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PubMedDate not supplied

The effect of noise bandwidth on the auditory arousal response of neonates.

Eighteen full-size, full-term, healthy, newborn infants were used in an experiment to determine the relative efficiency of three different noise spectra as audible stimuli. These three signals were high-pass filtered noises with cutoff frequencies of 500, 1000, and 2000 Hz. The metric of efficiency was a very simple count: how many times did an infant display an arousal response to each signal? Each of the three signals was presented eight times to each infant, but the 24 signals were presented in a different random order to each infant. Results showed that neonates are more responsive to wider band signals but are also responsive to lower frequencies. These data are consistent with our earlier findings (also described) and continue to support the use of calibrated wideband signals for auditory screening of newborns.

Acoustic Stimulation↗
PubMed2002

Rhythmic masking release: contribution of cues for perceptual organization to the cross-spectral fusion of concurrent narrow-band noises.

The contribution of temporal asynchrony, spatial separation, and frequency separation to the cross-spectral fusion of temporally contiguous brief narrow-band noise bursts was studied using the Rhythmic Masking Release paradigm (RMR). RMR involves the discrimination of one of two possible rhythms, despite perceptual masking of the rhythm by an irregular sequence of sounds identical to the rhythmic bursts, interleaved among them. The release of the rhythm from masking can be induced by causing the fusion of the irregular interfering sounds with concurrent "flanking" sounds situated in different frequency regions. The accuracy and the rated clarity of the identified rhythm in a 2-AFC procedure were employed to estimate the degree of fusion of the interferring sounds with flanking sounds. The results suggest that while synchrony fully fuses short-duration noise bursts across frequency and across space (i.e., across ears and loudspeakers), an asynchrony of 20-40 ms produces no fusion. Intermediate asynchronies of 10-20 ms produce partial fusion, where the presence of other cues is critical for unambiguous grouping. Though frequency and spatial separation reduced fusion, neither of these manipulations was sufficient to abolish it. For the parameters varied in this study, stimulus onset asynchrony was the dominant cue determining fusion, but there were additive effects of the other cues. Temporal synchrony appears to be critical in determining whether brief sounds with abrupt onsets and offsets are heard as one event or more than one.

Acoustic Stimulation↗
PubMed2003

Distortion product otoacoustic emission suppression tuning curves in normal-hearing and hearing-impaired human ears.

Distortion product otoacoustic emission (DPOAE) suppression measurements were made in 20 subjects with normal hearing and 21 subjects with mild-to-moderate hearing loss. The probe consisted of two primary tones (f2, f1), with f2 held constant at 4 kHz and f2/f1 = 1.22. Primary levels (L1, L2) were set according to the equation L1 = 0.4 L2 + 39 dB [Kummer et al., J. Acoust. Soc. Am. 103, 3431-3444 (1998)], with L2 ranging from 20 to 70 dB SPL (normal-hearing subjects) and 50-70 dB SPL (subjects with hearing loss). Responses elicited by the probe were suppressed by a third tone (f3), varying in frequency from 1 octave below to 1/2 octave above f2. Suppressor level (L3) varied from 5 to 85 dB SPL. Responses in the presence of the suppressor were subtracted from the unsuppressed condition in order to convert the data into decrements (amount of suppression). The slopes of the decrement versus L3 functions were less steep for lower frequency suppressors and more steep for higher frequency suppressors in impaired ears. Suppression tuning curves, constructed by selecting the L3 that resulted in 3 dB of suppression as a function of f3, resulted in tuning curves that were similar in appearance for normal and impaired ears. Although variable, Q10 and Q(ERB) were slightly larger in impaired ears regardless of whether the comparisons were made at equivalent SPL or equivalent sensation levels (SL). Larger tip-to-tail differences were observed in ears with normal hearing when compared at either the same SPL or the same SL, with a much larger effect at similar SL. These results are consistent with the view that subjects with normal hearing and mild-to-moderate hearing loss have similar tuning around a frequency for which the hearing loss exists, but reduced cochlear-amplifier gain.

Adolescent↗
PubMed2006

Frequency- and level-dependent changes in auditory brainstem responses (ABRS) in developing mice.

