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PubMed2002

The cortical topography of tonal structures underlying Western music.

Western tonal music relies on a formal geometric structure that determines distance relationships within a harmonic or tonal space. In functional magnetic resonance imaging experiments, we identified an area in the rostromedial prefrontal cortex that tracks activation in tonal space. Different voxels in this area exhibited selectivity for different keys. Within the same set of consistently activated voxels, the topography of tonality selectivity rearranged itself across scanning sessions. The tonality structure was thus maintained as a dynamic topography in cortical areas known to be at a nexus of cognitive, affective, and mnemonic processing.

Adult↗
PubMed1984

Interruption of phonological coding in conduction aphasia.

A case study of conduction aphasia, investigating single word repetition, phonological coding, and short-term memory, is reported. Evidence from intact adults suggests that repetition can occur through either a lexical route or a direct auditory-articulatory link. For this conduction aphasic, E.A., the direct link was impaired, although the lexical route could be used to produce accurate single word repetition. Several experiments demonstrated a significant impairment in the generation and maintenance of an abstract phonological code. The consequences of a disruption of phonological coding on speech perception and on verbal short-term memory are discussed.

Aphasia↗
PubMed1999

Children's artistic responses to musical intervals.

In one experiment, White South African boys drew pictures in response to four musical intervals. In the second, the subjects were of both sexes and drawn from White, urban Black, and rural Black populations. Six intervals were used. Drawing content was similar cross-culturally. Consonances were perceived as generally positive; dissonances, generally negative. There was also an activity dimension. Children in a lower grade drew more concrete pictures than did those in a higher grade, regardless of age. Even young listeners were fairly consistent in their responses. This suggests that perception of musical meaning is a universal rather than culturally based phenomenon.

Black or African American↗
PubMed1997

Fibromyalgia as a disorder of perceptual organization? An analysis of acoustic stimulus processing in patients with widespread pain.

We examined to what extent patients with fibromyalgia differ from painfree control subjects in the perception and processing not only of somatosensory but also of external stimuli. For this purpose the acoustic perception of 30 patients with fibromyalgia was compared with that of 36 generally pain-free age and gender matched subjects. The groups were also controlled for organic disease of pathological dysfunction of the ear and auditory nerves. Thresholds of unpleasantness and hearing thresholds were determined autiometrically for various frequencies. In addition the participants rated their experience of daily noise, vulnerability to acoustic stress, and functional and affective complaints associated with fibromyalgia. As expected the results show reduced unpleasantness thresholds for all frequencies and a nonsymptomatic hearing loss for higher frequencies. The elevated hearing threshold correlated significantly with experience of noise at the place of work, which was also elevated in the fibromyalgia group. Generalized pain had a high impact on the interaction between threshold of unpleasantness and daily noise experience. We interpret the differences in thresholds of hearing and of unpleasantness in patients with fibromyalgia as a form of either preconscious or conscious acts to protect against disturbing stimulation. Our results support the notion of a generalized disturbancy of perceptual thresholds in patients with fibromyalgia not restricted to the perception of pain.

Adult↗
PubMed2003

Dissimilarity and the classification of female singing voices: a preliminary study.

Traditionally, timbre has been defined as that perceptual attribute that differentiates two sounds when pitch and loudness are equal and thus is a measure of dissimilarity. By such a definition, each voice possesses a set of timbres, and the identity of any voice or voice category across different pitch-loudness-vowel combinations must be due to an abstraction of the pattern of timbre transformation. Using stimuli produced across the singing range by singers from different voice categories, this study sought to examine how timbre and pitch interact in the perception of dissimilarity. This study also investigated whether listener experience affects the perception of timbre as a function of pitch. The resulting multidimensional scaling (MDS) representations showed that for all stimuli and listeners, dimension 1 correlated with pitch, whereas dimension 2 correlated with spectral centroid and separated vocal stimuli into the categories mezzo-soprano and soprano. Dimension 3 appeared highly idiosyncratic depending on the nature of the stimuli and on the experience of the listener. Inexperienced listeners appeared to rely more heavily on pitch in making dissimilarity judgments than did experienced listeners. The resulting MDS representations of dissimilarity across pitch provide a glimpse of the timbre transformation of voice categories across pitch.

Female↗
PubMed2002

Limits of rhythm perception.

