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Future images: an art intervention with suicidal adolescents.

In this study, the effectiveness of an art future-image intervention (AFI) designed to increase self-esteem, improve future time perspective, and decrease depression in hospitalized suicidal adolescents was tested. A pretest-posttest time series design was used with two groups, an experimental group and an attention placebo group. The experimental group, although hospitalized for a shorter length of time (p = .08), showed greater positive changes than the placebo group. Both groups improved on all measures during and after hospitalization. Experimental participant enthusiasm, shorter hospitalization, and positive comments at follow-up warrant continued testing and refinement of the AFI.

Adolescent↗

Suicidal adolescent perceptions after an art future image intervention.

The purpose of this qualitative study was to explore reactions of hospitalized, suicidal adolescents to an art future image intervention (AFI). During the intervention adolescents were asked to rethink future expectations while creating a caricature of themselves in the future. Seventeen follow-up interviews were coded and analyzed to determine the meaning of the intervention to the adolescents. A structural definition of the AFI extracted from the themes of the interviews, described the process that adolescents experience during the intervention, which was "an irritating but humorous identity search which rekindled dreams as control over one's future was anticipated." The intervention has been adapted for use in a number of clinical situations and populations. The AFI continues as a part of the treatment regime on an inpatient adolescent psychiatric unit to help teenagers regain hope for the future.

Adolescent↗

Shadows of artistry: cortical synchrony during perception and imagery of visual art.

Functional and topographical differences between two groups, artists and non-artists, during the performances of visual perception and imagery of paintings were presented by means of EEG phase synchrony analysis. In artists as compared with non-artists, significantly higher phase synchrony was found in the high frequency beta and gamma bands during the perception of the paintings; in the low frequency bands (primarily delta), phase synchrony was mostly enhanced during imagery. Strong decreases in phase synchrony of alpha were found primarily in artists for both tasks. The right hemisphere was found to present higher synchrony than the left in artists, whereas hemispheric asymmetry was less significant in non-artists. In the artists, enhanced synchrony in the high frequency band is most likely due to their enhanced binding capabilities of numerous visual attributes, and enhanced synchrony in the low frequency band seems to be due to the higher involvement of long-term visual memory mostly in imagery. Thus, the analysis of phase synchrony from EEG signals yields new information about the dynamical co-operation between neuronal assemblies during the cognition of visual art.

Adult↗

Art therapy, psychodrama, and verbal therapy. An integrative model of group therapy in the treatment of adolescents with anorexia nervosa and bulimia nervosa.

Anorexia nervosa and bulimia nervosa typically afflict individuals in adolescence. Given the intractability of these diseases in combination with the natural recalcitrance of adolescence, treatment with this population presents a daunting challenge. Traditional group therapy that focuses on verbal therapy is often not effective with this population, particularly in the acute stages of the diseases. A group therapy approach that integrates art therapy, psychodrama, and verbal therapy offers an innovative alternative to traditional group therapy.

Adolescent↗

Selected aspects of the art and science of facial esthetics.

The historical aspects of facial esthetics and its role in orthodontic teachings and practice are traced to their origins in classical art. Related discussions include the failure of "divine proportions," the ascent of the Class II facies, and the influence of 19th century pseudoscience. Today, the treatment of facial form for a diverse society requires a tolerant sense of esthetic pluralism. Moreover, advances in neuroscience and psychology have extended understanding of the biological basis of variation in facial expression and judgment. The nature of oral esthetics was examined through quantitative studies of the smile line. Significant sexual dimorphism was found, ie, the gingival smile line (GSL) appears to be a female lineament and the low smile line seems to be a male lineament. Further results indicated that the GSL is associated with several facial characteristics, including anterior vertical maxillary excess, and the muscular capacity to raise the upper lip significantly higher than average on smiling. Other variables associated with GSL are statistically significant increases in overjet, interlabial gap at rest, and overbite. The gingival smile line is not necessarily objectionable esthetically and it will normally diminish with age. However, the treatment of choice for the GSL patient with an uncoached complaint is orthognathic surgery and orthodontics.

