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Sound generation in the searobin (Prionotus carolinus), a fish with alternate sonic muscle contraction.

The Northern searobin (Prionotus carolinus) contracts its paired sonic muscles alternately rather than simultaneously during sound production. This study describes this phenomenon and examines its effect on sound production by recording sound and EMGs during voluntary and electrically stimulated calls. Sounds produced by a single twitch resulted in a two-part sound representing contraction and relaxation sounds. The relaxation sound of one twitch coincides with the contraction sound of the next twitch of that muscle. Maximum amplitude of evoked sounds occurs between 100 Hz and 140 Hz, approximately half the fundamental frequency of a voluntarily calling fish. The muscle is capable of following electrical stimulation at frequencies of up to 360 Hz. Rapid damping and response over a wide frequency range indicate that the swimbladder is a highly damped, broadly tuned resonator. A consequence of alternate contraction is a 3.3 dB loss in acoustic pressure due to the contraction of a single sonic muscle at a time. This decrease in amplitude is offset by a doubling of fundamental frequency and a constructive interaction between the sides of the bladder, resulting in increased amplitude of each unilaterally produced sound. The alternate contraction of the bilateral sonic muscles represents a novel solution to the inherent trade-off between speed and force of contraction in rapidly contracting sonic muscles.

Air Sacs↗

Sound-producing mechanisms and recordings in Carapini species (Teleostei, Pisces).

Carapus boraborensis, C. homei and Encheliophis gracilis are three species of Carapidae that display the ability to penetrate and reside in the holothurian Bohadschia argus. This study describes both the particular morphology of the sound-producing structures and, for the first time, the sounds produced by each species. The study of the structures composing the sound-producing system seems to indicate that the action made by the primary sonic muscles (i.e. the pulling and releasing of the front of the swim bladder) might be responsible for the sound emissions of these three species by provoking a vibration of a thinner zone in front of the swim bladder (swimbladder fenestra). The sounds were only emitted and recorded when several individuals of the same species were inside the same sea cucumber. They were composed of serially repeated knocks and were heard as drum beats or drum rolls. Their specific differences were mainly defined as variations in the timing or grouping of the knocking sounds. The recordings of these sound productions demonstrate a vocal ability for the three species, linked with the presence of particular organs associated with sound production. Moreover, the ecological significance of the sounds and of the sound apparatus system is discussed.

Air Sacs↗

Between sound and perception: reviewing the search for a neural code.

This review investigates the roles of representation, transformation and coding as part of a hierarchical process between sound and perception. This is followed by a survey of how speech sounds and elements thereof are represented in the activity patterns along the auditory pathway. Then the evidence for a place representation of texture features of sound, comprising frequency, periodicity pitch, harmonicity in vowels, and direction and speed of frequency modulation, and for a temporal and synchrony representation of sound contours, comprising onsets, offsets, voice onset time, and low rate amplitude modulation, in auditory cortex is reviewed. Contours mark changes and transitions in sound and auditory cortex appears particularly sensitive to these dynamic aspects of sound. Texture determines which neurons, both cortical and subcortical, are activated by the sound whereas the contours modulate the activity of those neurons. Because contours are temporally represented in the majority of neurons activated by the texture aspects of sound, each of these neurons is part of an ensemble formed by the combination of contour and texture sensitivity. A multiplexed coding of complex sound is proposed whereby the contours set up widespread synchrony across those neurons in all auditory cortical areas that are activated by the texture of sound.

Animals↗

Analysis of breath sounds in normal and asthmatic children and adults using computer digitized airway phonopneumography (CDAP).

Analysis of breath sounds using the stethoscope is a major part of physicians evaluation of their patients. However, the use of a stethoscope is often inadequate to give quantitative measurements of the clinical state of the individual. In this study a modification of a previously described computer analysis of breath sounds was used to measure sound intensity levels in both normal and asthmatic children who, in most cases, were unable to perform pulmonary function. The intensity levels were derived using a microcomputer-based program that digitizes audio signals and calculates energy values at 25-ms intervals throughout each signal. There were statistical differences between mean intensity levels for normal breath sounds in children between 2 and 6 years and the mean intensity levels for wheezing sounds in the same age group, as well as wheezing sounds in asthmatic patients over the age of 8 years (P less than 0.002). Also, the mean intensity levels for normal breath sounds could be clearly differentiated from intensity levels for other sounds from the chest, including heart sounds and voice sounds. Thus, computer digitized airway phonopneumography (CDAP) proved to be a reproducible, quantifiable method for demonstrating airway obstruction in those children and patients unable to perform pulmonary function testing.

