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PubMed1997

Dependence of jaw opening on pitch and vowel in singers.

In singing, F0 sometimes is much higher than the typical frequency value of F1. According to previous investigations, sopranos raise F1 to a frequency near F0 by widening the jaw opening in such cases. In the present study, the jaw opening was measured in 10 professional singers of different categorizations whose task was to sing an ascending two-octave scale on different vowels. Their normal F1 values for these vowels were determined at a low F0. Only for the vowels /a/ and /a/ did the singers widen the jaw opening when F0 approached the F1 value measured at a low pitch. For the other vowels, jaw opening was widened, beginning at a higher F0. It is assumed that for these vowels the singers used other articulatory means to increase F1.

Female↗
PubMed1997

Normal strobovideolaryngoscopy: variability in healthy singers.

Strobovideolaryngoscopy has proven essential to accurate diagnosis of voice disorders. Clinical interpretation of stroboscopic images usually follows a standard assessment protocol. Features analyzed typically include symmetry of amplitude, symmetry of phase, regularity of periodicity, amplitudes and wave forms of individual vocal folds, presence or absence of adynamic segments, and other features. Speed and smoothness of abduction and adduction are also assessed. In order for stroboscopic data to be used meaningfully in a clinical setting, it is essential for the laryngologist to recognize the range of normal variability of these parameters. This may be particularly important when trying to establish diagnoses for subtle voice disorders in professional voice users. This study investigates strobovideolaryngoscopic findings in a population of normal professional singers without voice complaints. "Abnormal" strobovideolaryngoscopic findings occur in this asymptomatic population of "volunteers." These abnormalities might have been misinterpreted as causing voice complaints if seen for the first time when the singer sought medical care for a voice problem. Physicians must be aware of the range of laryngeal behavior that may be found among normal subjects and must be cautious when interpreting strobovideolaryngoscopic findings. This study also highlights the importance of obtaining "normal" baseline strobovideolaryngoscopic evaluations on professional voice users. The review of strobovideolaryngoscopy performed upon 65 healthy, asymptomatic professional singers revealed an incidence of 58% "abnormal" findings as six clinical entities.

Adult↗
PubMed1999

Preliminary study on the ability of trained singers to control the intrinsic and extrinsic laryngeal musculature.

Little literature is available on professional musical theater female singers, a population that regularly uses a wide variety of vocal qualities. This study tested the hypothesis that different vocal qualities cause observable specific configurations of muscular movements and structural changes of the larynx, hypopharynx, oral pharynx, and oral cavity for individual singers. Fiberoptic rigid and flexible endoscopic observation were used to determine visual analysis of such configurations. This study documents observable physiologic changes that were made by professional musical theater female singers in specific vocal qualities.

Adult↗
PubMed1995

[Functionally determined area changes in the oro-pharyngo-laryngeal vocal tract of singers as shown by magnetic resonance tomography].

The oro-pharyngeal-laryngeal resonating spaces were studied in 12 singers at varying stages of their training by means of medio-sagittal MRI images, and the results were compared. The singers were requested to sing /a/ /u/ and /i/ at various pitches and with increasing loudness. The total oro-pharyngo-laryngeal areas were integrated by means of the MRI sections. The relationship between the oro-pharyngeal and pharyngo-laryngeal areas was determined, as well as their ratio to total area. With increasing volume there was increase in the area of the oro-pharyngeal component with no change in the pharyngo-laryngeal component. The relationship of the partial areas depends on the extent of training of the singer.

Adult↗
PubMed2006

Subglottal pressure and normalized amplitude quotient variation in classically trained baritone singers.