To what extent are listeners sensitive to the time intervals separating non-consecutive events in sound sequences? The subjects of Experiment 1 were presented with sequences of 20 identical tones in which the 10 odd-numbered tones or the 10 even-numbered tones made up an isochronous sub-sequence (with a periodicity of 0.5-1 s) whereas the other tones, acting as distractors, occurred at random moments. Such sequences appeared to be very difficult to discriminate from sequences without any timing regularity, which revealed a lack of perceptual sensitivity to their "second-order" intervals. Experiment 2 employed repetitive sequences in which the first-order intervals (separating consecutive tones) took two possible values, forming a ratio that subjects had to classify as larger or smaller than 2. The results of this experiment suggest that subjects were able to make use of second-order intervals in their task, but mainly due to the predictable nature of the sequences; the relative positions of subjective accents (Povel & Essens, 1985) had no significant effect on performance. It is concluded that the perception of subtle timing details in "ordinary" music may rest on nothing more than a sensitivity to the relations between first-order intervals (within a given auditory stream).

Adult↗
PubMed1996

Neural correlates of the pitch of complex tones. I. Pitch and pitch salience.

1. The temporal discharge patterns of auditory nerve fibers in Dial-anesthetized cats were studied in response to periodic complex acoustic waveforms that evoke pitches at their fundamental frequencies. Single-formant vowels, amplitude-modulated (AM) and quasi-frequency-modulated tones. AM noise, click trains, and other complex tones were utilized. Distributions of intervals between successive spikes ("1st-order intervals") and between both successive and nonsuccessive spikes ("all-order intervals") were computed from spike trains. Intervals from many fibers were pooled to estimate interspike interval distributions for the entire auditory nerve. Properties of these "pooled interspike interval distributions," such as the positions of interval peaks and their relative heights, were examined for correspondence to the psychophysical data on pitch frequency and pitch salience. 2. For a diverse set of complex stimuli and levels, the most frequent all-order interspike interval present in the pooled distribution corresponded to the pitch heard in psychophysical experiments. Pitch estimates based on pooled interval distributions (30-85 fibers, 100 stimulus presentations per fiber) were highly accurate (within 1%) for harmonic stimuli that produce strong pitches at 60 dB SPL. 3. Although the most frequent intervals in pooled all-order interval distributions were very stable with respect to sound intensity level (40, 60, and 80 dB total SPL), this was not necessarily the case for first-order interval distributions. Because the low pitches of complex tones are largely invariant with respect to level, pitches estimated from all-order interval distributions correspond better to perception. 4. Spectrally diverse stimuli that evoke similar low pitches produce pooled interval distributions with similar most-frequent intervals. This suggests that the pitch equivalence of these different stimuli could result from central auditory processing mechanisms that analyze interspike interval patterns. 5. Complex stimuli that evoke strong or "salient" pitches produce pooled interval distributions with high peak-to-mean ratios. Those stimuli that evoke weak pitches produce pooled interval distributions with low peak-to-mean ratios. 6. Pooled interspike interval distributions for stimuli consisting of low-frequency components generally resembled the short-time auto-correlation function of stimulus waveforms. Pooled interval distributions for stimuli consisting of high-frequency components resembled the short-time autocorrelation function of the waveform envelope. 7. Interval distributions in populations of neurons constitute a general, distributed means of encoding, transmitting, and representing information. Existence of a central processor capable of analyzing these interval patterns could provide a unified explanation for many different aspects of pitch perception.

Acoustic Stimulation↗
PubMed2004

Dynamics of brain activity in motor and frontal cortical areas during music listening: a magnetoencephalographic study.

There are formidable problems in studying how 'real' music engages the brain over wide ranges of temporal scales extending from milliseconds to a lifetime. In this work, we recorded the magnetoencephalographic signal while subjects listened to music as it unfolded over long periods of time (seconds), and we developed and applied methods to correlate the time course of the regional brain activations with the dynamic aspects of the musical sound. We showed that frontal areas generally respond with slow time constants to the music, reflecting their more integrative mode; motor-related areas showed transient-mode responses to fine temporal scale structures of the sound. The study combined novel analysis techniques designed to capture and quantify fine temporal sequencing from the authentic musical piece (characterized by a clearly defined rhythm and melodic structure) with the extraction of relevant features from the dynamics of the regional brain activations. The results demonstrated that activity in motor-related structures, specifically in lateral premotor areas, supplementary motor areas, and somatomotor areas, correlated with measures of rhythmicity derived from the music. These correlations showed distinct laterality depending on how the musical performance deviated from the strict tempo of the music score, that is, depending on the musical expression.

Adult↗
PubMed2001

Tuning to interaural time differences across frequency.

