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Stereopsis with persisting and dynamic textures.

We measured the percept of changing depth from changing disparity in stereograms composed of random-dot textures that were either persistent or dynamically changed on every frame (a dynamic random-dot stereogram). Disparity was changed between frames to depict a surface undergoing smooth temporal changes in simulated slant. Matched depth was greater with dynamic random-dot stereograms than with persistent random-dot stereograms. These results confirm and extend earlier observations at depth threshold. We posit an explanation based on cue conflict between stereopsis and monocular depth cues.

Contrast Sensitivity↗

Disparity-tuned channels of the human visual system.

Traditionally, it has been thought that the processing of binocular disparity for the perception of stereoscopic depth is accomplished via three types of disparity-selective channels--"near," "far," and "tuned." More recent evidence challenges this notion. We have derived disparity-tuning functions psychophysically using a subthreshold summation (i.e. low-level masking) technique. We measured correlation-detection thresholds for dynamic random-element stereograms containing either one or two surfaces in depth. The resulting disparity-tuning functions show an opponent-type profile, indicating the presence of inhibition between disparity-tuned units in the visual system. Moreover, there is clear inhibition between disparities of the same sign, obviating a strict adherence to near-far opponency. These results compare favorably with tuning functions derived psychophysically using an adaptation technique, and with the tuning profiles from published single-unit recordings. Our results suggests a continuum of overlapping disparity-tuned channels, which is consistent with recent physiological evidence as well as models based on other psychophysical data.

Depth Perception↗

The role of the vertical dimension in stereoscopic vision.

It is shown how the full three-dimensional structure of a scene may in principle be computed from a correlated pair of retinal images, when all that is known about the orientations of the two eyes is that the planes of their horizontal meridians accurately coincide. The vertical dimension plays a crucial role in the theory; visible points which lie on the horizontal meridian supply no information about the angle of convergence or the direction of gaze. (i) If the scene contains three or more nonmeridional points, not all lying in a vertical plane, then their positions in space are fully determined by the horizontal and vertical coordinates of their images on the two retinas. (ii) If just two nonmeridional points are visible, or more than two, lying in a vertical plane, then their retinal images admit, in general, just two distinct three-dimensional interpretations. One of these is usually unrealistic; but a choice between them may be perceptually difficult if the vertical plane containing the points is nearly perpendicular to the interocular axis. These results suggest that vertical disparities may play an important role in the binocular perception of absolute depth. Elsewhere (Mayhew, this issue) this suggestion is found to provide a quantitative explanation of Ogle's 'induced effect'.

Depth Perception↗

Perceiving surface orientation: pictorial information based on rectangularity can be overriden during observer motion.

Although the observer's motion can elicit perception of relative depth, it is less successful in doing so when competing pictorial information is available. However, the evidence for this may be affected by limited extents of motion and by equidistance tendencies. Results obtained when monocular observers judged the orientation-in-depth of trapezoidal and of rectangular surfaces, during lateral head motion of extents 0 cm to 30 cm, are described. When the motion extent was less than 30 cm, trapezoidal surfaces were misperceived because they were interpreted as rectangular; this pictorial information was overriden only when the motion extent was 30 cm. The results may reflect the sequential nature of motion information and the redundancy of information in normal viewing: pictorial information may take precedence when motion is limited, but motion information can be indefinitely augmented. Comments are directed to: (i) the use of Ames 'distorted rooms' in this area of research, and (ii) the 'ecological' interpretation of pictorial information.

Adult↗

Implicit-shape constancy as a factor in pictorial perception.

Schoolboys from the Ivory Coast and from Kenya were tested on a simple task intended to detect the effect of implicit-shape constancy. The presence of such an effect was confirmed. Comparison of two Ivorean subsamples differing in their responses to a request to build a model of a depicted structure showed that those subjects who build flat (2D) models were less influenced by the implicit-shape constancy than those subjects who built three-dimensional structures. This confirms a postulated link between the implicit constancy and perception of pictorial depth.

Adolescent↗

The pursuit theory of motion parallax.

Although motion parallax is closely associated with observer head movement, the underlying neural mechanism appears to rely on a pursuit-like eye movement signal to disambiguate perceived depth sign from the ambiguous retinal motion information [Naji, J. J., & Freeman, T. C. A. (2004). Perceiving depth order during pursuit eye movement. Vision Research, 44, 3025-3034; Nawrot, M. (2003). Eye movements provide the extra-retinal signal required for the perception of depth from motion parallax. Vision Research, 43, 1553-1562]. Here, we outline the evidence for a pursuit signal in motion parallax and propose a simple neural network model for how the pursuit theory of motion parallax might function within the visual system. The first experiment demonstrates the crucial role that an extra-retinal pursuit signal plays in the unambiguous perception of depth from motion parallax. The second experiment demonstrates that identical head movements can generate opposite depth percepts, and even ambiguous percepts, when the pursuit signal is altered. The pursuit theory of motion parallax provides a parsimonious explanation for all of these observations.

Computer Peripherals↗

Depth from motion parallax scales with eye movement gain.

Recent findings suggest that the slow eye movement system, the optokinetic response (OKR) in particular, provides the extra-retinal signal required for the perception of depth from motion parallax (Nawrot, 2003). Considering that both the perception of depth from motion parallax (Ono, Rivest & Ono, 1986; Rivest, Ono & Saida, 1989) and the eye movements made in response to head translations (Schwarz & Miles 1991; Paige, Telford, Seidmen, & Barnes, 1998) appear to scale with viewing distance, changes in perceived depth from motion parallax were studied as a function of viewing distance. If OKR is used in the perception of depth from motion parallax, a change in the OKR signal, caused by a change in viewing distance, should accompany a change in perceived depth from motion parallax. Over a range of viewing distances, binocular stereopsis was used to index perceived depth from motion parallax. At these viewing distances the gain of the OKR portion of the compensatory eye movement was also determined. The results show that the change in OKR gain is mirrored by the change in perceived depth from motion parallax as viewing distance increases. This suggests that the OKR eye movement signal serves an important function in the perception of depth from motion.

Depth Perception↗