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Results for “Pitch Perception”

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PubMed2001

Human pitch perception is reflected in the timing of stimulus-related cortical activity.

'Pitch' refers to a sound's subjective highness or lowness, as distinct from 'frequency,' which refers to a sound's physical structure. In speech, music and other natural contexts, complex tones are often perceived with a single pitch. Using whole-head magnetoencephalography (MEG) and stimuli that dissociate pitch from frequency, we studied cortical dynamics in normal individuals who extracted different pitches from the same tone complexes. Whereas all subjects showed similar spatial distributions in the magnitude of their brain responses to the stimuli, subjects who heard different pitches exhibited contrasting temporal patterns of brain activity in their right but not their left hemispheres. These data demonstrate a specific relationship between pitch perception and the timing (phase) of dynamic patterns of cortical activity.

Acoustic Stimulation↗
PubMed2004

Elevated pitch perception owing to carbamazepine-activating effect on the peripheral auditory system: auditory brainstem response study.

Auditory disturbance is an uncommon side effect of carbamazepine, the pathophysiologic mechanism of which has not been clearly elucidated. We performed an auditory brainstem response study in a 9-year-old boy with epilepsy who had suffered from falsely higher pitch perception immediately after the start of carbamazepine treatment. The auditory brainstem response results showed that both the peak latency of wave V and the interpeak latencies of waves I to V were significantly prolonged with 85 dB HL click stimulation and that the peak amplitudes of the waves were noticeably elevated, particularly with lower click stimulation intensity. Although it has been shown that carbamazepine has a suppressive effect on the central nervous system, these auditory brainstem response findings might constitute evidence of a carbamazepine-activating effect on the peripheral auditory system, which probably increased the sensitivity to low-pitched sounds, causing the development of falsely higher pitch perception in our patient.

Anticonvulsants↗
PubMed1998

Click train encoding in primary auditory cortex of the awake monkey: evidence for two mechanisms subserving pitch perception.

Multiunit activity (MUA) and current source density (CSD) patterns evoked by click trains are examined in primary auditory cortex (A1) of three awake monkeys. Temporal and spectral features of click trains are differentially encoded in A1. Encoding of temporal features occurs at rates of 100-200 Hz through phase-locked activity in the MUA and CSD, is independent of pulse polarity pattern, and occurs in high best frequency (BF) regions of A1. The upper limit of ensemble-wide phase-locking is about 400 Hz in the input to A1, as manifested in the cortical middle laminae CSD and MUA of thalamocortical fibers. In contrast, encoding of spectral features occurs in low BF regions, and resolves both the f0 and harmonics of the stimuli through local maxima of activity determined by the tonotopic organization of the recording sites. High-pass filtered click trains decrease spectral encoding in low BF regions without modifying phase-locked responses in high BF regions. These physiological responses parallel features of human pitch perception for click trains, and support the existence of two distinct physiological mechanisms involved in pitch perception: the first using resolved harmonic components and the second utilizing unresolved harmonics that is based on encoding stimulus waveform periodicity.

Animals↗
PubMed1989

Syllabic pitch perception in 2- to 3-month-old infants.

The pitch patterns present in speech addressed to infants may play an important role in perceptual processing by infants. In this study, the high-amplitude sucking procedure was used to assess discrimination by 2- to 3-month-old infants of rising versus falling pitch patterns in 400-msec synthetic [ra] and [la] tokens. The syllables' intonation contour was modeled on infant-directed speech, and covered a range characteristic of an adult female speaker (180-300 Hz). Group data indicated that the 2- to 3-month-old infants discriminated the pitch contour for both stimuli. Results are discussed with reference to previous studies of syllabic pitch perception.

Arousal↗
PubMed1988

Pitch perception of complex tones and human temporal-lobe function.

Sixty-four patients with unilateral temporal-lobe excisions as well as 18 normal control subjects were tested in a missing fundamental pitch perception task. Subjects were required to indicate if the pitch of a pair of tones rose or fell. The excisions encroached upon Heschl's gyri in some cases, whereas, in others, this region was spared. All subjects included for study were able to perform well on a control task in which complex tones including a fundamental were presented. Stimuli for the experimental task, which was procedurally identical with the control task, consisted of several harmonic components spanning the same spectral range, but without a fundamental. Only subjects with right temporal lobectomy in whom Heschl's gyri were excised committed significantly more errors than the normal control group on this task. Patients with left temporal-lobe lesions or with anterior right temporal-lobe excisions were unimpaired. These results suggest that Heschl's gyri and surrounding cortex in the right cerebral hemisphere play a crucial role in extracting the pitch corresponding to the fundamental from a complex tone.

Auditory Perception↗
PubMed1989

Relative pitch perception in the European starling (Sturnus vulgaris): further evidence for an elusive phenomenon.