Interaural time differences (ITDs) are an important cue for azimuthal sound localization. Sensitivity to this cue depends on temporal synchrony to the waveform (i.e., phase locking) that begins in the hair cells and is relayed to the neural comparators. The synchrony function is low-pass. Therefore, it is expected that neural tuning to ITDs will become narrower with frequency according to a 1/frequency function. To test this, we measured ITD tuning across frequency in neurons from the superior olivary complex, the dorsal nucleus of the lateral lemniscus, the inferior colliculus, the auditory thalamus, and the auditory cortex. For some neurons in each nucleus, the ITD tuning width did become systematically narrower by the expected 1/frequency relationship. However, in other neurons the ITD tuning width was nearly constant across frequency. Constant ITD tuning width was infrequently observed in neurons of the superior olivary complex but was common in neurons in structures above the superior olivary complex. The nearly constant ITD tuning was caused both by sharper ITD tuning at low frequencies and broader tuning at higher frequencies within the low-frequency band. Neurons with nearly constant tuning to ITDs may be the mechanism underlying the perception of ITDs in humans in which just-noticeable differences to changes in ITD decrease by less than the 1/frequency prediction.

Animals↗
PubMed1985

Structure and function of the adult inner ear in the mouse following prenatal irradiation.

The function and morphology of the vestibular and cochlear parts of the inner ear have been examined after prenatal irradiation on the 12th, 13th and 16th gestational days in the CBA/CBA mouse. Irradiation was performed with a 0.5, 1 or 2 Gy single dose, whole body irradiation of the pregnant female. The irradiated fetuses were born after full term pregnancies and reached maturity (were 1--2 months old) before inner ears were analyzed with regard to vestibular tests, auditory thresholds and morphology. Morphology was studied by light microscopy (LM), transmission electron microscopy (TEM) and scanning electron microscopy (SEM). Auditory function was analyzed by frequency specific auditory brainstem response (ABR). Irradiation doses exceeding 2 Gy caused death to the pregnant female, abortion or malformed litters which were eaten by their mothers. Doses of 0.5, 1 and 2 Gy caused malformed cristae ampullares and maculae utriculi, in particular after exposure on the 12th or 13th gestational days. After those doses no abnormality of clinical behaviour of the animals was found. Ultrastructurally, type I hair cells (HC) of the vestibular part seemed more vulnerable to irradiation than the type II HC while the outer (OHC) and inner (IHC) hair cells appeared equally vulnerable. The ultrastructural changes of hair cells were predominantly localized to the hair cell surface showing a defect cuticle which was sometimes malformed and bulging. Sensory hair fusion occurred with a resulting poor maturation of sensory hair rootlets. The efferent nerve endings were estimated to be reduced in number but, if present, they had a normal ultrastructure. Otoconia showed severe morphological damage following irradiation particularly if exposed on the 16th gestational day. Malformed and fused otoconia were frequent having a disarrayed matrix. The irradiation induced morphological alterations in vivo could be reproduced in the in vitro systems. In addition, a retarded growth of the in vitro developing inner ear anlage was estimated to be the same for the vestibular and cochlear parts. The cochlear part of the inner ear showed a dose and age dependent hearing loss following irradiation. A shift of the ABR threshold was recorded in all exposed groups that were irradiated with 2 Gy. A correlation was found between the individual ABR-audiograms and the degree of morphological HC damage in the cochlea along the basilar membrane. The 12th gestational day inner ear anlage was most vulnerable to irradiation. The 13th gestational day inner ear was almost equally vulnerable and showed a dose-response relationship.(ABSTRACT TRUNCATED AT 400 WORDS)

Animals↗
PubMed2006

Is fundamental frequency a cue to aspiration in initial stops?

One production and one perception experiment were conducted to investigate the interaction of consonant voicing and fundamental frequency at the onset of voicing (onset f0) in Cantonese, a tonal language. Consonantal voicing in English can affect onset f0 up to 100 ms after voicing onset, but existing research provides inconclusive information regarding the effects of voicing on f0 in tonal languages where f0 variability is constrained by the demands of the lexical tone system. Previous research on consonantal effects on onset f0 provides two contrasting theories: These effects may be automatic, resulting from physiological constraints inherent to the speech production mechanism or they may be controlled, produced as part of a process of cue enhancement for the perception of laryngeal contrasts. Results of experiment 1 showed that consonant aspiration affects onset f0 in Cantonese only within the first 10 ms following voicing onset, comparable to results for other tonal languages. Experiment 2 showed that Cantonese listeners can use differences in onset f0 to cue perception of the voicing contrast, but the minimum extent of f0 perturbation necessary for this is greater than is found in Cantonese production, and comparable to that observed in acoustic studies of nontonal languages. These results suggest that consonantal effects on onset f0 are at least partially controlled by talkers, but that their role in the perception of voicing/aspiration may be a consequence of language independent properties of audition rather than listeners' experience with the phonological contrasts of a specific language.

