[Leonhard Rauwolf; a contribution to his biography].
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The tendency to associate Jung with Freud has undergone a change and both are increasingly perceived as founders of depth psychological schools whose exact relationship is unclear. The separation of the two was largely due to Jung's rejection by the psychoanalytic community because of his perceived spiritual inclinations. Recent scholarship has emphasized these spiritual inclinations in both a positive and negative way and brought to light Jung's non-Freudian sources, while other Jungian practitioners are seeking a closer association with psychoanalysis. This conflicting development is related to tendencies in Jung himself that are evident in his own life and in research conducted into the writing and publication of Memories, Dreams, Reflections. Though the status of the latter as Jung's autobiography has been called into question there remains the necessity to explain the myth of Jung's life enshrined there and the impact this has had on a public looking for meaning in a time of considerable change.
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Freud has a dual attitude to the biographical genre. When he places himself in the position of psychoanalyst-biographer of others, he is enthusiastic, speaking of ground to be conquered for psychoanalysis, and his works, as well as his correspondence, show that he continued to devote himself to investigations which resulted in interpretations of a number of personalities, the most detailed of which dealt with Leonardo de Vinci, Goethe, Dostoyevsky, President Wilson, and Moses. On the other hand, even though during the first years of the discovery of psychoanalysis he allowed himself, in a more or less veiled manner, confidences of an autobiographical nature, Freud remained very secretive about himself. He limited himself to making public only the routine information found on his university resume or the details of his life directly related to the discovery and the development of psychoanalysis. Hidden behind die Sache, the Cause, the man always vigorously defended himself against those who, braving the periodical destruction to which he subjected his archives, claimed to apply to him this "investigative drive" whose heuristic richness he otherwise celebrated. It is by means of fantasies of identification to the work, present in every biographical attempt, that we attempt to address here the contradictions of this dual attitude.
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