Adolescent↗

Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass.

Small catalogues of reference Raman spectra of interest for analysing geomaterials or biomaterials of relevance to art history or archaeology are gradually being published by different research groups. However, except for some older catalogues, they are all concerned primarily with pigments, whether inorganic or organic. Here we present for the first time a catalogue of Raman spectra of minerals that may be found in corroded metal artworks or artefacts. At the same time we include some inorganic pigments that may be found in or on stained glass. Most of the minerals analysed came from the Gallery of Mineralogy at the Muséum National d'Histoire Naturelle and most were verified by X-ray diffraction in order to augment the confidence in the mineral identity (which is not the case with many other catalogues). A number of problems encountered with mineral terminology are discussed. Comments are made on the spectra where appropriate.

Archaeology↗

The influence of genetics on contemporary art.

Contemporary visual artists are incorporating genetic concepts into their work, and this work has become prominently featured in numerous museum and gallery exhibitions. Such art uses visual images that represent the language of genomics, the values affected by genetic understanding of the body and the implications of bioengineering. Here, we present various examples of how artists depict aspects of genetics as cultural icons and symbols; in particular, their focus on DNA as information and on the commercialization of genetics research material.

Art↗

The medical arts.

There were 152 entries for the Medical Arts Society's annual exhibition and all were shown at the Westminster Gallery, London on October 14-19, last year. The show displayed an exhibition of skill in the mediums of painting, printmaking, sculpture and drawing and prizes were awarded on merit.

Art↗

Migraine art.

An analysis is made of 207 drawings and paintings entered for a migraine art competition. All types of visual disturbances were depicted. One hundred and fifty-four of the paintings showed spectral appearances with fortification or teichopsia in 99. Sixty-two showed either a partial or complete hemianopic loss. Metamorphopsia was seen in 32 and pain was depicted in some form or another in 80. Situational or trigger factors were shown in 23.

Art↗

[Schizophrenia, creativity and art--a contribution to the theoretical understanding of pictures of schizophrenics (author's transl)].

Several opinions on the paintings and drawings of patients with mental disorder are referred. In a historical summary the authors who have a more diagnostical approach are confronted with those who are more interested in creative aspects. Finally the psychodynamical analysis of creative processes is stressed. From this point of view it is attempted to describe the relations between schizophrenia, creativity and art.

Art↗

Rhinophyma in literature and the arts.

The nose is the prominent part of our face. Its look often determines a good part of its owner's image. Rhinophyma is a malformation of the nose of unknown etiology that is often mistakenly associated with drinking alcohol. This rare but definitely eye-catching nasal deformation has found interest not only among doctors but among poets and artists throughout the ages. We attempt to follow this disease from the old Maya culture up to the present century, using known pieces of art, as well as literary quotations.

Europe↗

EEG, measures of complexity, and preference for nonrepresentational works of art.

With a heterogenous sample of human subjects, alpha abundance, an inverse function of cortical arousal, was found to increase with greater complexity of a series of 18 nonrepresentational works of art. This finding is contrary to those of previous EEG studies with artifically generated stimuli, which showed increased arousal with increasing complexity; but is consistent with those which reveal an interverted-U-shaped relation between arousal and complexity when the range of complexity sample is broad. That is, at higher levels of complexity, subjects may be less able to process the information content of paintings. Ratings of interestingness and pleasingness increased with complexity; it may be that they are dependent to some extent on social learning factors.

Adolescent↗

Op art and visual perception.

An attempt is made to list the visual phenomena exploited in op art. These include moire frinlude moiré fringes, afterimages, Hermann grid effects, Gestalt grouping principles, blurring and movement due to astigmatic fluctuations in accommodation, scintillation and streaming possibly due to eye movements, and visual persistence. The historical origins of these phenomena are also noted.