Adult↗
PubMed2004

Relating neuronal dynamics for auditory object processing to neuroimaging activity: a computational modeling and an fMRI study.

We investigated the neural basis of auditory object processing in the cerebral cortex by combining neural modeling and functional neuroimaging. We developed a large-scale, neurobiologically realistic network model of auditory pattern recognition that relates the neuronal dynamics of cortical auditory processing of frequency modulated (FM) sweeps to functional neuroimaging data of the type obtained using PET and fMRI. Areas included in the model extend from primary auditory to prefrontal cortex. The electrical activities of the neuronal units of the model were constrained to agree with data from the neurophysiological literature regarding the perception of FM sweeps. We also conducted an fMRI experiment using stimuli and tasks similar to those used in our simulations. The integrated synaptic activity of the neuronal units in each region of the model, convolved with a hemodynamic response function, was used as a correlate of the simulated fMRI activity, and generally agreed with the experimentally observed fMRI data in the brain areas corresponding to the regions of the model. Our results demonstrate that the model is capable of exhibiting the salient features of both electrophysiological neuronal activities and fMRI values that are in agreement with empirically observed data. These findings provide support for our hypotheses concerning how auditory objects are processed by primate neocortex.

Adult↗
PubMed1993

[Temporal stimulus structure, gestalt perception and electrodermal reaction pattern].

The presentation of tones with alternating interstimulus intervals (ISIs) of 10 and 70 s leads to an electrodermal response pattern with an increase in magnitude after long and a decrease after short ISIs. The present study investigated whether there is a relation between the occurrence of the response pattern and the perception of stimuli as a pattern and, furthermore, whether the greater response to the stimulus after the long ISI is due to the greater information content of this stimulus (announcing the occurrence of the pair of tones). Four groups, each consisting of 12 subjects, were subjected to a 1 s, 1000 Hz tone of 90 dB(A) intensity over 21 trials. Group I received the tones in randomized sequences of 10 and 70 s, groups II and III received alternating ISIs of 10 and 70 s. While in group II the regularity of the stimulus pattern was interrupted by the presentation of an extra stimulus, group III was confronted with a stimulus omission. As a control condition, group IV received regularly alternating tones with ISIs of 10 and 70 s. Skin conductance and heart rate were recorded as dependent physiological variables. The perception of the stimulus patterns was measured by means of a questionnaire. The electrodermal response pattern found in earlier studies was replicated, and this pattern even occurred in the random group when 10 and 70 s ISIs appeared directly after each other. The presentation of the extra stimulus and the stimulus omission did not have any effect. For heart rate, a deceleration to tones after long ISIs and an acceleration to tones after short ISIs was found. Subjective pattern perception and electrodermal response patterns did not coincide. In general, the results can be interpreted as showing that the relationship between the ISIs seems to be of importance for the occurrence of the response pattern.

Adult↗
PubMed1991

Spectral cues to perception of /d, n, l/ by normal- and impaired-hearing listeners.

The alveolar consonants /d, n, l/ occur frequently in intervocalic position in conversational speech but have received little study for differences in their acoustic cues. Impaired- and normal-hearing listeners were investigated for use of consonant-segment versus transition-segment cues to recognition of /d, n, l/ in /aeCae/ tokens extracted from sentences. To examine the cues' contribution to /d, n, l/ recognition, the segments were degraded singly or in combinations in the tokens as follows: [aeC] or [Cae] transitions were replaced by adjacent pitch periods from the respective vowels; the consonant segments were replaced by silence or by a synthetic consonant approximating the summed low-frequency spectra of the /d, n, l/ murmurs. The results with normal-hearing listeners showed that the presence of any one of the three segments, [aeC] transition, [Cae] transition, or natural consonant segment, supported a moderate to high level of /d, n, l/ recognition, depending on the phoneme. In contrast, the severely hearing-impaired listeners' consonant recognition was poor on the basis of transition information, but better in the presence of the natural consonants. The /aeCae/'s with the synthetic consonant yielded chance level performance for the hearing-impaired listeners but good consonant recognition for the normal-hearing listeners--a further indication that cues in the transitions were quite useful for the normal-hearing group but not for the hearing-impaired group.

Adult↗
PubMed1993

Functional lateralization of the perception of Norwegian word tones--evidence from a dichotic listening experiment.

