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Results for “Depth Perception”

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At least 1,045 records · Page 58Linked to original sources
PubMed1986

Distance perception in photographic displays of natural settings.

Distance perception of depicted objects was examined as a function of photographic perspective. 24 subjects viewed slides of outdoor scenes and directly estimated the distances to specified objects. Perspective was manipulated by photographing each scene with lenses of four different focal lengths: 48 mm, 28 mm, 24 mm, and 17 mm. Distance perception along the pictorial depth plane (z-axis) was systematically transformed by changing the photographic perspective: the shorter the focal length of the camera lens, the greater the perceived distance. Perceived distance between objects along the lateral plane (x-axis) was unaffected by changes in lens focal length.

Cues↗
PubMed1977

The office retinal electrophysiology laboratory.

The "Visual Retinal Profile" can be obtained in the complete office evaluation of patients with night vision disorders, unexplained poor visual acuity, or undiagnosed retinal and/or choroidal diseases. This profile allows later follow-up evaluations and comparisons of previous tests to document improvement or progression of disease. The profile consists of the usual ophthalmologic evaluation plus color vision testing Amsler grid, stereoacuity, visual fields, electroretinogram (ERG), and electrooculogram (EOG). This entire set of tests, though time consuming, can be performed in the office by an ophthalmic assistant and greatly add to the ophthalmologists ability to evaluate and diagnose subtle retinal and/or choroidal diseases. A portable ERG/EOG and light source will be described that can be used in the office, clinic, nursing home, or operating room by trained office personnel.

Choroid↗
PubMed2003

Spatial and temporal tuning of motion in depth.

We used the Pulfrich effect to investigate perception of motion in depth. Independent manipulation of spatial and temporal frequency content in stereoscopic motion stimuli revealed the tuning characteristics of motion-in-depth perception. Sensitivity to interocular phase difference between sinusoidally oscillating sine-wave gratings was measured in four observers who judged direction of motion in depth. Discrimination thresholds in terms of interocular phase difference were determined to investigate spatial and temporal tuning characteristics of a system that is based on interocular phase difference, interocular delay, binocular disparity and velocity difference. Temporal frequency tuning of interocular phase difference thresholds was band pass and relatively dependent on spatial frequency variation. These results together with evidence from two control experiments support the idea that sensitivity to direction of motion in depth is limited by a stereo-motion system that monitors binocular horizontal disparity and motion rather than interocular phase difference, interocular delay, or interocular velocity difference.

Computer Simulation↗
PubMed2006

Neural correlates of monocular and binocular depth cues based on natural images: a LORETA analysis.

Functional imaging studies investigating perception of depth rely solely on one type of depth cue based on non-natural stimulus material. To overcome these limitations and to provide a more realistic and complete set of depth cues natural stereoscopic images were used in this study. Using slow cortical potentials and source localization we aimed to identify the neural correlates of monocular and binocular depth cues. This study confirms and extends functional imaging studies, showing that natural images provide a good, reliable, and more realistic alternative to artificial stimuli, and demonstrates the possibility to separate the processing of different depth cues.

Adolescent↗
PubMed2006

An MEG study into the visual perception of apparent motion in depth.

This study investigated (1) the responses associated with the perception of motion in depth induced by a series of scale-changing paradigms, and (2) the locations of the dipoles in the brain elicited by stimuli of motion in depth and in-plane motion. The former was determined using two types of stimulation: real motion and apparent motion in scale (AMS; where two frames with size-changed patterns were presented alternately); and the latter was determined by moving a full-field checkerboard pattern forward or rightward smoothly with the same time course. The results from analyzing magnetoencephalography (MEG) component M160 to differentiate the signals of perception can be summarized as follows: (1) the neurons stimulated by apparent motion (AM) might be similar to those stimulated by a real motion, since there was no statistical difference associated with the signals at M160 and the dipole locations; (2) the perceptional signal of motion in depth seems to be more sensitive when scale-changing information is present; and (3) asymmetrical responses are present in the visual system, with responses being more sensitive to expanding stimuli than to contracting ones, and with the activity being more prominent in the right occipitotemporal area. Overall, this study indicates that the responses evoked by the stimuli causing motion in depth are allocated more to area V3a rather to area V5.

Adult↗
PubMed1978

Pictorial depth and related constancy effects as a function of recognition.

It is argued that while pictorial cues must be fundamental in the perception of an extended ground plane in daily life (and, by definition, in the perception of depth in pictures), the traditional pictorial cues such as perspective or texture gradients are neither a necessary nor a sufficient basis for it. That they are not necessary was shown by experiments in which such cues were eliminated from pictures representing a scene in depth. Illusory size perception based on localization of objects in depth in such pictures nonetheless occurred. That they are not sufficient was shown by experiments in which photographs of grassy fields did not yield impressions of depth or related size illusions when conditions were such that the scene was not recognized. Once recognized, however, these same pictures did yield such perceptions. It is suggested that a critical step in perceiving depth based on pictorial information is recognition of the scene.

Art↗