Search PubMed⌕ Search

SEARCH · Search PubMed

Results for “Pitch Perception”

Search indexed PubMed citations on genomics, clinical trials, systematic reviews and public health. Explore titles, authors and supplied subject terms, then open the PubMed record.

Quote a phrase for an exact phrase match. Source license links do not imply unrestricted reuse.

At least 505 records · Page 28Linked to original sources

Detection of tones in noise and the "severe departure" from Weber's law.

Thresholds were measured for the detection of 20-ms sinusoids, with frequencies 500, 4000, or 6500 Hz, presented in bursts of bandpass noise of the same duration and centered around the signal frequency. A range of noise levels from 35 to 80 dB SPL was used. Noise at different center frequencies was equated in terms of the total noise power in an assumed auditory filter centered on the signal frequency. Thresholds were expressed as the signal levels, relative to these noise levels, necessary for subjects to achieve 71% correct. For 500-Hz signals, thresholds were about 5 dB regardless of noise level. For 6500-Hz signals, thresholds reached a maximum of 14 dB at intermediate noise levels of 55-65 dB SPL. For 4000-Hz signals, a maximum threshold of 10 dB was observed for noise levels of 45-55 dB SPL. When the bandpass noises were presented continuously, however, thresholds for 6500-Hz, 20-ms signals remained low (about 1 dB) and constant across level. These results are similar to those obtained for the intensity discrimination of brief tones in bandstop noise [R. P. Carlyon and B. C. J. Moore, J. Acoust. Soc. Am. 76, 1369-1376 (1984); R. P. Carlyon and B. C. J. Moore, J. Acoust. Soc. Am. 79, 453-460 (1986)].

Auditory Threshold↗

Continuous versus gated pedestals and the "severe departure" from Weber's law.

Thresholds were compared for the detection of 20-ms sinusoidal signals presented with either continuous or gated sinusoidal pedestals of the same frequency (500 or 6500 Hz). Pedestal levels ranged from 35-80 dB SPL. For 500-Hz signals, thresholds were lower in the continuous-pedestal condition than in the gated-pedestal condition, for all pedestal levels above 35 dB SPL. When the pedestal level was 35 dB, thresholds were higher in the continuous-pedestal condition than in the gated-pedestal condition. This was also true at all pedestal levels when bandstop noise centered around the pedestal frequency was added to the pedestal. For 6500-Hz signals, a deterioration in performance at intermediate levels, similar to that reported by Carlyon and Moore [J. Acoust. Soc. Am. 76, 1369-1376 (1984)], was found in the gated-pedestal condition. No such deterioration occurred in the continuous-pedestal condition. However, masking signal onsets and offsets by bursts of bandpass noise produced a midlevel deterioration in the continuous-pedestal condition. This was true when bandstop noise was absent, and when it was gated on and off in each observation interval. When continuous bandstop noise was present, no midlevel deterioration was observed, even when onsets and offsets were masked. The results suggest that in the continuous-pedestal condition subjects may normally maintain performance across level at 6500 Hz by attending to a transient response to signal onsets. Presenting bursts of bandpass noise disrupts the detection of such a response. The absence of a midlevel deterioration when continuous bandstop noise was present may be related to the adaptation to the sinusoidal pedestal that was caused by the bandstop noise.

Auditory Threshold↗

Level discrimination as a function of level for tones from 0.25 to 16 kHz.

Difference limens for level (delta L in dB = 20 log [(p + delta p)/p], where p is pressure) were measured as a function of level for tones at 0.25, 0.5, 1, 2, 4, 8, 10, 12, 14, and 16 kHz. At each frequency, test levels encompassed the range from near threshold to 95 dB SPL in steps of 10 dB or smaller. The stimulus duration was 500 ms and the interstimulus interval was 250 ms. An adaptive two-alternative forced-choice procedure with feedback was used. Results for six normal listeners show individual differences among listeners, but the general trends seen in the average data clearly are present in the individual data and show the following. First, the delta Ls at all but the highest frequencies are generally smaller at high levels than at low levels. Second, the delta Ls at equal SPLs are largely independent of frequency up to about 4 kHz, but increase with frequency above 4 kHz. Third, at 8 and 10 kHz, the delta Ls are clearly nonmonotonic functions of level, showing consistent deterioration in the mid-level delta Ls relative to the low- and high-level delta Ls. The present data are discussed qualitatively in terms of current models of level discrimination.