The present paper addresses the question of the functional lateralization of the ability to perceive the tonal distinctions in tone languages. Dichotic listening experiments and investigations of the brain-damaged population have indicated that the left hemisphere is more active than the right in the perception of tone in East Asian tone languages like Mandarin Chinese and Thai. Two dichotic listening experiments involving speakers of Norwegian, a language with an opposition of two tones, have demonstrated a right-ear superiority in the perception of the tonal distinction, indicating left-hemisphere lateralization of the ability to perceive tonal distinctions in Norwegian as well as in the East Asian tone languages that have been previously investigated.

Brain↗
PubMed2006

Dissimilarity and the classification of male singing voices.

Traditionally, timbre has been defined as that perceptual attribute that differentiates two sounds when pitch and loudness are equal, and thus is a measure of dissimilarity. By such a definition, each voice possesses a set of timbres, and the ability to identify any voice or voice category across different pitch-loudness-vowel combinations must be due to an ability to "link" these timbres by abstracting the "timbre transformation," the manner in which timbre subtly changes across pitch and loudness for a specific voice or voice category. Using stimuli produced across the singing range by singers from different voice categories, this study sought to examine how timbre and pitch interact in the perception of dissimilarity in male singing voices. This study also investigated whether or not listener experience affects the perception of timbre as a function of pitch. The resulting multidimensional scaling (MDS) representations showed that for all stimuli and listeners, dimension 1 correlated with pitch, while dimension 2 correlated with spectral centroid and separated vocal stimuli into the categories baritone and tenor. Dimension 3 appeared highly idiosyncratic depending on the nature of the stimuli and on the experience of the listener. Inexperienced listeners appeared to rely more heavily on pitch in making dissimilarity judgments than did experienced listeners. The resulting MDS representations of dissimilarity across pitch provide a glimpse of the timbre transformation of voice categories across pitch.

Humans↗
PubMed1999

Is a common grouping mechanism involved in the phenomena of illusory continuity and stream segregation?

Two auditory phenomena--stream segregation and illusory continuity through a wide-band noise interruption--were studied to determine whether the same principles of perceptual organization applied to both. A cycle was formed of a repeating alternation of two short bursts of narrow-band noise (NBN), one centered at a high frequency (H) and the other at a low frequency (L), with shorter bursts of wide-band noise (WBN) inserted between successive NBNs (H WBN L WBN H WBN...). In some conditions, listeners could hear a single NBN moving up and down behind the WBN bursts, although there was no NBN present with the WBN. Listeners rated the strength of this illusory continuity. Center frequency separation, rate of onsets, and bandwidth of the NBNs were varied. Increases in values of all three variables decreased illusory continuity. Other listeners rated the stream segregation of the H and L bands when successive NBNs were separated either by WBN bursts (as above) or by silences. The same three acoustic variables were manipulated. Increases in all three variables decreased the perception of a single stream. The similar disruptive effects on illusory continuity and on the one-stream percept in the stream segregation task support the idea that both phenomena depend on a common preliminary process of linking together the parts of a sequence that have similar frequencies.

Adolescent↗
PubMed2006

Electrical brain imaging reveals spatio-temporal dynamics of timbre perception in humans.

Timbre is a major attribute of sound perception and a key feature for the identification of sound quality. Here, we present event-related brain potentials (ERPs) obtained from sixteen healthy individuals while they discriminated complex instrumental tones (piano, trumpet, and violin) or simple sine wave tones that lack the principal features of timbre. Data analysis yielded enhanced N1 and P2 responses to instrumental tones relative to sine wave tones. Furthermore, we applied an electrical brain imaging approach using low-resolution electromagnetic tomography (LORETA) to estimate the neural sources of N1/P2 responses. Separate significance tests of instrumental vs. sine wave tones for N1 and P2 revealed distinct regions as principally governing timbre perception. In an initial stage (N1), timbre perception recruits left and right (peri-)auditory fields with an activity maximum over the right posterior Sylvian fissure (SF) and the posterior cingulate (PCC) territory. In the subsequent stage (P2), we uncovered enhanced activity in the vicinity of the entire cingulate gyrus. The involvement of extra-auditory areas in timbre perception may imply the presence of a highly associative processing level which might be generally related to musical sensations and integrates widespread medial areas of the human cortex. In summary, our results demonstrate spatio-temporally distinct stages in timbre perception which not only involve bilateral parts of the peri-auditory cortex but also medially situated regions of the human brain associated with emotional and auditory imagery functions.

Acoustic Stimulation↗