Relative pitch perception in animals has been difficult to demonstrate. This failing is due in part to stimulus sets that make an absolute pitch solution viable. In Experiment 1, starlings failed to acquire a discrimination that could be solved only on the basis of relative pitch. In Experiment 2, starlings were trained on a smaller set of pitch patterns, for which both absolute and relative pitch solutions were available, then tested with three series of unreinforced probe stimuli. Series 1 assessed stimulus control by absolute pitch. In Series 2, absolute pitch cues dictated one response, and relative pitch cues dictated a different response. Results indicate that starlings extract relative pitch from artificial pitch patterns only after acquiring a discrimination that permits both absolute and relative pitch solutions. Results are discussed in terms of the relative salience of absolute and relative pitch.

Animals↗
PubMed2004

Does static ear canal pressure influence pure tone pitch perception?

OBJECTIVE: That static ear canal air pressure (ECP) influences the frequency of spontaneous otoacoustic emissions (SOAEs) suggests that it may influence intracochlear, in addition to middle ear, processes. A previous study suggested that ECP influences pure tone pitch perception at 1,000 Hz, which was interpreted as indicating an effect on the cochlear place-frequency map. The present study extended investigations of this effect to 500 and 4,000 Hz. MATERIAL AND METHODS: Nine normal-hearing listeners performed interaural pitch matching with monaural ECPs of 0 and -300 daPa. RESULTS: Some indications of a small downward pitch shift (mean 0.2%) at 500 Hz were observed, which were marginally statistically significant at the 5% level. No pitch shifts were observed at 4,000 Hz. CONCLUSIONS: ECP does not influence pitch to the extent suggested previously or by SOAE frequency shifts. No evidence was found to support the notion that ECP influences the place-frequency map.

Acoustic Stimulation↗
PubMed1998

Reversible pitch perception deficit due to carbamazepine.

Carbamazepine (CBZ) is a drug frequently used to treat variety of neurological diseases or symptoms. Among its adverse effects, auditory disturbance is described rarely. In the present report, we describe an 18-year-old girl who noted false lowering of perceived pitch after starting CBZ treatment for epilepsy, and review the literature reporting CBZ-associated abnormal pitch perception.

Adolescent↗
PubMed2001

Temporal pitch perception and the binaural system.

Two experiments examined the relationship between temporal pitch (and, more generally, rate) perception and auditory lateralization. Both used dichotic pulse trains that were filtered into the same high (3,900-5,400-Hz) frequency region in order to eliminate place-of-excitation cues. In experiment 1, a 1-s periodic pulse train of rate Fr was presented to one ear, and a pulse train of rate 2Fr was presented to the other. In the "synchronous" condition, every other pulse in the 2Fr train was simultaneous with a pulse in the opposite ear. In each trial, subjects concentrated on one of the two binaural images produced by this mixture: they matched its perceived location by adjusting the interaural level difference (ILD) of a bandpass noise, and its rate/pitch was then matched by adjusting the rate of a regular pulse train. The results showed that at low Fr (e.g., 2 Hz), subjects heard two pulse trains of rate Fr, one in the "higher rate" ear, and one in the middle of the head. At higher Fr (>25 Hz) subjects heard two pulse trains on opposite sides of the midline, with the image on the higher rate side having a higher pitch than that on the "lower rate" side. The results were compared to those in a control condition, in which the pulses in the two ears were asynchronous. This comparison revealed a duplex region at Fr > 25 Hz, where across-ear synchrony still affected the perceived locations of the pulse trains, but did not affect their pitches. Experiment 2 used a 1.4-s 200-Hz dichotic pulse train, whose first 0.7 s contained a constant interaural time difference (ITD), after which the sign of the ITD alternated between subsequent pulses. Subjects matched the location and then the pitch of the "new" sound that started halfway through the pulse train. The matched location became more lateralized with increasing ITD, but subjects always matched a pitch near 200 Hz, even though the rate of pulses sharing the new ITD was only 100 Hz. It is concluded from both experiments that temporal pitch perception is not driven by the output of binaural mechanisms.

Functional Laterality↗
PubMed2006

Factors affecting the use of noise-band vocoders as acoustic models for pitch perception in cochlear implants.

