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At least 955 records · Page 53Linked to original sources
PubMed1997

The case of Medea--a view of fetal-maternal conflict.

Medea killed her children to take away the smile from her husband's face, according to Euripides, an offence against nature and morality. What if Medea had still been carrying her two children, perhaps due to give birth within a week or so, and had done the same? If this would also have been morally reprehensible, would that be a judgment based on her motives or on her action? We argue that the act has multiple and holistic moral features and that, in fact, there is no absolute principle, such as the right of the fetus to life, which governs our moral judgments about fetal-maternal conflicts. We suggest that they illustrate a pervasive feature of human moral discourse and can only be addressed by attending to a range of negotiable moral considerations which depend on particular features of each situation.

Abortion, Eugenic↗
PubMed1989

From Daedalus to Mengele: the dark side of human genetics.

Until recently, the role of scientists in society has been considered sacrosanct. Wherever scientists had been involved in crimes, either the crimes or the quality of science was denied (that is, the science was considered merely pseudoscience). As a result it has been claimed that science can only flourish in democracies but is doomed in other states. So far experience contradicts this opinion. In this paper I discuss the origins of the view that scientists and geneticists in particular, are sacrosanct. I trace it back to the earliest mythological scientists, such as Daedalus and Dr. Faustus. I view the well-known Dr. Mengele as a successor in this tradition.

Bible↗
PubMed1977

Impact of dramatized television entertainment on adult males.

The authors studied the effects of a week's viewing of five types of television programs, including those with predominantly helpful or hurtful content, on the aggressive mood and hurtful behavior of adult men. They found, within the population studied, a significant decrease in aggressive mood and lower levels of hurtful behavior in viewers of helpful programs as compared with a control group, as well as some evidence that emotional arousal in response to helpful programs is negatively correlated with aggressive mood.

Adult↗
PubMed1987

The theory and practice of movie psychiatry.

The depiction of psychiatry in the movies has been a source of concern over the years to many in the profession who feel that a false picture of psychiatrists' work has been presented to the public. In fact, psychiatry in the movies has developed its own characteristics, which only occasionally intersect with those of the real-life profession. This paper outlines the methods and theories of the invented profession of movie psychiatry.

Drama↗
PubMed1988

Euripides' Medea: a psychodynamic model of severe divorce pathology.

Analysis of Euripides' play, Medea, and a divorcing family suggests that divorce between a narcissistically scarred, embittered, dependent woman and a pathologically narcissistic, devaluing man may lead to the mother's attempt to sever father-child contact as a means of revenging the injury inflicted on her by the loss of a selfobject, her hero-husband.

Divorce↗
PubMed1988

On the unique impact of Richard Strauss's Elektra.

The unique and remarkable impact of the opera Elektra is explored. This opera rests not only on its dramatic portrayal of the oedipal theme, but also on an inspired expression of archaic emotions, prelogical thought, and preoedipal concerns. This accounts for its unique impact, and serves as a warning to clinicians confronted with manifest oedipal material to be sensitive to the diagnostic implications when oedipal material is permeated with more primitive expressions, producing a curious and eerie ambience and much disquiet in the therapist.

Culture↗
PubMed1990

Sam Shepard and the dysfunctional American family: therapeutic perspectives.

In depicting dysfunctional families Sam Shepard brought a greater intensity level to family portrayals than had previously been seen in modern American theater. In part, his plays appear to reflect the tumultuous tone of the late 1960s and early 1970s when American society was in flux and when the national uncertainty reached down to the basic unit of society, the family. Yet, despite addressing recently emerging social issues, Shepard's plays also depict universal family conflicts. There have been and always will be compelling forces that threaten domestic cohesiveness. While Shepard's families reflect extremely high levels of disorganization, they also demonstrate scenarios recognizable to all family therapists. They reassert the family's power and its influence on individual development. They also indirectly ask us to reflect on our current clinical practice and research. Family therapists need to continue to pay attention the content issues of family organization as well as therapeutic techniques. Shepard's plays remind therapists to look beyond internal dynamics in order to consider connections and affiliations that integrate families with outside communities. He underscores the importance of knowing the meaning and context of traditional rites of passage within families. Family therapists or other care providers may unwittingly undermine the significance of these family rituals by prescription of "expert" advice.

Cultural Characteristics↗
PubMed1991

Doctor Iago's treatment of Othello.

The article presents Shakespeare's Iago as Hell's master therapist. Illustrated with excerpts from the play, the reader is shown how with consummate psychological skills, Iago bends his victims to his will. Step by step he awakens Othello's jealousy, and makes use of the hero's basic insecurity on account of his blackness. Once Othello has determined to take revenge, Iago makes sure to prevent a "relapse", by slyly administering small doses of doubt and pity. Predictably, Othello violently rejects these suggestions, thus becoming even more rigidly bent on his plan.

Drama↗