Adolescent↗

Representation and classification of breath sounds recorded in an intensive care setting using neural networks.

OBJECTIVE: Develop and test methods for representing and classifying breath sounds in an intensive care setting. METHODS: Breath sounds were recorded over the bronchial regions of the chest. The breath sounds were represented by their averaged power spectral density, summed into feature vectors across the frequency spectrum from 0 to 800 Hertz. The sounds were segmented by individual breath and each breath was divided into inspiratory and expiratory segments. Sounds were classified as normal or abnormal. Different back-propagation neural network configurations were evaluated. The number of input features, hidden units, and hidden layers were varied. RESULTS: 2127 individual breath sounds from the ICU patients and 321 breaths from training tapes were obtained. Best overall classification rate for the ICU breath sounds was 73% with 62% sensitivity and 85% specificity. Best overall classification rate for the training tapes was 91% with 87% sensitivity and 95% specificity. CONCLUSIONS: Long term monitoring of lung sounds is not feasible unless several barriers can be overcome. Several choices in signal representation and neural network design greatly improved the classification rates of breath sounds. The analysis of transmitted sounds from the trachea to the lung is suggested as an area for future study.

Adult↗

Role of spectral detail in sound-source localization.

Sounds heard over headphones are typically perceived inside the head (internalized), unlike real sound sources which are perceived outside the head (externalized). If the acoustical waveforms from a real sound source are reproduced precisely using headphones, auditory images are appropriately externalized and localized. The filtering (relative boosting, attenuation and delaying of component frequencies) of a sound by the head and outer ear provides information about the location of a sound source by means of the differences in the frequency spectra between the ears as well as the overall spectral shape. This location-dependent filtering is explicitly described by the head-related transfer function (HRTF) from sound source to ear canal. Here we present sounds to subjects through open-canal tube-phones and investigate how accurately the HRTFs must be reproduced to achieve true three-dimensional perception of auditory signals in anechoic space. Listeners attempted to discriminate between 'real' sounds presented from a loudspeaker and 'virtual' sounds presented over tube-phones. Our results show that the HRTFs can be smoothed significantly in frequency without affecting the perceived location of a sound. Listeners cannot distinguish real from virtual sources until the HRTF has lost most of its detailed variation in frequency, at which time the perceived elevation of the image is the reported cue.

Cues↗

Physical mechanisms involved in the genesis of temporomandibular joint sounds.

Several different mechanisms are potentially capable of generating sounds in the temporomandibular joint (TMJ). These include impact, sliding and stick-slip friction, fluid dynamic effects and the release of elastic strain energy. It is the aim of this paper to provide a framework with which to separate sounds resulting from the different underlying causes. Each mechanism is described and its relevance to TMJ sounds and clinical significance discussed. Since it is not possible to observe these mechanisms in vivo the arguments are based mainly on analogies which are used to make predictions of the characteristic acoustic signatures of the sounds produced by these different mechanisms. In particular the changes in the characteristics of the sounds as parameters such as mandibular speed and loading are stressed. It is suggested that single short duration sounds (clicks) are due to impact, multiple short duration sounds (creaks) to stick-slip friction and defects of form and long duration sounds (crepitus) to simple sliding friction. Several other mechanisms which have no obvious clinical significance but which are capable of producing similar sounds are also described and methods of distinguishing them from the sounds that do have clinical implications are discussed.

Acoustics↗

Quantitative description of temporomandibular joint sounds: defining clicking, popping, egg shell crackling and footsteps on gravel.