Acoustic Stimulation↗

Binaural versus monaural loudness: supersummation of tone partially masked by noise.

A series of three experiments used the method of magnitude estimation to examine binaural summation of the loudness of a 1000-Hz tone heard in the quiet and against various backgrounds of masking noise. In the quiet, binaural loudness as measured in sones, is twice monaural loudness. Two conditions of noise masking acted to increase the ratio of binaural/monaural loudness in sones above 2:1--that is, to produce supersummation. (1) When tone was presented to both ears, but masking noise to just one ear (dichotic stimulation), the loudness of the binaural tone was 30%-35% greater than the sum of the loudness of the monaural components. This increase in summation provides a suprathreshold analog to increases in threshold sensitivity observed with dichotic stimulation (masking-level differences). (2) Supersummation was also evident when tone and noise alike were presented to both ears (diotic stimulation); here, the binaural tone's loudness was 10%-25% greater than the sum of the monaural components. The increase in summation with diotic stimulation may be related to the characteristics of binaural summation of the noise masker itself.

Dominance, Cerebral↗

Stimulus dependencies of the gerbil brain-stem auditory-evoked response (BAER). III: Additivity of click level and rate with noise level.

Two experiments were performed that evaluated the effects of ipsilateral-direct broadband noise maskers on the gerbil brain-stem auditory-evoked response (BAER) to click stimuli. In experiment 1, clicks were presented at 27 Hz at levels including 70, 80, 90, and 100 dB pSPL. Noise conditions included a no-noise control, and included noise levels varying in 10-dB increments from 20 dB SPL to a maximum noise level of 50, 60, 70, and 80 dB SPL for click levels of 70, 80, 90, and 100 dB pSPL, respectively. Gerbil BAER peaks were labeled with small roman numerals to distinguish them from human BAER peaks. The dependent variables included waves i and v latencies and amplitudes. Peak latencies increased and peak amplitudes decreased with decreasing click level and increasing noise level. To a first approximation, peak latencies and amplitudes showed changes with increasing noise level that were similar across click level. With increasing click level, there was little or no effect on the i-v interval. There was an increase in the i-v interval with increasing noise level. In experiment 2, click level was held constant at 90 dB pSPL, and click rates included 15, 40, 65, and 90 Hz. For each click rate, noise conditions included a no-noise control, and noise levels included 20, 30, 40, 50, 60, and 70 dB SPL. With increasing click rate and noise level, there was an increase in peak latencies, an increase in the i-v interval, and a decrease in peak amplitudes. The magnitude of peak latency and amplitude shifts with increasing click rate was dependent on noise level. Specifically, the magnitude of rate-dependent changes decreased with increasing level of broadband noise. These data are compared to human BAER experiments, and are found to be in fundamental agreement.

Animals↗

Ipsilateral, contralateral, and binaural masking effects on the human brain-stem auditory-evoked responses to click stimuli.

Two experiments concerning the effects of continuous broadband noise on wave V of the click-evoked human BAER are reported. Experiment I compared the effects of broadband masking noise presented ipsilaterally, contralaterally, and biaurally on the BAER to 100-dB pSPL monaurally presented clicks. For noise levels up to 75 dB SPL, contralateral masking had no effect on either the latency or the amplitude of wave V. Ipsilateral and binaural noise levels above 35-45 dB SPL increased wave V latency and decreased its amplitude, and the magnitudes of these effects were similar for ipsilateral and binaural noise conditions. Experiment II compared the effects of broadband masking noise on wave V to 100-dB pSPL clicks presented monaurally to each ear, and binaurally, with the noise being presented to the ear(s) of click presentation. In agreement with experiment I, noise levels above 35-45 dB SPL increased wave V latency and decreased wave V amplitude. There were no significant differences for right versus left ear. Wave V latency did not vary significantly for monaural versus binaural presentation, while wave V amplitude was larger for binaural than monaural presentation modes for all noise-level conditions.