The development of the auditory brainstem response was studied to quantitatively assess its dependence on stimulus frequency and level. Responses were not observed to stimuli > or =16 kHz on P12, however, the full range of responsive frequencies included in the study was observed by P14. Response thresholds were high on P12, exceeding 100 dB SPL for all stimuli tested. The rate of threshold development increased progressively for stimulus frequencies between -2 and 10 kHz, with the most rapid changes occurring at frequencies >10 kHz. Adultlike thresholds were observed by P18. Response latencies and interpeak intervals matured rapidly over the course of the second and third postnatal weeks and did not achieve adultlike characteristics until after P18. Latencies of higher-order peaks were progressively and sequentially delayed relative to wave I. Wave I amplitudes developed nonmonotonically, growing during the first 24 days and stabilizing at adult values by approximately P36. Slopes of wave I amplitude-and latency-level curves were significantly steeper than those of adults during the neonatal period and the outcome of input-output analyses, as well as frequency-specific maturational profiles, support developmental models in which function initially matures in the mid-frequency range and proceeds, simultaneously, in both apical and basal directions.

Aging↗
PubMed1985

Thresholds for discrimination between pure and tempered intervals: the relevance of nearly coinciding harmonics.

Thresholds for discrimination between pure and tempered musical intervals consisting of simultaneous complex tones (fundamental frequencies f1 and f2) were investigated. For these tones the main clue for the discrimination of pure intervals (f1:f2 = p:q; p and q small integers) from moderately tempered intervals (f1:f2 approximately p:q) is absence versus presence of beats. The strength of the beats (level difference between envelope maximum and minimum or level-variation depth D) was manipulated by introduction of differences in level (delta L) between the two tones. In each of three experiments the discrimination thresholds (DTs) were determined for 13 intervals with different values for p and/or q. Experiment 1 showed that there is a simple relation between frequency-ratio complexity and discriminability: DTs gradually increased (smaller values of delta L) with increasing p + q. Experiment 2, in which tones with harmonics of equal amplitude were used, indicated that level of the interfering harmonics was not responsible for the relation between DT and p + q. Yet, Experiment 3, in which the spectral content of the tones was varied, clearly showed that for all intervals DT had been determined by the interference between nearly coinciding harmonics. Detailed analysis of the results revealed that the relation between DT and ratio complexity might have been the result of masking.

Auditory Perception↗
PubMed1986

Simulation of mechanical to neural transduction in the auditory receptor.

A probabilistic model is described for transmitter release from hair cells, auditory neuron EPSP's, and discharge patterns. The model assumes that the release fraction of the transmitter is a function of stimulus intensity. It further assumes that some of this transmitter substance is taken back into the cell while some is irretrievably lost from the cleft. These assumptions differ from other recent models which propose multiple release sites, fixed release fractions, and no transmitter reuptake. The model produces realistic mammalian rate intensity functions, interval and period histograms, incremental responses, and adaptation effects. It mimics successfully the adaptation of successive EPSP amplitudes of the afferent neuron of the goldfish sacculus and offers a reinterpretation of the implications of these studies for hair cell synaptic mechanism.

Animals↗
PubMed1992

Temporal structure model of binaural masking level difference.

It is shown that a simple cross-correlation model is not adequate to explain both binaural masking level difference (MLD) and spatial selective attention. The reason is that for a low-intensity signal in NoS(pi) condition the maximal activity in the binaural analyzer as a function of interaural delay in single spectral channel is independent of signal intensity. On the other hand, if detection ability is associated with the isolation of tonically firing units, MLD is simply explained as the increase in firing synchronization as a function of the signal's interaural phase difference (IPD). Quantitatively results are presented based on numerical solutions of the model.

Attention↗
PubMed1993

Comodulation masking release: is comodulation sufficient?

Common amplitude modulation across frequency facilitates comodulation masking release (CMR) and may also contribute to auditory grouping. The purpose of the present investigation was to determine whether there is an association between these two phenomena; that is, does the occurrence of CMR require that the comodulated noise bands making up the composite masker be grouped together? Three experiments were undertaken, each manipulating one variable designed to hinder the fusion of the comodulated noise bands. In experiment 1, the variable of onset/offset asynchrony was observed to have a marked effect: CMR could be completely abolished if the asynchrony between the on-signal band and the flanking bands was sufficiently great (> or = 50 ms). In experiment 2, an auditory streaming paradigm was employed and this was observed to disrupt CMR significantly. However, a substantial CMR remained. Experiment 3 attempted to hinder the fusion of the comodulated noise bands by drawing the various noise bands into separate harmonic series. However, the small effect observed did not appear to be due to a parsing of the fused image. Results from experiments 1 and 2 suggest that the CMR mechanism does not act in isolation from the processes that give rise to auditory object formation. In particular, the cue of onset/offset synchrony appears to be of paramount importance.