This study presents a quantitative description of temporomandibular joint (TMJ) sounds provided by a rule-based classification system based on sound classification by three dentists, who listened to and classified the sound recordings as no sound, click, coarse crepitus and fine crepitus. The sounds were recorded with microphones in the ear canal from 126 subjects during vertical opening, digitized at 15 000 Hz, and replayed using a computer sound card and speakers. The dentists' classification of a test set resulted in intra- and inter-tester j values ranging from 0.71 to 0.81 and 0.61-0.73, respectively. Pooled j values for the dentists and the dentists plus the rules were 0.67 and 0.58, respectively, which were not significantly different in terms of the sound features on which the rules were based (P = 0.13). Linear discriminant analysis showed the four TMJ sound types were significantly different (P < 0.001). The performance of the rules was equivalent to the dentists and marginally better than the linear discriminant functions (P = 0.08), establishing the validity of the quantitative descriptions they provide. The recording and rebroadcast methodology produced sounds very similar to those observed in the clinic and could be used to train clinicians in classifying TMJ sounds.

Acoustics↗

Korotkoff's sounds in pregnancy.

Korotkoff described the sequence of vascular sounds heard with a stethoscope over the brachial artery during deflation of a pneumatic cuff. The initial sounds are produced by vibrations of the vessel wall, although the sequence of vascular sounds has frequently been ascribed to 'turbulence' of flow in the vessel. This study has been performed to determine the relationship between the vascular sounds (Korotkoff I-V) produced during blood pressure cuff deflation and specific changes in the brachial artery waveform. Ten nulliparous women admitted to hospital in the third trimester of pregnancy have been studied by means of concurrent Doppler ultrasound and phonocardiography. Changes in the brachial artery waveform during blood pressure cuff deflation were recorded using Doppler ultrasound (7.5 MHz) with concurrent objective demonstration of phases I-V of the vascular sounds using a phonocardiography microphone. Characteristic features of the brachial artery waveform were associated with phases I-IV of the vascular sounds in all patients (10/10). No consistent features of the brachial artery waveform were associated with phase V of the vascular sounds. Phases I-IV of the vascular sounds are associated with specific changes in the pattern and direction of flow within the brachial artery in normotensive primigravid women. The vascular sounds produced by vibration of the vessel wall are modulated by changes in blood flow to produce the characteristic sequence of vascular sounds detected with a stethoscope during blood pressure cuff deflation.

Adolescent↗

Binaural and monaural localization of sound in two-dimensional space.

Two experiments were conducted. In experiment 1, part 1, binaural and monaural localization of sounds originating in the left hemifield was investigated. 104 loudspeakers were arranged in a 13 x 8 matrix with 15 degrees separating adjacent loudspeakers in each column and in each row. In the horizontal plane (HP), the loudspeakers extended from 0 degrees to 180 degrees; in the vertical plane (VP), they extended from -45 degrees to 60 degrees with respect to the interaural axis. Findings of special interest were: (i) binaural listeners identified the VP coordinate of the sound source more accurately than did monaural listeners, and (ii) monaural listeners identified the VP coordinate of the sound source more accurately than its HP coordinate. In part 2, it was found that foreknowledge of the HP coordinate of the sound source aided monaural listeners in identifying its VP coordinate, but the converse did not hold. In experiment 2, part 1, localization performances were evaluated when the sound originated from consecutive 45 degrees segments of the HP, with the VP segments extending from -22.5 degrees to 22.5 degrees. Part 2 consisted of measuring, on the same subjects, head-related transfer functions by means of a miniature microphone placed at the entrance of their external ear canal. From these data, the 'covert' peaks (defined and illustrated in text) of the sound spectrum were extracted. This spectral cue was advanced to explain why monaural listeners in this study as well as in other studies performed better when locating VP-positioned sounds than when locating HP-positioned sounds. It is not claimed that there is inherent advantage for localizing sound in the VP; rather, monaural localization proficiency, whether in the VP or HP, depends on the availability of covert peaks which, in turn, rests on the spatial arrangement of the sound sources.

Attention↗

Confrontation naming of environmental sounds.