Adult↗

Models of the effects of threshold on loudness growth and summation.

The present paper extends previous efforts to compare models of additivity of masking in normal and impaired listeners to measures of loudness. A model that provides a good account of additivity of masking for normal and impaired listeners, the modified power-law model with compressed internal noise, also provides a good description of basic loudness data from normal and impaired listeners. This model has been discussed frequently in the literature on loudness as one means of correcting loudness functions near threshold, but has not been widely accepted. The applicability of this model to loudness growth and the summation of loudness, both monaurally and binaurally, is evaluated and compared to the more generally accepted alternative. The ability of the model reported here to account for growth of loudness near threshold, as well as the additivity of masking, suggests a need to reconsider its application to loudness data, as well as a need to reconsider the relation between loudness and masking.

Attention↗

An interleaved tracking procedure to monitor unstable psychometric functions.

In some experimental situations, the psychometric function underlying performance may not be stable, but instead may shift along the stimulus axis in response to changes in attention, learning, or task difficulty. When this occurs, the measured threshold may be influenced and the slope of the measured function will be inaccurately shallow. With commonly used experimental procedures, it is difficult to know whether a shallow psychometric function slope is a true reflection of the sensory process, or is a result of "averaging" a highly variable underlying function. Here, a new method is described of estimating psychometric function slope from the variability in two interleaved adaptive tracks, consulted on alternate trials, that is resistant to the effects of shifting performance levels. Further, a mechanism is described for assessing the likelihood that a threshold was, in fact, stable over the course of its measurement. Computer simulations are reported as well as verification of the method in measurements of human performance on a psychophysical task. Several conditions of externally imposed variability were simulated to establish the ability of these procedures to identify unstable functions and produce accurate slope estimates. The procedures worked well for thresholds shifting by as little as 4 dB if the variation did not occur too rapidly. The procedure and associated analyses are recommended as a relatively "free" means of calculating slope and quantifying threshold reliability with little extra experimental effort.

Attention↗

The energy spectrum of an impulse: its relation to hearing loss.

Permanent threshold shifts obtained from 242 chinchillas that were exposed to various impulse noise paradigms have been related to the energy spectra of the impulses. The impulses were generated by three different shock tubes that produced impulse noise spectra whose A-weighted energies showed peaks at 0.25, 1, and 2 kHz. The results show that there is an increasing susceptibility to NIPTS as the audiometric test frequency increases from 0.5 to 16 kHz. This increase in susceptibility to NIPTS is further accentuated by approximately 5 to 10 dB for impulses whose spectra peak at 2 kHz.

Animals↗

A new portable sound processor for the University of Melbourne/Nucleus Limited multielectrode cochlear implant.

A new processor, called the spectral maxima sound processor (SMSP), has been developed for the University of Melbourne/Nucleus Limited multielectrode cochlear implant. The SMSP analyses sound signals by means of a bandpass filterbank having 16 channels which are allocated tonotopically to the implanted electrodes. Every 4 ms, typically, the six channels with the largest amplitudes are selected, and six corresponding electrodes are activated. In an ongoing study the performance of the SMSP is being compared with that of the Mini Speech Processor (MSP). Some results of speech perception tests from the first two SMSP users are presented, in which scores for the recognition of vowels, consonants, and words all showed significant increases over the corresponding MSP scores.

Cochlear Implants↗

Acoustics and perception of overtone singing.