Although in a number of experiments noise-band vocoders have been shown to provide acoustic models for speech perception in cochlear implants (CI), the present study assesses in four experiments whether and under what limitations noise-band vocoders can be used as an acoustic model for pitch perception in CI. The first two experiments examine the effect of spectral smearing on simulated electrode discrimination and fundamental frequency (FO) discrimination. The third experiment assesses the effect of spectral mismatch in an FO-discrimination task with two different vocoders. The fourth experiment investigates the effect of amplitude compression on modulation rate discrimination. For each experiment, the results obtained from normal-hearing subjects presented with vocoded stimuli are compared to results obtained directly from CI recipients. The results show that place pitch sensitivity drops with increased spectral smearing and that place pitch cues for multi-channel stimuli can adequately be mimicked when the discriminability of adjacent channels is adjusted by varying the spectral slopes to match that of CI subjects. The results also indicate that temporal pitch sensitivity is limited for noise-band carriers with low center frequencies and that the absence of a compression function in the vocoder might alter the saliency of the temporal pitch cues.

Acoustic Stimulation↗
PubMed1991

Periodicity and pitch perception.

There has been experimental evidence pointing to at least two pitch mechanisms, the first involving low-order harmonics that are resolved along the basilar membrane, and the second a periodicity mechanism that depends only on the repetition rate of the time waveform on the basilar membrane. If this time waveform is derived from repeated bursts of sinusoidal tone, the second mechanism might be the sole pitch mechanism. It is found that this can be so up to rates as high as 250 bursts of 4978-Hz tone per second. The stimuli used are periodic patterns of equally spaced tone bursts, with either successive tone bursts in the same phase, or every fourth tone burst 180 degrees out of phase with respect to the rest. Up to a critical transitional rate of tone bursts a second, the two sequences sound exactly the same, despite their different fundamental frequencies and frequency separation of harmonics. Critical rate data are given for sinusoidal bursts of seven different frequencies. Critical rates appear to be closely related to the critical bandwidth. Pitch matching appears to be consistent with these observations; it is on rate below the critical rate and can be on fundamental frequency above the critical rate.

Attention↗
PubMed2001

Relative pitch perception in Japanese monkeys (Macaca fuscata).

To investigate whether monkeys perceive relative pitch, the author trained 3 Japanese monkeys (Macaca fuscata) to detect changes from rising to falling contours of 3-tone sequences. Tone sequences were presented serially with transposition, so monkeys were urged to attend to cues other than the absolute frequency of a component tone. Results from probe tests with novel sequences showed that monkeys discriminated by the relative pitch when the frequency ranges of sequences were within the training range, showing a similar tendency as birds in previous studies (e.g., S. H. Hulse, J. Cynx, & J. Humpal, 1984).

Animals↗
PubMed1994

Pitch perception for different modes of stimulation using the cochlear multiple-electrode prosthesis.

Numerical estimations of pitch were obtained from nine postlinguistically deafened adults using the 22-electrode cochlear implant manufactured by Cochlear Pty. Limited. A series of electrodes on the array were stimulated using three modes of stimulation: Bipolar (BP), common ground (CG), and monopolar (MONO). In BP stimulation, an electric current was passed between two electrodes separated by one electrode for eight patients and two electrodes for one patient. In CG stimulation, a single electrode was activated and the other electrodes on the array were connected together to serve as the return path for the current. In MONO stimulation, an electric current was passed between a single electrode and the most basal electrode on the array. Pitch estimations were generally consistent with the tonotopic organization of the cochlea. There was a marked reversal in pitch for electrodes in the middle of the array using CG stimulation for three patients. A reduced range of pitch using MONO stimulation was recorded for patients where the most basal electrode was internal to the cochlea. There were also individual differences in pitch estimations between the three modes of stimulation for most patients. The current levels required to elicit threshold (T) and comfortable listening (C) levels were, in general, higher for BP stimulation than for CG stimulation and were lowest for MONO stimulation. For CG stimulation, there was a tendency for T and C levels to be higher for electrodes in the middle of the array than at the basal or apical ends. For MONO stimulation, T and C levels uniformly increased in an apical to basal direction for the majority of patients. There was no consistent pattern in T and C levels for BP stimulation. The size of the range of usable hearing using CG stimulation tended to be similar to that using BP stimulation and was usually higher than that using MONO stimulation.

Acoustic Stimulation↗
PubMed2004

Pitch perception and retention: two cumulative benefits of selective attention.

By presenting, before a "chord" of three pure tones with remote frequencies, a tone relatively close in frequency to one component (T1) of the chord, one can direct the listener's attention onto T1 within the chord. In the first part of the present study, it was found that this increases the accuracy with which the pitch of T1 is perceived. The attentional cue improved the discrimination between the frequency of T1 and that of another tone (T2) presented immediately after the chord or very shortly (300 msec) after it. No improvement was found when T1 was presented alone instead of within a chord. A subsequent experiment, in which the chord and T2 were separated by either 300 msec or 4 sec, indicated that the attentional cue improved not only the perception, but also the memorization of the pitch of T1 (especially when T1 was the intermediate component of the chord). It is argued that the positive effect of attention on memory took place when the pitch percept was encoded into memory, rather than after the formation of the pitch memory trace.

Attention↗