Afterimage↗

A possible analogy between contours in mathematics--as exemplified by Cauchy's integral formula--and contours in the arts.

An attempt is made to draw an analogy between contour drawing and a particular mathematical theorem. The analogy is seen to depend on the fact that both methods use definite values along a contour to imply a totality of values within the contour; thus, the use of a part to suggest the whole, by way of a hypothetical 'gestalt-like integration' in the case of the art contour, and the usual process of mathematical integration in the case of Cauchy's formula. Examples illustrating the analogy are drawn from a wide range of artistic work: a modern American drawing, a Cro-Magnon cave painting, and two Chinese works. The traditional Chinese philosophy of painting is invoked in support of the analogy because of its explicit emphasis on the primacy of outline drawing in Chinese painting. Some speculations are offered on further development and application of the analogy.

Art↗

The first pictures: perceptual foundations of Paleolithic art.

Paleolithic representational art has a number of consistent characteristics: the subjects are almost always animals, depicted without scenic background, usually in profile, and mostly in outline; the means of representation are extremely economical, often consisting of only a few strokes that indicate the salient features of the animal which are sufficient to suggest the whole form; and it is naturalistic to a degree, but lacks anything like photographic realism. Two elementary questions are raised in this essay: (i) why did the earliest known attempts at depiction have just these characteristics and not others? and (ii) how are objects so minimally represented recognizable? The answers seem to lie with certain fundamental features of visual perception, especially figure-ground distinction, Gestalt principles of closure and good continuation, line surrogacy, component feature analysis, and canonical imaging. In the earliest pictures the graphic means used are such that they evoke the same visual responses as those involved in the perception of real-world forms, but eschew redundancies of color, texture, linear perspective, and completeness of representation.

Art↗

Using collage art work as a common medium for communication in interprofessional workshops.

This paper explores the notion that interprofessional working is often hampered by the lack of a common language set and the variety of language sets used across the caring professions. The use of art as a common ground communication tool is presented with particular reference to the medium of magazine picture collage work. The paper describes how the use of this medium can enhance the understanding of individuals in interprofessional study days and workshops, where particular issues can be presented and explored by the participants, resulting in the increased awareness of the different perceptions of shared issues. In this way the use of magazine picture collage is advocated as a communication tool aimed to build bridges across the range of language sets used by different professionals.

Art↗

Arthropathy in art and the history of pain management--through the centuries to cyclooxygenase-2 inhibitors.

Preserved human remains, artefacts and works of art contain records of the existence and prevalence of arthropathies, even in the absence of medical texts or formal written accounts, although these also exist for some epochs and cultures. Example objects from the Museum of Medical History in Brussels have been used to illustrate the magnitude of the burden of pain throughout the ages and how rheumatic diseases have indiscriminately afflicted people regardless of their positions in life or occupations. These include both osteoarthritis (OA) and rheumatoid arthritis (RA), as well as the seemingly ubiquitous gout and various skeletal deformities. Adequate pain management has been severely hampered, historically, by obstacles to a comprehensive and systematic classification of diseases posed by the social, religious and philosophical mores of the time, which made differential diagnosis almost impossible to achieve. However, despite this shortcoming, serendipitous events meant that precursors of modern medicines, such as willow bark extracts, were in routine use from the earliest recorded times. It has taken several millennia, however, before empirical treatment has given way to pharmacological rationale. The first clinically acceptable synthetic derivative of the active principle in willow, aspirin, became available only at the turn of the nineteenth century, while non-steroidal anti-inflammatory drugs (NSAIDs) did not arrive on the market until some 60 yr later. At the cusp of the twentieth and twenty-first centuries, physicians have a wider choice of analgesics available than ever before, including the cyclooxygenase-2 inhibitors, which represent the first major advance in NSAID development since the synthesis of the latter compounds themselves.

Anti-Inflammatory Agents, Non-Steroidal↗

Art and the hospital environment.

Forward-looking administrators can improve their hospital environment and support patient care through a bold new experience in hospital art.

Art↗