Overtone singing, a technique of Asian origin, is a special type of voice production resulting in a very pronounced, high and separate tone that can be heard over a more or less constant drone. An acoustic analysis is presented of the phenomenon and the results are described in terms of the classical theory of speech production. The overtone sound may be interpreted as the result of an interaction of closely spaced formants. For the lower overtones, these may be the first and second formant, separated from the lower harmonics by a nasal pole-zero pair, as the result of a nasalized articulation shifting from /c/ to /a/, or, as an alternative, the second formant alone, separated from the first formant by the nasal pole-zero pair, again as the result of a nasalized articulation around /c/. For overtones with a frequency higher than 800 Hz, the overtone sound can be explained as a combination of the second and third formant as the result of a careful, retroflex, and rounded articulation from /c/, via schwa /e/ to /y/ and /i/ for the highest overtones. The results indicate a firm and relatively long closure of the glottis during overtone phonation. The corresponding short open duration of the glottis introduces a glottal formant that may enhance the amplitude of the intended overtone. Perception experiments showed that listeners categorized the overtone sounds differently from normally sung vowels, which possibly has its basis in an independent perception of the small bandwidth of the resonance underlying the overtone. Their verbal judgments were in agreement with the presented phonetic-acoustic explanation.

Fourier Analysis↗

Periodicity extraction in the anuran auditory nerve. II: Phase and temporal fine structure.

Discharge patterns of single eighth nerve fibers in the bullfrog, Rana catesbeiana, were analyzed in response to signals consisting of multiple harmonics of a common, low-amplitude fundamental frequency. The signals were chosen to reflect the frequency and amplitude spectrum of the bullfrog's species-specific advertisement call. The phase spectrum of the signals was manipulated to produce envelopes that varied in their shapes from impulselike (sharp) to noiselike (flattened). Peripheral responses to these signals were analyzed by computing the autocorrelation functions of the spike trains and their power spectra, as well as by constructing period histograms over the time intervals of the low-frequency harmonics. In response to a phase aligned signal with an impulsive envelope, most fibers, regardless of their characteristic frequencies or place of origin within the inner ear, synchronize to the fundamental frequency of the signal. The temporal patterns of fiber discharge to these stimuli are not typically captured by that stimulus harmonic closet to the fiber characteristic frequency, as would be expected from a spectral coding mechanism for periodicity extraction, but instead directly reflect the periodicity of the stimulus envelope. Changing the phase relations between the individual harmonics constituting the signal produces changes in temporal discharge patterns of some fibers by shifting predominant synchronization away from the fundamental frequency to the low-frequency spectral peak in the complex stimuli. The proportion of fibers whose firing is captured by the fundamental frequency decreases as the waveform envelope becomes less impulselike. Fiber characteristic frequency is not highly correlated with the harmonic number to which synchronization is strongest. The higher-harmonic spectral fine structure of the signals is not reflected in fiber temporal response, regardless of the shape of the stimulus envelope, even for those harmonics within the range of phase locking to simple sinusoids. Increasing stimulus intensity also shifts the synchronized responses of some fibers away from the fundamental frequency to one of the low-frequency harmonics in the stimuli. These data suggest that the synchronized firing of bullfrog eighth nerve fibers operates to extract the waveform periodicity of complex, multiple-harmonic stimuli, and this periodicity extraction is influenced by the phase spectrum and temporal fine structure of the stimuli. The similarity in response patterns of amphibian papilla and basilar papilla fibers argues that the frog auditory system employs primarily a temporal mechanism for extraction of first harmonic periodicity.

Acoustic Stimulation↗

Concurrent encoding of frequency and amplitude modulation in human auditory cortex: MEG evidence.