The development of a set of everyday, nonverbal, digitized sounds for use in auditory confrontation naming applications is described. Normative data are reported for 120 sounds of varying lengths representing a wide variety of acoustic events such as sounds produced by animals, people, musical instruments, tools, signals, and liquids. In Study 1, criteria for scoring naming accuracy were developed and rating data were gathered on degree of confidence in sound identification and the perceived familiarity, complexity, and pleasantness of the sounds. In Study 2, the previously developed criteria for scoring naming accuracy were applied to the naming responses of a new sample of subjects, and oral naming times were measured. In Study 3 data were gathered on how subjects categorized the sounds: In the first categorization task - free classification - subjects generated category descriptions for the sounds; in the second task - constrained classification - a different sample of subjects selected the most appropriate category label for each sound from a list of 27 labels generated in the first task. Tables are provided in which the 120 stimuli are sorted by familiarity, complexity, pleasantness, duration, naming accuracy, speed of identification, and category placement. The. WAV sound files are freely available to researchers and clinicians via a sound archive on the World Wide Web; the URL is http://www.cofc.edu/~marcellm/confront.htm.

Acoustic Stimulation↗

Constraints on decay of environmental sound memory in adult rats.

When adult rats are pretreated with a 48-h-long 'repetitive nonreinforced sound exposure', performance in two-sound discriminative operant conditioning transiently improves. We have already proven that this 'sound exposure-enhanced discrimination' is dependent upon enhancement of the perceptual capacity of the auditory cortex. This study investigated principles governing decay of sound exposure-enhanced discrimination decay. Sound exposure-enhanced discrimination disappeared within approximately 72 h if animals were deprived of environmental sounds after sound exposure, and that shortened to less than approximately 60 h if they were exposed to environmental sounds in the animal room. Sound-deprivation itself exerted no clear effects. These findings suggest that the memory of a passively exposed behaviorally irrelevant sound signal does not merely pass along the intrinsic lifetime but also gets deteriorated by other incoming signals.

Acoustic Stimulation↗

Experimental investigation of computed tomography sound velocity reconstruction using incomplete data.

An approach for reconstructing the sound velocity distribution in the breast was previously proposed and verified by simulations, and the present study investigated the approach experimentally. The experimental setup comprised a 5-MHz, 128-channel linear array, a programmable digital array system, a phantom containing objects with differing physical properties, and a computer. The array system was used to collect channel data for simultaneous B-mode image formation and limited-angle tomographic sound velocity reconstruction. The phantom was constructed from materials mimicking the following tissues in the breast: glandular tissue, fat, cysts, high-attenuation tumors, and irregular tumors. The sound velocities in these materials matched those in the corresponding real tissues. The imaging setup is similar to that of x-ray mammography, in which a linear array is placed at the top of the breast and a metal plate is placed at the bottom for reflecting sound waves. Thus, both B-mode images and the sound velocity distribution can be acquired using the same setup. An algorithm based on a convex programming formulation was used to reconstruct the sound velocity images. By scanning the phantom at different positions, nine cases were evaluated. In each of the nine cases, the image object comprised a background (glandular tissue) and one or three regions of interest (fat, tumor, or cyst). The sound velocity was accurately estimated in the nine cases evaluated, with sound velocity errors being less than 5 m/s in 8 of 11 regions of interest. Thus, obtaining the sound velocity distribution is feasible with a B-mode imaging setup using linear arrays. Knowledge of the sound velocity distribution in the breast can be used to complement B-mode imaging and to enhance the detection of breast cancer.

Breast Neoplasms↗

In-utero sound levels when vibroacoustic stimulation is applied to the maternal abdomen: an assessment of the possibility of cochlea damage in the fetus.

OBJECTIVE: To measure sound pressure level in utero while a vibro acoustic stimulator is applied to maternal abdomen and to calculate whether the estimated effect on fetal cochlea cilia vibration would be hazardous. DESIGN: Prospective descriptive study. SETTING: Labour ward, National University Hospital, Singapore. SUBJECTS: Eight women undergoing induction of labour. INTERVENTION: A hydrophone was introduced via the cervix into the uterus and placed under ultrasound guidance near the fetal ear. Sound pressure was recorded when a vibroacoustic stimulator was applied directly to the maternal abdomen and also when separated by 2 cm of air. MAIN OUTCOME MEASURES: Sound pressure levels in utero. RESULTS: The sound level recorded from the vibrator diaphragm in air was 107 dB at 2 cm and 74 dB at 1 m. The mean sound pressure level in utero was 90.7 dB (range 75-96 dB) when the vibrator was in contact with the abdominal wall and 80.1 dB (range 70-88 dB) when separated by 2 cm of air. CONCLUSIONS: Analysis of factors affecting displacement of cochlear sensing cilia in utero show that, for equal sound pressures, sound intensity and sound vibration are about 4000 times less in amniotic fluid, compared to that produced in air. Further protection is provided by viscous and hydrodynamic features of the ear. The estimated effect on cilia vibration by the mean sound pressure registered in utero, about 90 dB, corresponds to that produced postnatally by an airborne sound registering about 40 dB, which would not be hazardous.