Acoustic Stimulation↗
PubMed1987

Binaural mechanisms of spatial tuning in the cat's superior colliculus distinguished using monaural occlusion.

This study explores the mechanisms of auditory spatial tuning in the superior colliculus of the anesthetized cat by correlating spatial tuning within specific regions of space with particular types of binaural interaction. The auditory spatial tuning of units was measured using a movable, broad-band stimulus presented in a free sound field. The contribution of each ear to the response of a unit was identified by acutely plugging one or the other ear. Every unit became largely or entirely unresponsive when a foam-rubber earplug was placed in the ear contralateral to the recording site. Thus, every unit exhibited an excitatory or facilitatory influence from the contralateral ear. A plug placed in the ipsilateral ear had different effects on different units. For half of the units (16/32), an ipsilateral earplug produced increases in the sizes of the units' receptive fields and increases in the magnitudes of their responses to stimuli presented from most locations. Thus, these units exhibited inhibition from the ipsilateral ear. Another class of units (9/32) exhibited ipsilateral facilitation, in that an ipsilateral earplug caused decreases in the sizes of the units' receptive fields and prominent decreases in their response magnitudes. For the remaining units (7/32), an ipsilateral earplug resulted in decreases in the sizes of the units' receptive fields, but produced both decreases in the responses of units to stimuli presented in their best areas and increases in the responses to stimuli presented away from the best areas. Thus these units exhibited mixed facilitatory and inhibitory ipsilateral influences. The influence of an ipsilateral earplug on a unit's response tended to correlate with its spatial tuning. The region of space within which a sound source was most effective in activating a unit was its "best area". The best areas of units exhibiting ipsilateral inhibition were located furthest peripherally, those of units showing ipsilateral facilitation were located furthest frontally, and the best areas of units showing mixed ipsilateral influences were located in an intermediate area. The frequency tuning of units measured using a free-field tone source also tended to correlate with the locations of their best areas. Half of the units tested (27/54) responded to tones of the sound pressure levels (SPLs) that were used (up to 50 dB SPL).(ABSTRACT TRUNCATED AT 400 WORDS)

Animals↗
PubMedDate not supplied

Detection of the acoustic reflex below 80 dB HL.

A new method for detecting the acoustic reflex that utilizes standard otoacoustic emissions recording techniques is introduced and discussed. Two successive identical tone bursts of 100 ms duration and 10 ms interstimulus interval are presented in the occluded ear canal at a repetition rate of one per second. If the acoustic reflex is elicited, the contraction of the stapedius muscle is delayed with respect to the onset of the first stimulus. Hence, the acoustic compliance in the ear canal decreases primarily during the second stimulus. The difference of the microphone signals produced by the two stimuli is computed and averaged across a certain number of repetitions of the sequence. The presentation level is increased until this difference is larger than -40 dB (with respect to the stimulus level) and if its signal-to-noise ratio exceeds 20 dB. For normal-hearing subjects, the acoustic reflex threshold measured with this method is on average 8 dB lower than in a standard clinical setup. In 5 out of the 10 tested hearing-impaired subjects, the new method could detect an acoustic reflex at one or more frequencies where no reflex was detected in the clinical setup.

Adult↗
PubMed2005

The relationship of music to the melody of speech and to syntactic processing disorders in aphasia.

Two new empirical studies address the relationship between music and language. The first focuses on melody and uses research in phonetics to investigate the long-held notion that instrumental music reflects speech patterns in a composer's native language. The second focuses on syntax and addresses the relationship between musical and linguistic syntactic processing via the study of aphasia, an approach that has been explored very little. The results of these two studies add to a growing body of evidence linking music and language with regard to structural patterns and brain processing.

Acoustic Stimulation↗
PubMed1985

Localization of pure tones and click trains by untrained humans.

