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PubMed2004

Cross-modal source information and spoken word recognition.

In a cross-modal matching task, participants were asked to match visual and auditory displays of speech based on the identity of the speaker. The present investigation used this task with acoustically transformed speech to examine the properties of sound that can convey cross-modal information. Word recognition performance was also measured under the same transformations. The authors found that cross-modal matching was only possible under transformations that preserved the relative spectral and temporal patterns of formant frequencies. In addition, cross-modal matching was only possible under the same conditions that yielded robust word recognition performance. The results are consistent with the hypothesis that acoustic and optical displays of speech simultaneously carry articulatory information about both the underlying linguistic message and indexical properties of the talker.

Adult↗
PubMed2005

Perceptual tests of an algorithm for musical key-finding.

Perceiving the tonality of a musical passage is a fundamental aspect of the experience of hearing music. Models for determining tonality have thus occupied a central place in music cognition research. Three experiments investigated 1 well-known model of tonal determination: the Krumhansl-Schmuckler key-finding algorithm. In Experiment 1, listeners' percepts of tonality following short musical fragments derived from preludes by Bach and Chopin were compared with predictions of tonality produced by the algorithm; these predictions were very accurate for the Bach preludes but considerably less so for the Chopin preludes. Experiment 2 explored a subset of the Chopin preludes, finding that the algorithm could predict tonal percepts on a measure-by-measure basis. In Experiment 3, the algorithm predicted listeners' percepts of tonal movement throughout a complete Chopin prelude. These studies support the viability of the Krumhansl-Schmuckler key-finding algorithm as well as a model of listeners' tonal perceptions of musical passages.

Adult↗
PubMed2005

Identification and bisection of temporal durations and tone frequencies: common models for temporal and nontemporal stimuli.

Two experiments examined identification and bisection of tones varying in temporal duration (Experiment 1) or frequency (Experiment 2). Absolute identification of both durations and frequencies was influenced by prior stimuli and by stimulus distribution. Stimulus distribution influenced bisection for both stimulus types consistently, with more positively skewed distributions producing lower bisection points. The effect of distribution was greater when the ratio of the largest to smallest stimulus magnitude was greater. A simple mathematical model, temporal range frequency theory, was applied. It is concluded that (a) similar principles describe identification of temporal durations and other stimulus dimensions and (b) temporal bisection point shifts can be understood in terms of psychophysical principles independently developed in nontemporal domains, such as A. Parducci's (1965) range frequency theory.

Attention↗
PubMed2005

Rhythmic masking release: effects of asynchrony, temporal overlap, harmonic relations, and source separation on cross-spectral grouping.

The rhythm created by spacing a series of brief tones in a regular pattern can be disguised by interleaving identical distractors at irregular intervals. The disguised rhythm can be unmasked if the distractors are allocated to a separate stream from the rhythm by integration with temporally overlapping captors. Listeners identified which of 2 rhythms was presented, and the accuracy and rated clarity of their judgment was used to estimate the fusion of the distractors and captors. The extent of fusion depended primarily on onset asynchrony and degree of temporal overlap. Harmonic relations had some influence, but only an extreme difference in spatial location was effective (dichotic presentation). Both preattentive and attentionally driven processes governed performance.

Adult↗
PubMed2006

The influence of linguistic experience on the cognitive processing of pitch in speech and nonspeech sounds.

In the present experiment, the authors tested Mandarin and English listeners on a range of auditory tasks to investigate whether long-term linguistic experience influences the cognitive processing of nonspeech sounds. As expected, Mandarin listeners identified Mandarin tones significantly more accurately than English listeners; however, performance did not differ across the listener groups on a pitch discrimination task requiring fine-grained discrimination of simple nonspeech sounds. The crucial finding was that cross-language differences emerged on a nonspeech pitch contour identification task: The Mandarin listeners more often misidentified flat and falling pitch contours than the English listeners in a manner that could be related to specific features of the sound structure of Mandarin, which suggests that the effect of linguistic experience extends to nonspeech processing under certain stimulus and task conditions.

Adolescent↗
PubMed2006

Representation and execution of vocal motor programs for expert singing of tonal melodies.

Three experiments were conducted to study motor programs used by expert singers to produce short tonal melodies. Each experiment involved a response-priming procedure in which singers prepared to sing a primary melody but on 50% of trials had to switch and sing a different (secondary) melody instead. In Experiment 1, secondary melodies in the same key as the primary melody were easier to produce than secondary melodies in a different key. Experiment 2 showed that it was the initial note rather than key per se that affected production of secondary melodies. In Experiment 3, secondary melodies involving exact transpositions were easier to sing than secondary melodies with a different contour than the primary melody. Also, switches between the keys of C and G were easier than those between C and E. Taken together, these results suggest that the initial note of a melody may be the most important element in the motor program, that key is represented in a hierarchical form, and that melodic contour is represented as a series of exact semitone offsets.

