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PubMed2004

Acoustic monitoring on a humpback whale (Megaptera novaeangliae) feeding ground shows continual singing into late Spring.

Singing by males is a major feature of the mating system of humpback whales, Megaptera novaeangliae (Borowski). Although a few songs have been opportunistically recorded on the whales' high-latitude feeding grounds, singing in these regions was thought to be only sporadic. We report results from the first continuous acoustic monitoring of a humpback whale feeding ground (off Cape Cod, MA, USA) in spring. Using autonomous sea-floor recording systems, we found singing on a daily basis over the entire 25 day monitoring period, from 14 May to 7 June 2000. For much of the period, song was recorded 24 h per day. These results, combined with evidence for aseasonal conceptions in whaling catch data, suggest that the humpback whale breeding season should no longer be considered as confined to lower-latitude regions in winter. Rather, we suggest breeding extends geographically and temporally onto feeding grounds into at least spring and early summer. Singing at these times represents either low-cost opportunistic advertising by (perhaps relatively few) males to court females that failed to conceive during the winter, and/or possibly an intrasexual display.

Animals↗

PubMed1986

Spectral analysis of sung vowels. III. Characteristics of singers and modes of singing.

The 1/3-oct spectra of nine different vowels, sung by 14 professional male and female singers in nine different modes of singing, were analyzed to reveal spectral characteristics of individual singers and modes of singing. The main spectral differences between singers could be described in two dimensions characterizing, respectively, differences among male and among female singers. Spectral characteristics of these dimensions suggested that interindividual differences among males, like the average difference between males and females, arise mainly from differences in vocal tract dimensions, whereas interindividual differences among females may have a glottal basis. The spectral characteristics of the modes of singing could be represented for each vowel in two dimensions. Differences among the soft (pianissimo), light, neutral, free, straight, extra vibrato, and loud (fortissimo) modes were mainly due to the spectral effect of vocal effort, which constituted a very dominant first spectral dimension. This dimension essentially reflected the slope of the spectrum. The second dimension mainly described the spectral differences between the dark and pressed modes of singing. A possible explanation of the results in terms of glottal and supraglottal morphological variation is discussed.

Female↗

PubMed1987

Acoustic comparison of soprano solo and choir singing.

Five soprano singers were recorded while singing similar texts in both choir and solo modes of performance. A comparison of long-term-average spectra of similar passages in both modes indicates that subjects used different tactics to achieve somewhat higher concentrations of energy in the 2- to 4-kHz range when singing in the solo mode. It is likely that this effect resulted, at least in part, from a slight change of the voice source from choir to solo singing. The subjects used slightly more vibrato when singing in the solo mode.

Female↗

PubMed1974

Hemispheric lateralization of singing after intracarotid sodium amylobarbitone.

Hemispheric lateralization of singing was investigated in patients who had transient hemiplegia after intracarotid injection of sodium amylobarbitone. It was found that after right carotid injection singing was markedly deficient, whereas speech remained relatively intact. Songs were sung in a monotone, devoid of correct pitch rendering; rhythm was much less affected. By contrast, singing was less disturbed than speech after left carotid injection. The observations indicated a double dissociation; the right hemisphere contributed more for singing, whereas the left demonstrated its usual dominance for speech. A model is proposed that encompasses audible stimuli as well as tactual or visual into a scheme of functional lateralization wherein the right hemisphere specializes in processing a complete, time-independent stimulus configuration and the left in a series of successive, time-dependent units.

Adult↗

PubMed1977

Preservation of singing in Broca's aphasia.

Twenty-four right-handed, right hemiparetic patients with Broca's aphasia were examined for their singing capacity. Twenty-one (87.5%) produced good melogy. Twelve of these (57%) produced good text words while singing. It is speculated that the right hemisphere is dominant over the left for singing capacity. The relationship between melodic and text singing was also discussed.

Adult↗

PubMed1996

[MRI examination of laryngeal height during vowel singing].

Larynx height positions were determined in 12 singing students and singers with magnetic resonance imaging. The examinations were carried out during the singing of 9 different pitch and loudness combinations of the vowels /a/, /u/ and /i/. It could be demonstrated that vertical larynx position differences were smaller in professional singers than in students. In 10 of 12 examined volunteers a correlation between raised larynx position and high pitch singing or between lowered larynx position and low pitch singing could be observed in at least one of the examined vowels. Loudness-dependent and vowel-dependent differences of larynx height position could not be identified.

Adult↗

PubMed1991

Singing-induced hypotension: a complication of a high spinal cord lesion.