A natural sound can be described by dynamic changes in envelope (amplitude) and carrier (frequency), corresponding to amplitude modulation (AM) and frequency modulation (FM), respectively. Although the neural responses to both AM and FM sounds are extensively studied in both animals and humans, it is uncertain how they are corepresented when changed simultaneously but independently, as is typical for ecologically natural signals. This study elucidates the neural coding of such sounds in human auditory cortex using magnetoencephalography (MEG). Using stimuli with both sinusoidal modulated envelope (f(AM), 37 Hz) and carrier frequency (f(FM), 0.3-8 Hz), it is demonstrated that AM and FM stimulus dynamics are corepresented in the neural code of human auditory cortex. The stimulus AM dynamics are represented neurally with AM encoding, by the auditory steady-state response (aSSR) at f(AM). For sounds with slowly changing carrier frequency (f(FM) <5 Hz), it is shown that the stimulus FM dynamics are tracked by the phase of the aSSR, demonstrating neural phase modulation (PM) encoding of the stimulus carrier frequency. For sounds with faster carrier frequency change (f(FM) > or = 5 Hz), it is shown that modulation encoding of stimulus FM dynamics persists, but the neural encoding is no longer purely PM. This result is consistent with the recruitment of additional neural AM encoding over and above the original neural PM encoding, indicating that both the amplitude and phase of the aSSR at f(AM) track the stimulus FM dynamics. A neural model is suggested to account for these observations.

Acoustic Stimulation↗

Cochlear nerve fiber responses to amplitude-modulated stimuli: variations with spontaneous rate and other response characteristics.

1. Single-fiber responses to sinusoidally amplitude-modulated (AM) tones were recorded from the cochlear nerves of anesthetized guinea pigs. Stimuli were presented at the fiber's characteristic frequency (CF) and covered the intensity range between the fiber's minimum rate threshold and 90-100 dB SPL in 5- or 6-dB steps. The amount of modulation in each fiber's response and the average rate of the responses were quantified. The observed response modulation was compared with the modulation to be expected on the assumption that the instantaneous discharge rates varied with intensity in the same way that the average rates did (i.e., as predicted from each fiber's average-rate vs. level function). 2. The difference between the observed and expected response modulation varied widely across fibers. In most fibers' the responses to a limited range of stimulus intensities (typically between 20 and 30 dB above the fiber's rate threshold) were modulated far more than expected on the basis of their average rates, with responses to stimuli either above or below this range differing progressively less from expectation. Little or no response modulation was observed above approximately 70 dB SPL in these fibers. Other fibers exhibited response modulation that exceeded the expected modulation by smaller amounts, but maintained this modulation to much higher sound pressure levels. 3. The discrepancy between the observed and expected responses to AM stimuli also varied with the frequency of modulation (fm) within individual fibers. The discrepancies were least pronounced at low fms (e.g., 10 Hz) but became progressively larger as fm was increased to between 50 and 320 Hz (subject to the inter-fiber variations described in 2, above). 4. The AM response characteristics varied systematically with the fiber's spontaneous rate and other response characteristics (e.g., rate threshold, CF rate vs. level function type, and rapid adaptation characteristics). In particular, the most sensitive, high spontaneous rate fibers had responses that adapted rapidly after the onset of a stimulus, and showed the greatest enhancement of AM-related information at low-to-moderate stimulus intensities. However, these fibers appeared incapable of encoding AM-related information at high intensities, since their response rates "saturated" and their AM response enhancements diminished around 30 dB above threshold. In contrast, the less sensitive (i.e., higher threshold), lower spontaneous rate fibers showed less evidence of rapid adaptation near the onsets of their response, and lesser enhancements of the modulated responses predicted from their average-rate versus level functions.(ABSTRACT TRUNCATED AT 400 WORDS)

Animals↗

Auditory tuning for spatial cues in the barn owl basal ganglia.

