Psychophysical invariants of achromatic colour vision. IV. Depth adjacency and simultaneous contrast.
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Neurons in the extrastriate visual area V5/MT show perceptually relevant signals in binocular depth tasks, which can be measured as a choice probability (CP) for the neuron. The presence of a CP in a particular paradigm may be an indicator that the neuron is generally part of the substrate for the perception of binocular depth. We compared the responses of those single neurons that show CPs in one stereoscopic depth task with their responses in another stereo task. Each neuron was tested for the presence of 1) CPs during a task in which macaques responded to the sign of binocular depth in a structure-from-motion stimulus, to judge its direction of three-dimensional rotation and 2) a consistent response to the stereo disparity of binocularly anti-correlated stimuli. Previous work, confirmed here, shows that changing the disparity of these binocularly anti-correlated stimuli often fails to yield a coherent change in the depth percept. For each test alone, there are V5/MT neurons that carry signals that are congruent with the perceptual effects. However, on comparing tests, there is no fixed pool of neurons that can account for the binocular depth percept. Excitation of neurons with a measurable CP does not necessarily lead to a change in perception. The cortical circuitry must be able to make dynamic changes in the pools of neurons that underlie perceptual judgments according to the demands of the task.
The visual perception of monocular stimuli perceived as 3-D objects has received considerable attention from researchers in human and machine vision. However, most previous research has focused on how individual 3-D objects are perceived. Here this is extended to a study of how the structure of 3-D scenes containing multiple, possibly disconnected objects and features is perceived. Da Vinci stereopsis, stereo capture, and other surface formation and interpolation phenomena in stereopsis and structure-from-motion suggest that small features having ambiguous depth may be assigned depth by interpolation with features having unambiguous depth. I investigated whether vision may use similar mechanisms to assign relative depth to multiple objects and features in sparse monocular images, such as line drawings, especially when other depth cues are absent. I propose that vision tends to organize disconnected objects and features into common surfaces to construct 3-D-scene interpretations. Interpolations that are too weak to generate a visible surface percept may still be strong enough to assign relative depth to objects within a scene. When there exists more than one possible surface interpolation in a scene, the visual system's preference for one interpolation over another seems to be influenced by a number of factors, including: (i) proximity, (ii) smoothness, (iii) a preference for roughly frontoparallel surfaces and 'ground' surfaces, (iv) attention and fixation, and (v) higher-level factors. I present a variety of demonstrations and an experiment to support this surface-formation hypothesis.
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Human subjects viewed round stimuli located equidistantly in the horizontal and vertical planes of vision under conditions where presumed cues to size were present and where they were systematically eliminated. Two experiments revealed a consistent tendency for the horizon object to be judged the closer. Cues introduced reduced the effect.
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Functions reliably describing perception of motion in depth have been established experimentally by using psychophysical methods of size and distance estimations and threshold measurements. The stimuli were generated with a new hybrid technique yielding an image refresh rate of 1667 Hz. In this way it was possible to generate rapid expansions and contractions of the moving checkerboard pattern constituting the stimulus for depth motion perception. The results showed that perceived size constancy as well as depth impression varied with oscillation frequency. Under the conditions of slow motions (oscillation frequencies around 2 Hz), perfect size constancy was obtained. Above that limit, size constancy systematically decreased, and with oscillation frequencies of about 5 Hz the perceived size constancy was close to zero when small-sized patterns were used. Under the conditions of wide field stimulation (when the pattern subtended 66 degrees of visual angle), the cut-off limit increased to 16 Hz. Since the perception of depth motion amplitudes as well as perceived velocities of the visual object are related to perceived size constancy, the findings have certain implications for theoretical explanations of depth motion perception.
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We investigated the upper limit of horizontal spatial modulation of vertical-size disparity in a textured surface for the perception of depth. In Experiment 1 subjects matched the appearance of a surface with modulated horizontal-size disparity to that of a surface with modulated vertical-size disparity. In Experiment 2 we determined the threshold amplitude of modulation of vertical-size disparity required for the perception of depth as a function of the spatial frequency of disparity modulation. The results indicate that sensations of depth are not elicited by modulations of vertical-size disparity of any amplitude at spatial frequencies higher than about 0.04 c/deg. We conclude that vertical disparities are averaged within about 20 deg-wide areas and suggest that this global measurement is used to scale local horizontal disparities for the perception of surface slant.
'Preattentive' vision is typically considered to include several low-level processes, including the perception of depth from binocular disparity and motion parallax. However, doubt was cast on this model when it was shown that a secondary attentional task can modulate the motion aftereffect (Chaudhuri, 1990 Nature 344 60-62). Here we investigate whether attention can also affect the depth aftereffect (Blakemore and Julesz, 1971 Science 171 286-288). Subjects adapted to stationary or moving random-dot patterns segmented into depth planes while attention was manipulated with a secondary task (character processing at parametrically varied rates). We found that the duration of the depth aftereffect can be affected by attentional manipulations, and both its duration and that of the motion aftereffect varied with the difficulty of the secondary task. The results are discussed in the context of dynamic feedback models of vision, and support the penetrability of low-level sensory processes by attentional mechanisms.