Cardiovascular autonomic control was studied in a patient with an incomplete high spinal cord lesion who presented with the symptoms of severe dizziness during debating and singing but not during orthostasis. The marked falls in blood pressure upon singing and orthostasis (45 degrees passive head-up tilt) were comparable in magnitude but different in time course. The fall in blood pressure upon graded Valsalva manoeuvres, however, was comparable to singing in magnitude and time course; similarly, 20 and 30 mmHg strain evoked complaints of dizziness. These differential circulatory responses upon orthostasis versus singing and Valsalva in tetraplegic patients have not been described before. We suggest that rapidly developing hypotension such as that induced by a moderate Valsalva strain represents the instantaneous mechanical effects of a raised intrathoracic pressure with lack of abdominal compression on the cardiovascular system when baroreflex vasomotor modulation is disrupted.

Adult↗

PubMed1990

[Seeing the timbre in the singing voice: training and retraining].

Voice clinicians, as well as singers, always correlate the assessment of the singing voice to the vocal and corporal gestures that model singing, and among these parameters, especially timbre. The authors have shown how and what to see in the timbre; first of all, through analysis of the voice by oscillography and sonagraphy, then through observation of the singing act in artists, with special interest for dynamic recordings by vuccal and nasal fibroscopy. In this manner, each variation of the timbre heard clearly corresponds to modifications of the glottic vibratory cycle, volume changes of the resonators, pharynx, oropharynx and buccal cavity. The analysis of the action of the different muscles coming into play in singing, their synergies and their antagonistic effects, give a physiological basis to the singer's vocal work. This analysis also makes it possible to more effectively guide the rehabilitation of dysacusia which effect the timbre.

Female↗

PubMed1998

Changes in the F-actin cytoskeleton during neurosensory bristle development in Drosophila: the role of singed and forked proteins.

Drosophila neurosensory bristle development provides an excellent model system to study the role of the actin-based cytoskeleton in polarized cell growth. We used confocal fluorescence microscopy of isolated thoracic tissue to characterize changes in F-actin that occurred during macrochaete development in wild type flies and mutants that have aberrant bristle morphology. At the earliest stages in wild type bristle development, cortical patches of F-actin were present, but no bundles were observed. Actin bundles began to form at 31% of pupal development and became more prominent as development progressed. The F-actin patches gradually disappeared and were no longer present by 38% of pupal development. The distribution of F-actin in singed3 mutant macrochaetae was indistinguishable from wild type bristles until 35% of development when the actin bundles began to splay and appear ribbon-like. In forked36a bristles, the mutant phenotype was evident at earlier stages of development than the singed3 mutant. Wild type tissue stained with antibodies against the forked protein demonstrated that the forked protein colocalized with F-actin structures found in early and late stage developing macrochaetae. Antibodies against the singed protein showed it appeared to localize with F-actin structures only at later stages in development. These data suggested that the forked gene product was required for the initiation of fiber bundle formation and the singed gene product was required for the maintenance of fiber bundle morphology during bristle development. Similar analyses of singed3/forked36a double mutants provided additional genetic evidence that the forked gene product was required before the singed gene product. Further, the analyses suggested that at least one additional crosslinking protein was present in these bundles.

Actins↗

PubMed2005

Immediate early gene activity in song control nuclei and brain areas regulating motivation relates positively to singing behavior during, but not outside of, a breeding context.

In some species, such as songbirds, much is known about how the brain regulates vocal learning, production, and perception. What remains a mystery is what regulates the motivation to communicate. European starlings (Sturnus vulgaris) sing throughout most of the year, but the social and environmental factors that motivate singing behavior differ seasonally. Male song is highly sexually motivated during, but not outside of, the breeding season. Brain areas outside the song control system, such as the medial preoptic nucleus (POM) and ventral tegmental area (VTA), have been implicated in regulating sexually motivated behaviors in birds, including song. The present study was designed to explore whether these regions, as well as three song control nuclei [area X, the high vocal center (HVC), and the robust nucleus of the arcopallium (RA)], might be involved differentially in song produced within compared to outside of a breeding context. We recorded the behavioral responses of breeding and nonbreeding condition male starlings to the introduction of a female conspecific. Males did not show context-dependent differences in the overall amount of song sung. However, immunocytochemistry for the protein product of the immediate early gene cFOS revealed a positive linear relationship between the total amount of songs sung and number of cFOS-labeled cells in POM, VTA, HVC, and RA for birds singing during, but not outside of, a breeding context. These results suggest that these regions differentially regulate male song production depending on reproductive context. Overall the data support the hypothesis that the POM and VTA interact with the song control system, specifically HVC and RA, to regulate sexually motivated vocal communication in songbirds.