Adult↗
PubMed2005

Lexical information drives perceptual learning of distorted speech: evidence from the comprehension of noise-vocoded sentences.

Speech comprehension is resistant to acoustic distortion in the input, reflecting listeners' ability to adjust perceptual processes to match the speech input. For noise-vocoded sentences, a manipulation that removes spectral detail from speech, listeners' reporting improved from near 0% to 70% correct over 30 sentences (Experiment 1). Learning was enhanced if listeners heard distorted sentences while they knew the identity of the undistorted target (Experiments 2 and 3). Learning was absent when listeners were trained with nonword sentences (Experiments 4 and 5), although the meaning of the training sentences did not affect learning (Experiment 5). Perceptual learning of noise-vocoded speech depends on higher level information, consistent with top-down, lexically driven learning. Similar processes may facilitate comprehension of speech in an unfamiliar accent or following cochlear implantation.

Adolescent↗
PubMed2004

Liking and memory for musical stimuli as a function of exposure.

Three experiments examined changes in liking and memory for music as a function of number of previous exposures, the ecological validity of the music, and whether the exposure phase required focused or incidental listening. After incidental listening, liking ratings were higher for music heard more often in the exposure phase and this association was stronger as ecological validity increased. After focused listening, liking ratings followed an inverted U-shaped function of exposure for the most ecologically valid stimuli (initial increases followed by decreases), but this curvilinear function was attenuated or nonexistent for less valid stimuli. In general, recognition improved as a function of previous exposure for focused listeners, but the effect was attenuated or absent for incidental listeners.

Association Learning↗
PubMed2004

Sequence effects in the categorization of tones varying in frequency.

In contrast to exemplar and decision-bound categorization models, the memory and contrast models described here do not assume that long-term representations of stimulus magnitudes are available. Instead, stimuli are assumed to be categorized using only their differences from a few recent stimuli. To test this alternative, the authors examined sequential effects in a binary categorization of 10 tones varying in frequency. Stimuli up to 2 trials back in the sequence had a significant effect on the response to the current stimulus. The effects of previous stimuli interacted with one another. A memory and contrast model, according to which only ordinal information about the differences between the current stimulus and recent preceding stimuli is used, best accounted for these data.

Humans↗
PubMed1988

Perceptual organization of acoustic stimuli by budgerigars (Melopsittacus undulatus): III. Contact calls.

We trained budgerigars by operant conditioning to discriminate among a set of contact calls in a same-different task and analyzed response latencies from this task by using multidimensional-scaling (MDS) and cluster-analysis procedures. Humans listened to the same calls and indicated the similarity between pairs of calls by a direct rating procedure. An MDS program (sindscal) was used to arrange these complex acoustic stimuli in multidimensional space reflecting perceptual organization. Multiple regression techniques were used to identify the acoustic characteristics of contact calls that were correlated with the perceptual dimensions obtained from MDS. A number of spectral characteristics (e.g., peak frequency, rate of frequency modulation, and concentration of spectral energy) emerged as important for both budgerigars and humans, but the relative salience of these cues differed for the two species. Additional tests with two groups of budgerigars--cagemates and noncagemates--showed that experience with calls can change the salience of various acoustic characteristics used for perceptual organization and individual recognition.

Animals↗
PubMed1989

Song frequency as a cue for recognition of species and individuals in the field sparrow (Spizella pusilla).

Estimate the amount of frequency variation that affected individual and species recognition by song in territorial male field sparrows with field playbacks of neighbors' songs lowered in frequency in 6 increments between 324 and 1296 Hz. Males gave strong responses to neighbors' songs that had been lowered by about 400 Hz, which is about 11% of the mean midfrequency in field sparrow song. Territorial responses were eliminated when neighbors' songs were lowered by more than about 900 Hz. Thus, there is a fairly narrow range of frequencies within which field sparrow songs can vary while functioning in communication. Ss' responses appear to be constrained by the normal range of song frequency variation within the species, but the range of variability within songs of individuals did not influence the degree of frequency shift required to render neighbors' songs unfamiliar.

Animal Communication↗
PubMed1989

Timbre control in zebra finch (Taeniopygia guttata) song syllables.

Zebra finch (Taeniopygia guttata) song syllables often include harmonically related frequency components. These harmonics may be suppressed, and this differential emphasis varies between the syllables in a song and between individual birds' songs. These patterns of harmonic suppression are timbre. Individual syllables' patterns of harmonic suppression are constant with adult males' songs. Young males that imitate the songs of older males also imitate their patterns of harmonic suppression. Syringeal denervation distorts these patterns, which suggests that they are produced through active control of the vocal organ. The selective suppression and emphasis of some harmonics creates a great number of possible timbre variants for any one syllable. These add signal diversity to the limited array of frequency modulations and range of fundamental frequencies found in zebra finch song. Analyses of bird song that disregard timbre may overlook a feature that is important in vocal communication.

Animals↗
PubMed1990

Acoustic classification of alarm calls by vervet monkeys (Cercopithecus aethiops) and humans (Homo sapiens): I. Natural calls.