The subglottal pressure (Ps) and voice source characteristics of five professional baritone singers have been analyzed and the normalized amplitude quotient (NAQ), defined as the ratio between peak-to-peak pulse amplitude and the negative peak of the differentiated flow glottogram and normalized with respect to the period time, was used as an estimate of glottal adduction. The relationship between Ps and NAQ has been investigated in female subjects in two earlier studies. One of these revealed NAQ differences between both singing styles and phonation modes, and the other, based on register differences in female musical theatre singers, showed that NAQ differed between registers for the same Ps value. These studies thus suggest that NAQ and its variation with Ps represent a useful parameter in the analysis of voice source characteristics. The present study aims at increasing our knowledge of the NAQ parameter further by finding out how it varies with pitch and Ps in professional classically trained baritone singers, singing at high and low pitch (278 Hz and 139 Hz, respectively). Ten equally spaced Ps values were selected from three takes of the syllable [pae:], initiated at maximum vocal loudness and repeated with a continuously decreasing vocal loudness. The vowel sounds following the selected Ps peaks were inverse filtered. Data on peak-to-peak pulse amplitude, maximum flow declination rate and NAQ are presented.

Adult↗
PubMedDate not supplied

Worsening of gastroesophageal reflux symptoms in professional singers during performances.

Professional singers perform singing tasks requiring rapid changes of subglottal pressure with consistent use of the diaphragm. They regularly activate the diaphragm when there is a need for a rapid decrease in subglottal pressure, with an abrupt and prolonged increase in intraabdominal pressure. We describe the occurrence of stress-induced gastroesophageal reflux disease (GERD) in four professional singers. The reflux symptoms, which occurred in these patients during vocal performances, were an important obstacle to the movement of the respiratory muscles. To our knowledge, these are the first case reports of worsening of GERD symptoms in professional singers during performances.

Adult↗
PubMed1988

Kuhse, Singer and slippery slopes.

Helga Kuhse and Peter Singer recently examined the view expressed by John Lorber that whereas at times it is permissible to allow severely handicapped infants to die, killing them must never be allowed. In attempting to demonstrate the mistaken nature of Lorber's fear that allowing active infanticide would lead us onto a slippery slope Kuhse and Singer make much use of John Harris's paper in the Journal of Medical Ethics in which he criticised Lorber's views. This paper examines some aspects of the case advanced by Kuhse and Singer and of the earlier paper by Harris.

Persons with Disabilities↗
PubMed1991

Dentofacial morphology in professional opera singers.

The interaction between muscle function and bone development has been studied mainly in animals. The aim of the present investigation was to study the dentofacial skeleton in individuals with a high degree of activity of muscles associated with the facial skeleton. It was assumed that a professional singer would constitute such an individual. Lateral cephalograms of singers from the Royal Opera Choir in Stockholm were studied and compared with lateral cephalograms of a control group. Significant differences between the singers and controls were found, such as length of mandible, length of maxilla, and increased facial height. The findings could be interpreted as an association between facial muscle hyperactivity and respiratory hyperfunction and dentofacial morphology.

Adult↗
PubMed1983

Physical examination of the professional singer.

Examination of the professional singer must include an assessment of his general health and a thorough ear, nose, and throat evaluation. However, the physical examination can reveal much more than simply the appearance of the singer's vocal cords. The physician must be attuned to the singer's use of his speaking voice. Examination of actual singing allows specific observations that may substantiate a diagnosis of voice abuse or may guide the physician in his selection of therapy.

Dysarthria↗
PubMed1981

The Singer-Blom voice restoration procedure.

The Singer-Blom tracheoesophageal puncture (TEP) technique is an effective and safe surgical method for speech rehabilitation of the alaryngeal patient. The silicone prosthesis, which is fitted in the TEP tract, allows pulmonary air to be used for voice production but prevents aspiration. In a series of 63 patients, 56 (89%) were able to develop fluent speech, but only 45 patients (71%) currently use tracheoesophageal speech as their prime mode of communication. Of the 18 patients (29%) who no longer use tracheoesophageal speech, 11 experienced either inadvertent dislodgement of the prosthesis or were noncompliant, five patients failed to develop fluent speech after adequate trial, and two patients failed because of aspiration. Almost all of the successful patients have voice quality and fluency that are as good or better than accomplished esophageal speakers, despite the fact that most of these patients were unable to learn esophageal speech. Since the Singer-Blom technique has eliminated most of the problems associated with other forms of surgical speech rehabilitation, it is considered to be the best surgical technique presently available for restoring speech in the alaryngeal patient.