Minimum audible angles (m.a.a.s) of untrained subjects were measured in a room using pure tone (0.5 to 8 kHz) and click train (noise) stimuli (two alternative, forced-choice, constant stimulus with feedback and head movements permitted, horizontal plane, 0 degree azimuth). The m.a.a.s and standard deviations (SD) were 3.0 degrees +/- 5.2 degrees for click trains and 10.9 degrees +/- 21.0 degrees for pure tones. The m.a.a.s did not vary significantly with frequency. The m.a.a.s and their SDs matched values reported from localization error studies. Narrowing the testing range from 32 degrees to 8 degrees resulted in random responses to the pure tones, though the click trains were readily localized. One subject presented with 2500 trials using an 8 kHz pure tone (with feedback, 16 degrees range) increased her responses from random to 88% correct during the testing. The click train m.a.a.s probably reflect the typical noise localizational abilities of the general population. For pure-tone m.a.a.s, experience/training may result in improved accuracy not applicable to the general public. The presence of a well defined time clue and a broad bandwidth sound results in significantly lower m.a.a.s than were obtained using pure tones which presumably present only interaural phase or intensity clues.

Acoustic Stimulation↗
PubMed2003

Comparison is not just subtraction: effects of time- and space-order on subjective stimulus difference.

In five experiments, participants made comparative judgments of paired successive or simultaneous stimuli. Time- or space-order errors were obtained, which varied with the interstimulus interval (ISI) or stimulus duration, as well as with the stimulus level. The results, in terms of scaled subjective differences, are well described by Hellström's (1979) sensation-weighting model. With successive presentation, in comparisons of line length and tone loudness, the first stimulus had the greater weight in determining the subjective difference for short ISIs, the second for longer ISIs. In comparisons of duration (auditory and visual), the second stimulus had the greater weight. For simultaneously presented line lengths, the left stimulus had the greater weight.

Adult↗
PubMed1999

Name that tune: identifying popular recordings from brief excerpts.

We tested listeners' ability to identify brief excerpts from popular recordings. Listeners were required to match 200- or 100-msec excerpts with the song titles and artists. Performance was well above chance levels for 200-msec excerpts and poorer but still better than chance for 100-msec excerpts. Performance fell to chance levels when dynamic (time-varying) information was disrupted by playing the 100-msec excerpts backward and when high-frequency information was omitted from the 100-msec excerpts; performance was unaffected by the removal of low-frequency information. In sum, successful identification required the presence of dynamic, high-frequency spectral information.

Adult↗
PubMed1990

Auditory food cue conditioning: effects of spatial contiguity and taste quality.

The effects of spatial location of an auditory stimulus and quality of a potentiating taste on the aversive conditioning of an auditory food cue were investigated. In Experiment 1 rats ate salty food activating a tone from a speaker either in (spatially contiguous with) or displaced from the food and were then made ill. It was found that spatial contiguity during conditioning resulted in avoidance of food with a contiguous or a displaced tone in testing, and spatial displacement during conditioning resulted in avoidance of food only if the tone was also displaced in testing. Experiment 2 was identical, except rats ate salty, bitter, or sweet food with a displaced tone during conditioning and testing. The salty and bitter food groups demonstrated an avoidance of noisy food relative to the sweet food group. These results indicate that spatial contiguity interacts with taste quality in the conditioning of nongustatory food cues.

Animals↗
PubMed1993

[Use of acoustic distortion products in clinical diagnosis. The site of origin of otoacoustic emissions in the inner ear].

Distorsion product otoacoustic emissions (DPOAE) are generated by a continuous bitonal stimulation of the cochlea. The resulting emissions are measurable in a definite mathematical function of the primaries (mf1 +/- nf2; f1 < f2). In humans sound emission at the frequency 2f1-f are usually detectable. To determine if a disturbance of DPOAE-amplitude is associated with a cochlear lesion in the frequency region of the evoked emissions or the primaries, we performed suppression experiments using normal-hearing, healthy probands (n = 14). DPOAE were measured in the frequency range between 800 Hz and 8 kHz with different sound-pressure levels for the primaries. Evoked emissions for each proband were measured with these different stimulus parameters to determine baseline values. In suppression experiments sound emissions were evoked continuously with different stimuli between 800 Hz and 8 kHz, disturbed simultaneously with a third tone of 1, 2 and 4 kHz and then compared with baselines. Suppressor tones (1, 2, 4 kHz) reduced significantly the DPOAE amplitudes in the frequency region of the geometric mean of the primaries. This indicates that a reduction of the emission amplitude in associated with a cochlear lesion near the generation site of the DPOAE. The suppression curves exhibit a sharp and steep graph, indicating their relation to cochlear frequency selectivity.

Acoustic Stimulation↗