1. The basal ganglia are known to contribute to spatially guided behavior. In this study, we investigated the auditory response properties of neurons in the barn owl paleostriatum augmentum (PA), the homologue of the mammalian striatum. The data suggest that the barn owl PA is specialized to process spatial cues and, like the mammalian striatum, is involved in spatial behavior. 2. Single- and multiunit sites were recorded extracellularly in ketamine-anesthetized owls. Spatial receptive fields were measured with a free-field sound source, and tuning for frequency and interaural differences in timing (ITD) and level (ILD) was assessed using digitally synthesized dichotic stimuli. 3. Spatial receptive fields measured at nine multiunit sites were tuned to restricted regions of space: tuning widths at half-maximum response averaged 22 +/- 9.6 degrees (mean +/- SD) in azimuth and 54 +/- 22 degrees in elevation. 4. PA sites responded strongly to broadband sounds. When frequency tuning could be measured (n = 145/201 sites), tuning was broad, averaging 2.7 kHz at half-maximum response, and tended to be centered near the high end of the owl's audible range. The mean best frequency was 6.2 kHz. 5. All PA sites (n = 201) were selective for both ITD and ILD. ITD tuning curves typically exhibited a single, large "primary" peak and often smaller, "secondary" peaks at ITDs ipsilateral and/or contralateral to the primary peak. Three indices quantified the selectivity of PA sites for ITD. The first index, which was the percent difference between the minimum and maximum response as a function of ITD, averaged 100 +/- 29%. The second index, which represented the size of the largest secondary peak relative to that of the primary peak, averaged 49 +/- 23%. The third index, which was the width of the primary ITD peak at half-maximum response, averaged only 66 +/- 35 microseconds. 6. The majority (96%; n = 192/201) of PA sites were tuned to a single "best" value of ILD. The widths of ILD tuning curves at half-maximum response averaged 24 +/- 9 dB. 7. On average, sound level had no effect on a site's best ITD or best ILD nor did it affect ITD tuning widths. ILD tuning widths did, however, tend to increase slightly with sound level (average effect was 0.1 dB ILD/dB). 8. Most PA sites responded best to contralateral-ear leading ITDs with a majority being tuned to ITDs near 0 microsecond (corresponding to sound-source locations just contralateral to the midline).(ABSTRACT TRUNCATED AT 400 WORDS)

Animals↗

Use of musical scales to display distance to objects in an electronic travel aid for the blind.

An electronic travel aid for the blind has been designed which displays distance to objects in terms of the eight notes of the musical scale. Experiments are described which determine the relationship between the efficacy of various tonal displays and the musical sophistication of the subjects. In particular it is shown that the accuracy of predicting the end of a scale, and hence a collision with an object, is a function of familiarity with the scale. That this accuracy is a function of musical sophistication receives only partial support. As expected, the ascending and descending versions of a scale are, in general, equally effective but, unexpectedly, the hypothesis that the accuracy of predicting the end of a tonal sequence would be an inverse function of the sequence length is confirmed only in the case of one scale, the Ionian or Major scale.

Blindness↗

Auditory subliminal stimulation: a re-examination.

Unconscious or subliminal perception has historically been a thorny issue in psychology. It has been the subject of debate and experimentation since the turn of the century. While psychologists now agree that the phenomenon of visual subliminal stimulation is real, disagreement continues over the effects of such stimulation as well as to its existence in other sensory modalities, notably the auditory. The present paper provides an overview of unresolved issues in auditory subliminal stimulation which explains much of the difficulty that has been encountered in experimental work in this area. A context is proposed for considering the effects of auditory subliminal stimulation and an overview of current investigations in this field is provided.

Auditory Perception↗

Harmonic relationship between preferred tempi and heart rate.

Since people tend to prefer musical tempi ranging from 70 to 100 beats per minute, cyclic physiological response like heart rate is considered on of the factors affected by tempo preference. The present study aimed to examine the relationship between preferred tempi and heart rate. Subjects were instructed to find their favorite tempi while their hart rates were being measured. The presented tone stimulus was 440 Hz, 60 dB pressure of pure tone, and the presented tempo varied from 10 to 300 cycles per minute. The relationship between heart rate and preferred tempo was examined to calculate the density function of ratios of preferred tempi to heart rate. This density function indicated that preferred tempi were distributed mostly one, one and a half, and two times as fast as heart rate. This finding indicated preferred tempi had a simple harmonic relationship to heart rate.

Adult↗