Esophagus↗
PubMed2005

Peter Singer's argument for utilitarianism.

The paper begins by situating Singer within the British meta-ethical tradition. It sets out the main steps in his argument for utilitarianism as the 'default setting' of ethical thought. It argues that Singer's argument depends on a hierarchy of reasons, such that the ethical viewpoint is understood to be an adaptation--an extension--of a fundamental self-interest. It concludes that the argument fails because it is impossible to get from this starting-point in self-interest to his conception of the ethical point of view. The fundamental problem is its mixing the immiscible: the Humean subordination of reason to interest with the Kantian conception of reason as universal and authoritative.

Australia↗
PubMed1989

Regional cerebral blood flow for singers and nonsingers while speaking, singing, and humming a rote passage.

Two groups of singers (n = 12,13) and a group of nonsingers (n = 12) each produced the national anthem by (1) speaking and (2) singing the words and by (3) humming the melody. Regional cerebral blood flow (rCBF) was measured at rest and during each phonation task from seven areas in each hemisphere by the 133Xe-inhalation method. Intrahemisphere, interhemisphere, and global rCBF were generally similar across phonation tasks and did not yield appreciable differences among the nonsingers and the singers.

Adult↗
PubMed1994

High level expression of the envelope glycoprotein (gp53) of bovine viral diarrhoea virus (Singer) and its potential use as diagnostic reagent.

A 1.74-kb cDNA fragment containing the gp53 coding region has been cloned from bovine viral diarrhoea virus (BVDV) strain Singer by reverse transcription polymerase chain reaction (RT-PCR). Sequence analysis indicated that gp53 of BVDV strains Singer, NADL and SD-1 shared extensive sequence homology at both the RNA (85-94%) and protein (82-91%) levels. Nineteen cysteine residues and five potential N-linked glycosylation sites were identified within the sequenced region, all of which were conserved. These observations suggest that although the homology at the nucleotide sequence level may vary, there was strong structural conservation among bovine viral diarrhoea virus envelope proteins. Full-length gp53 was expressed in Escherichia coli as a fusion protein with glutathione-S-transferase (GST). The N-terminal half of gp53 was also synthesised in E. coli as a 28-KDa recombinant protein using the T7 RNA polymerase-directed expression system. Both recombinant proteins were expressed at high levels (approximately 30-50 mg/l). The recombinant proteins were recognised in ELISA and Western blot analyses by polyclonal serum raised against a mixture of BVDV and classical swine fever virus (CSFV). Rabbit antiserum raised against the 28-kDa recombinant protein reacted with different BVDV strains in ELISA and immunofluorescent antibody test, but not with CSFV in the same tests. These results demonstrated that the bacterial recombinant proteins have similar immunological properties to that of the native viral protein and, in conjunction with its homologous antisera, can be useful as diagnostic reagents.

Amino Acid Sequence↗
PubMed2005

The relationship between vocal pitch-matching skills and pitch discrimination skills in untrained accurate and inaccurate singers.

Few studies have compared the relationship between pitch discrimination accuracy and the accuracy of fundamental frequency (F(o)) control. This study investigated the relationship between vocal pitch-matching skills, which is one method of testing F(o) control, and pitch discrimination skills in untrained accurate and inaccurate singers, and the effect of timbre on their pitch discrimination accuracy. Data showed that accurate singers had more precise discrimination and pitch-matching abilities compared with their inaccurate counterparts. Pitch discrimination was differentially affected by the timbre (eg, spectral differences) of comparison tones. In addition, results showed a significant relationship between pitch discrimination abilities and pitch-matching accuracy. The results suggest that accurate F(o) control is at least partially dependent on pitch discrimination abilities, which are important for accurate singing.