Analysis of Variance↗

PubMed1991

Effect of a vasotocin analog on singing behavior in the canary.

Groups of juvenile and 1-year-old male canaries were treated briefly with the vasotocin (VT) analog desGly(NH2)9d(CH2)5-[Tyr(Me)2,Thr4, Orn8]VT (dGVTA) during four time intervals between September and February. The canaries received subcutaneously testosterone-containing silastic implants at the start of the VT analog treatment to assure that despite age and season differences the birds would all have comparable plasma levels of testosterone. The VT analog was administered subcutaneously (0.7 micrograms/100 microliters) during the first 3 days (3 injections daily) of chronic testosterone treatment. Observations on the singing behavior were carried out between Day 8 and Day 30 after implantation of the testosterone-filled silastic tubing. The short-term administration of the VT analog influenced the amount of singing behavior during a 30-min observation interval measured 1 to 4 weeks later. Despite age differences the effect of dGVTA held and seemed more related to season than to age. The song duration (seconds of song/30 min) was affected in a dual mode. In early autumn the VT analog enhanced song duration of testosterone-primed canaries, but the same VT analog decreased song duration in the period November/January. These results suggest that the neuropeptide VT is implicated in control of seasonal changes in singing behavior.

Age Factors↗

PubMed2004

Effects of singing training on the speaking voice of voice majors.

This longitudinal study gathered data with regard to the question: Does singing training have an effect on the speaking voice? Fourteen voice majors (12 females and two males; age range 17 to 20 years) were recorded once a semester for four consecutive semesters, while sustaining vowels and reading the "Rainbow Passage." Acoustic measures included speaking fundamental frequency (SFF) and sound pressure level (SLP). Perturbation measures included jitter, shimmer, and harmonic-to-noise ratio. Temporal measures included sentence, consonant, and diphthong durations. Results revealed that, as the number of semesters increased, the SFF increased while jitter and shimmer slightly decreased. Repeated measure analysis, however, indicated that none of the acoustic, temporal, or perturbation differences were statistically significant. These results confirm earlier cross-sectional studies that compared singers with nonsingers, in that singing training mostly affects the singing voice and rarely the speaking voice.

Adolescent↗

PubMed2004

The association between upper trapezius activity and thorax movement in classical singing.

This study aimed to examine in classical singing the phasing of the activity in upper trapezius (TR) to upper and lower thorax movement and to the phasing of activity in the intercostals (INT) and in the lateral abdominal (OBL) muscles. Electromyographic (EMG) activity was recorded from the TR, INT, and OBL muscles on the right side. Thorax movement (TX) was traced with two strain gauge sensors placed around the upper and lower thorax. Four professional opera singers (soprano, mezzo, tenor, and baritone) and four advanced student classical singers (three sopranos and one mezzo) participated. Three of the professional singers were 33 years, and one was 40 years. The students were between 23 and 30 years. Different arias, freely chosen by the singers from their professional repertoire, served as the singing task for the opera singers. All students sang "Summertime" from Porgy and Bess. All subjects performed their task three times with variation in vocal loudness (normal, forte, piano). Thereafter, for all subjects, a biofeedback (BF) procedure was performed on TR to lower TR activity and a repeat performance of the singing tasks was carried out. EMG activity from the three recording sites and upper and lower TX circumference were compared before and after BF. A phasing of upper TR activity to INT and OBL activity was discovered, all muscles supporting the expiration phase. During phonation, the upper TR contributes in the compression of upper TX, thus serving as an accessory muscle of expiration. Group results from both opera singers and student singers showed that EMG activity was significantly lowered after BF. The lowered TR activity resulted in an expanded upper TX circumference and less TX respiratory movement after BF.

Abdominal Muscles↗

PubMed2006

Intonation drift in a capella soprano, alto, tenor, bass quartet singing with key modulation.