A 2-choice, operant-conditioning-based classification procedure was developed in which vervet monkeys (Cercopithecus aethiops) categorized species-typical snake and eagle alarm calls recorded from individually identified free-ranging animals. After preliminary training with a pair of calls from a single animal, 2 vervets were tested with novel exemplars produced by a variety of callers. Experiment 1 combined testing with continued training in routine classification of 14 new calls. In Experiment 2, the subjects were tested with 48 novel calls in rapid succession. Human (Homo sapiens) control subjects participated in the first study without extended preliminary training. Monkey and human subjects both showed immediate transfer to classification of unfamiliar alarm calls, despite variations both in voice characteristics and reproduction quality.

Adult↗
PubMed1990

Acoustic classification of alarm calls by vervet monkeys (Cercopithecus aethiops) and humans (Homo sapiens): II. Synthetic calls.

In 2 experiments classification of synthetic versions of species-typical snake and eagle alarm calls by vervet monkeys (Cercopithecus aethiops) and human (Homo sapiens) control subjects was investigated. In a 2-choice, operant-conditioning-based procedure, this work followed up acoustic analyses that had used various digitally based algorithms (Owren & Bernacki, 1988). All subjects were first tested with alarm-call replicas that were based on analysis data. These models were classified in the same manner as natural stimuli, which verified the appropriateness of the acoustic characterizations. Synthetic stimuli were then presented to test the importance of specific acoustic cues. Spectral patterning was found to be the most salient cue for classification by the monkeys, whereas results from the human subjects were mixed. Implications for the study of nonhuman primate vocalizations and Lieberman's (1984) theory of speech evolution are discussed.

Adult↗
PubMed1990

Experimental determination of a unit of song production in the zebra finch (Taeniopygia guttata).

Zebra finch (Taeniopygia guttata) song is composed of syllables delivered in a set order. Little is known about the program that controls this temporal delivery. A decision to sing or not to sing may or may not affect the entire song. Song, once commenced, may continue or may halt. If song is halted, stops may occur only at certain points. Seven zebra finches were presented with short bursts of strobe light while engaged in song. The variables of interest were whether the birds stopped and where they stopped. The results can be summarized as follows: Ongoing zebra finch song can be interrupted, interruptions occur at discrete locations in song, and the locations almost always fall between song syllables. These results reveal a functional representation of song production and place constraints on possible neural mechanisms that underlie song production in zebra finches and probably other oscine species. The results also raise hypotheses about the elements of song perception and memory.

Animal Communication↗
PubMed1990

Acoustic signaling in the black rat (Rattus rattus).

This study surveyed the vocalization repertoire of descendants of wild-trapped Rattus rattus. Sound recordings synchronized with behavioral observations were conducted in an animal colony living undisturbed under seminatural conditions. Analyses of sound recordings revealed 10 distinct acoustic signals, 5 of which were in the ultrasonic frequency range. The time course and the frequency pattern of the analyzed sounds were similar to those described for R. norvegicus, and they occurred in comparable situations. A species-specific difference may be the intensity of the emitted sounds. The possible communicative function of the acoustic signals is discussed.

Agonistic Behavior↗
PubMed1990

Changes in mating vocalizations over the ejaculatory series in rats (Rattus norvegicus).

Rats (Rattus norvegicus) produce ultrasonic calls during mating. We examined changes in the structure and pattern of such vocalizations over the ejaculatory series. In Experiment 1, vocalizations were recorded from 11 pairs of rats through 3 ejaculatory series and analyzed spectrographically. We classified 4 categories of call by spectral frequency and duration. Calls of low frequency, long duration, and high intensity occurred more often shortly before the ejaculation and were associated with mounting without intromission, a behavior that often occurs shortly before ejaculation. The high-frequency calls did not vary in number across the series. In Experiment 2, vocalizations were recorded from males paired with devocalized females. Males produced all vocalization patterns produced by pairs in Experiment 1. Results suggest that most pre-ejaculatory calls are produced by males and may potentially affect female sexual behavior.

Animals↗
PubMed1990

Timbre discrimination in zebra finch (Taeniopygia guttata) song syllables.

Zebra finch (Taeniopygia guttata) songs include syllables of a fundamental frequency and harmonics. Individual harmonics in 1 syllable can be more or less emphasized. The functional role of this variability is unknown. These experiments provide evidence of how the phenomenon is perceived. We trained 12 male and female zebra finches on a go-no-go operant procedure to discriminate between 2 song syllables that varied only in the absence of the 2nd or 5th harmonic. Training involved many thousands of trials. Both sexes used the presence or absence of the 2nd harmonic as the sole discriminative cue. Females had more difficulty learning to perform the task when the presence of the 2nd harmonic was the go stimulus, which indicates that their use of the information was biased by stimulus-response contingencies. The results are discussed in terms of a broad strategy to understand how animals perceive sounds used in communication.

Animals↗