Adult↗
PubMed2006

The singing power ratio as an objective measure of singing voice quality in untrained talented and nontalented singers.

A growing body of contemporary research has investigated differences between trained and untrained singing voices. However, few studies have separated untrained singers into those who do and do not express abilities related to singing talent, including accurate pitch control and production of a pleasant timbre (voice quality). This investigation studied measures of the singing power ratio (SPR), which is a quantitative measure of the resonant quality of the singing voice. SPR reflects the amplification or suppression in the vocal tract of the harmonics produced by the sound source. This measure was acquired from the voices of untrained talented and nontalented singers as a means to objectively investigate voice quality differences. Measures of SPR were acquired from vocal samples with fast Fourier transform (FFT) power spectra to analyze the amplitude level of the partials in the acoustic spectrum. Long-term average spectra (LTAS) were also analyzed. Results indicated significant differences in SPR between groups, which suggest that vocal tract resonance, and its effect on perceived vocal timbre or quality, may be an important variable related to the perception of singing talent. LTAS confirmed group differences in the tuning of vocal tract harmonics.

Acoustics↗
PubMed2006

The acoustic characteristics of professional opera singers performing in chorus versus solo mode.

In this study, members of a professional opera chorus were recorded using close microphones, while singing in both choral and solo modes. The analysis included computation of long-term average spectra (LTAS) for the two song sections performed and calculation of singing power ratio (SPR) and energy ratio (ER), which provide an indication of the relative energy in the singer's formant region. Vibrato rate and extent were determined from two matched vowels, and SPR and ER were calculated for these vowels. Subjects sung with equal or more power in the singer's formant region in choral versus solo mode in the context of the piece as a whole and in individual vowels. There was no difference in vibrato rate and extent between the two modes. Singing in choral mode, therefore, required the ability to use a similar vocal timbre to that required for solo opera singing.

Cooperative Behavior↗
PubMed2003

Rehabilitation: disability ethics versus Peter Singer.

This commentary discusses utilitarian bioethics currently articulated by Peter Singer, one of the most widely known bioethicists of the 21st century. His controversial concepts of personhood and replaceability have important implications for people with disabilities, caregivers, and rehabilitation in general. Singer suggests that people with severe disabilities should not be considered persons and therefore have no rights or status in ethical issues. In addition, he argues that, although some people with less severe disabilities qualify as persons, their potential quality of life is significantly compromised by disability and therefore it may be ethically desirable to eliminate them so that their resources can be used for someone with superior potential. We reject these ideas, and suggest that those involved in rehabilitation carefully consider these ideas because they imply that rehabilitation is an immoral act unless it results in full and typical function.

Bioethical Issues↗
PubMed2001

Singer's formant in sopranos: fact or fiction?

Although it is generally agreed that the singer's formant (F(S)) is a prerequisite for successful stage performance, the results of this research do not support its presence in the soprano voices of trained female singers. Results are based on a recent investigation testing 10 advanced/professional sopranos in two groups singing sustained vowels at three frequencies: high (932 Hz), mid (622 Hz), and low (261 Hz). Spectrographic analysis shows that the nature of harmonic energy varies in relation to pitch. A resonance band somewhat resembling the tenor F(S) was usually evident in vowels sung at low and mid pitch. However, unlike the F(S) of typically less than 1 kHz bandwidth associated with tenors, sopranos singing similar pitches produced corresponding bandwidths which were significantly broader, usually at least 2-kHz wide. Vowels sung by sopranos at high-pitch levels exhibited strong fundamental frequency production with strong reinforcement of adjacent harmonics extending to 5 kHz and beyond. This type of production in essence nullifies the necessity for a typical F(S). Absence of the F(S) in strong soprano voices might also imply the adaptation of a sufficiently different overall vocal tract configuration, so that techniques geared to developing maximal projection should not be the same as those developed to maximize the F(S) in other voices.

Adult↗