OBJECTIVES/HYPOTHESIS: When a soprano, alto, tenor, bass (SATB) quartet sings unaccompanied, or a capella, the members of the group will tend to make use of non-equal-tempered intonation to govern their tuning. If the music they are performing visits different keys and they do maintain non-equal-tempered tuning, then the pitch center will have to shift from its starting point, which is a necessary consequence of the physics behind the use of a non-equal-tempered tuning system. The implication of this shift for tuning in a capella singing is that it is not possible both to maintain accurate non-equal-tempered tuning and to stay in pitch throughout music that modulates in key. METHODS: To test this notion, a set of four-part exercises were written by the author that visit several different key chords in sequential progression. In each case, the starting and finishing chords were either identical or exactly an octave apart. Mean fundamental frequency values for each note were measured using four electrolaryngographs (one per singer), and the f0 data were normalized and plotted with respect to equal-tempered tuning to enable any overall tuning shift to be observed. RESULTS: The results indicate that singers do (1) tend to non-equal-tempered tuning and (b) do consequentially shift their intonation with modulation. CONCLUSIONS: These data indicate that pitch drift is potentially a necessary part of staying in-tune. Further work is required to identify items in the choral repertoire for which this effect is likely and then to inform the choral conducting and singing communities appropriately.

Cooperative Behavior↗

PubMed2005

Singing-driven gene expression in the developing songbird brain.

Neural and behavioral development arises from an integration of genetic and environmental influences, yet specifying the nature of this interaction remains a primary problem in neuroscience. Here, we review molecular and behavioral studies that focus on the role of singing-driven gene expression during neural and vocal development in the male zebra finch (Taeniopygia guttata), a songbird that learns a species-typical vocal pattern during juvenile development by imitating an adult male tutor. A primary aim of our lab has been to identify naturally-occurring environmental influences that shape the propensity to sing. This ethological approach underlies our theoretical perspective, which is to integrate the significance of singing-driven gene expression into a broader ecological context.

Age Factors↗

PubMed2005

Coordinated and dissociated effects of testosterone on singing behavior and song control nuclei in canaries (Serinus canaria).

Temperate zone songbirds that breed seasonally exhibit pronounced differences in reproductive behaviors including song inside and outside the breeding season. Springlike long daylengths are associated with increases in plasma testosterone (T) concentrations, as well as with increases in singing and in the volume of several brain nuclei known to control this behavior. The mechanisms whereby T can induce changes in behavior and brain, and whether or not these effects are differentially regulated, have recently begun to be examined, as has the question of the relative contributions of T and its androgenic and estrogenic metabolites to the regulation of this seasonal behavioral and neural plasticity. In this experiment, we examined the effects of T, 5alpha-dihydrotestosterone, or 17beta-estradiol treatment on castrated male canaries housed on short days and compared neural and behavioral effects in these males to similarly-housed males given only blank implants. We observed that only T treatment was effective in eliciting significant increases in singing behavior after 11 days of hormone exposure. In addition, T alone was effective in increasing the volume of a key song production nucleus, HVC. However, at this time, none of the steroids had any effects on the volumes of two other song control nuclei, Area X of the medial striatum and the robust nucleus of the arcopallium (RA), that are efferent targets of HVC, known to be regulated by androgen in canaries and also to play a role in the control of adult song. T can thus enhance singing well before concomitant androgen-induced changes in the song control system are complete.

Androgens↗

PubMed1988

Singing ability after right and left sided brain damage. A research note.

Capacity to sing following brain damage was investigated in a series of 15 right sided and 15 left sided lesioned subjects and 15 normal control subjects. All subjects were asked to sing the same well-known song and performance was judged by independent expert musicians using criteria of ability to pitch the melody, accurately produce the rhythm, and overall quality of the production. There was a lack of support for differential effect of right and left cerebral damage on pitch and rhythm aspects of singing, but a generalized effect of brain damage was found.

Aged↗

PubMed2002

Food availability but not cold ambient temperature affects undirected singing in adult male zebra finches.

Adult male zebra finches (Taeniopygia guttata) produce hundreds of song bouts per day, even when housed in social isolation. Whether the production of this "undirected song" is influenced by specific environmental factors is unclear, although we previously found that short-term food (but not water) deprivation leads to a prompt cessation of singing. Here, male zebra finches were placed on a schedule of restricted feeding for 11 days to ask whether stimulus features associated with food influenced undirected song independent of the effect of food on body mass. We also evaluated the within-day effects of ambient temperature (Ta) variation on metabolic rate and then, based on these data, placed male zebra finches on 5 days of cold Ta (8 degrees C) to determine whether a moderately increased energy demand associated with cold Ta would influence undirected song. Daily song production and several energetic variables were measured during each manipulation, and data obtained during baseline and recovery periods (food and water available ad libitum, Ta=26 degrees C) provided a standard for comparison. Our results showed that the schedule of restricted feeding produced more than two-thirds reduction in the daily production of undirected song, while cold Ta had no effect. Daily food intake and body mass were well defended under both manipulations. Thus, undirected singing by adult male zebra finches appears to show a specific relationship to the availability of food. Possible mechanisms linking food availability to singing are discussed.

Animals↗