experimental conditions are less than 0.1%. The relative errors of estimates based on independent regions of speckle-generating phantoms have a standard deviation on the order of 0.5%. Simulation results showing the relative significance of potential sources of estimate error are presented. The impact of sound-speed errors on imaging and the potential of this estimator for phase aberration correction and tissue characterization are also discussed.

Humans↗
PubMed1999

Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters.

The perceptual salience of several outstanding features of quasiharmonic, time-variant spectra was investigated in musical instrument sounds. Spectral analyses of sounds from seven musical instruments (clarinet, flute, oboe, trumpet, violin, harpsichord, and marimba) produced time-varying harmonic amplitude and frequency data. Six basic data simplifications and five combinations of them were applied to the reference tones: amplitude-variation smoothing, coherent variation of amplitudes over time, spectral-envelope smoothing, forced harmonic-frequency variation, frequency-variation smoothing, and harmonic-frequency flattening. Listeners were asked to discriminate sounds resynthesized with simplified data from reference sounds resynthesized with the full data. Averaged over the seven instruments, the discrimination was very good for spectral envelope smoothing and amplitude envelope coherence, but was moderate to poor in decreasing order for forced harmonic frequency variation, frequency variation smoothing, frequency flattening, and amplitude variation smoothing. Discrimination of combinations of simplifications was equivalent to that of the most potent constituent simplification. Objective measurements were made on the spectral data for harmonic amplitude, harmonic frequency, and spectral centroid changes resulting from simplifications. These measures were found to correlate well with discrimination results, indicating that listeners have access to a relatively fine-grained sensory representation of musical instrument sounds.

Adult↗