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Virginia Woolf and Leslie Stephen: a father's contribution to psychosis and genius.

Leslie Stephen, the father of Virginia Woolf, was a cacophony of contradictions. From all accounts, he was a bully, a manipulator, and a blustering, pessimistic, emotionally dishonest man. Although he could be lovable, charming, whimsical, encouraging, and deeply devoted to his family, he subjugated the adult women in his household and at least one son to exploitation and abuse, demanding (and receiving from his wife and step-daughter) almost total abnegation of self. Julia Stephen, in contrast, was an optimistic, seemingly selfless person, who characteristically presented herself in an "up" mood to the world. Virginia incorporated both parental moods into her character structure, as have a number of the author's cyclothymic patients. Therefore, it is postulated that pessimism and habitual deflating affronts on the part of one parent, in combination with a compulsive "good mood" on the part of the second parent, are a particularly lethal combination of character traits, which in their offspring may contribute to the rapid mood shifting characteristic of manic depression. In contrast to Julie, Stephen was a presence who could not be side-stepped. This combination of sweet and monstrous attributes in her father's nature, and again in the contrasting temperaments of the parental couple, must have been impossible to integrate for the small Virginia, who already was desperately engaged in the struggle for selfhood. She could not complete her development on the oedipal level, although she loved her father dearly, because identification with her mother meant further threat to an identity already weakened at the separation-individuation phase of development. Virginia's solution was to identify with her father in his character, his sexual identity, and his profession. Stephen, who was particularly devoted to Virginia, whom he regarded as an extension of himself, encouraged this identification, and served as her teacher and mentor. In that sense, he truly was the captain of the ship in her voyage To the Lighthouse, master of the currents that swept her onward to the grand light of her genius. A four-fold comparison of Virginia Woolf and Leslie Stephen is made concerning their respective ages of weaning, success in navigating both the rapproachment phase of separation-individuation and the oedipal period, and the ages at which their mothers died. It appears that Virginia lost her mother at those four critical periods when Leslie did not.(ABSTRACT TRUNCATED AT 400 WORDS)

Creativity↗

Nightmares in Vietnam veterans.

Repetitive traumatic dreams remain a curiosity in our working with patients. If dreams have a sleep protecting or problem solving function, the dream that does not resolve but repeats and that disturbs rather than protects sleep remains an important clinical problem. We see in individual patient experiences and in civilian disasters samples of individuals who are unable to return their dream life to a condition in which it no longer repeats or disturbs their sleep. Clearly the recent experience of combat survivors of Vietnam becomes a major concern.

Adult↗

Dreams of the rarebit fiend: neuromedical synthesis of unconscious meaning.

A promising new "ecumenical" movement in psychiatry attempts to synthesize the two great intellectual traditions, psychoanalysis and neurobiology, so that we may avoid splitting the care of the patient into the partial domains of biotherapy that lacks the understanding of mental interrelations and purely psychological psychotherapy that lacks an appreciation of the embeddedness of mental processes in brain function. Recent synthetic work is assessed, taking as a point of departure an historic symposium in Pittsburgh, October 26-27, 1984, entitled "Neurobiology and the Unconscious: Psychoanalysis Looks Toward the Future." The means of representation of meaning (whose description was begun by Freud) in such unconscious material as dreams and folklore show the imprint of the brain function in which they are imbedded. Our afferent and efferent processes, including language, are patterned by their neuromedical basis. Linkages will be sought of representational images to visual, vestibular, and neuromotor traces: evidence that the human "thinking machine" is a very human body rather than some disembodied psychological self or computer simulation by artificial intelligence programming. Illustrative material is in part drawn from the popular dream episodes cartooned by Winsor McCay, which were considered graphic masterpieces, and incorporated representations of many normal unconscious brain mechanisms, including unusual perspectives, vestibular sensations, neuromotor inhibitions, transformations; visual and linguistic distortions, bizarre bodily intrusions, and sexual symbols. J. Allen Hobson and R.W. McCarley's 1977 arguments for the determining the significance of the pontine dream generator may have been anticipated by McCay's 1905 Dreams of the Rarebit Fiend in which, at the end of each very Freudian nightmare, the dreamer wakes and swears off eating welsh rarebits as if they caused all his unconscious images. To avoid a biological reductiveness, Freud, whom Sulloway (1983) has described as a biologist of the mind, resorted to presenting psychoanalysis as a pure psychology, not because he ever doubted the neurological imbeddedness of mind, but only because he felt medical psychoanalysts were too easily seduced and distracted by neurological mechanisms of his day to appreciate properly the importance of psychodynamics. Increasing recognition of the imbeddedness of psychoanalysis in brain function is now timely and likely, providing fresh directions for both medical psychoanalysis and the neurosciences.(ABSTRACT TRUNCATED AT 400 WORDS)

Brain↗