Cochlea↗

Classification of lung sounds in patients with asthma, emphysema, fibrosing alveolitis and healthy lungs by using self-organizing maps.

The performance of the self-organizing map (SOM), an artificial neural network, was evaluated in the classification of lung sounds. Patients with asthma (n = 8), emphysema (n = 8) and fibrosing alveolitis (n = 8), and patients with healthy lungs (n = 8) were selected for the study. Fast Fourier transform (FFT) spectra from midinspiratory breath sounds recorded at the right lower lobe area were used to construct feature vectors in the learning and classification process of SOM. The sound segments did not contain wheezing sounds. The lung sounds of 25/32 (78%) patients were classified correctly, with an overall kappa (kappa) value of 0.71. The agreement between the clinical and proposed diagnoses based on classification of lung sounds was good among patients with emphysema (kappa = 0.92) and those with healthy lungs (kappa = 0.83), but only moderate among patients with asthma (kappa = 0.52) and fibrosing alveolitis (kappa = 0.54). This is due to the limitations in distinguishing breath sounds of asthmatics without wheezing sounds from those with crackles in fibrosing alveolitis by the spectral pattern alone. The results indicate that SOM based on FFT spectra is potentially useful in the classification of lung sounds, e.g. in health screening or in differential diagnosis of pulmonary disorders. To enhance the performance of SOM, other features of lung sounds should be combined with FFT spectra.

Adult↗

Detection of natural complex sounds by cells in the primary auditory cortex of the cat.

The neural mechanisms involved in the detection of natural complex sounds were studied by recording single-neuron responses from 132 cells in the primary auditory cortex of the cat. The cats were paralyzed and under neuroleptanalgesia (NLA). The cells were first stimulated with pure tones; the responses were then compared with those evoked by many different types of complex sounds, most of which were animal vocalizations. Per-stimulus-time (PST) histograms constructed from the responses to repetitive stimuli were compared with the corresponding sound spectrograms formed from the sounds used as stimuli. Of 100 cells 68 per cent gave predictable responses to complex sounds on the basis of their responses to different pure tone frequencies. In 32 per cent of the cells the responses were unpredictable. Half of these cells did not react to pure tones at all but responded to one or more animal vocalizations or generator sounds with different patterns. Some cells reacted to pure tones in quite a different way than to certain complex sounds, e.g. with inhibition instead of excitation. These results indicate that cells in the primary auditory cortex of the cat reacting in an unpredictable way to sounds with a complex structure have a more or less specialized function, in detecting and analyzing natural and other complex sound patterns. Cells reacting phasically to pure tones seem to be involved in the detection of transient sound elements.

Acoustic Stimulation↗

Lung sound intensity in patients with emphysema and in normal subjects at standardised airflows.

BACKGROUND: A common auscultatory finding in pulmonary emphysema is a reduction of lung sounds. This might be due to a reduction in the generation of sounds due to the accompanying airflow limitation or to poor transmission of sounds due to destruction of parenchyma. Lung sound intensity was investigated in normal and emphysematous subjects in relation to airflow. METHODS: Eight normal men (45-63 years, FEV1 79-126% predicted) and nine men with severe emphysema (50-70 years, FEV1 14-63% predicted) participated in the study. Emphysema was diagnosed according to pulmonary history, results of lung function tests, and radiographic criteria. All subjects underwent phonopneumography during standardised breathing manoeuvres between 0.5 and 2 1 below total lung capacity with inspiratory and expiratory target airflows of 2 and 1 l/s respectively during 50 seconds. The synchronous measurements included airflow at the mouth and lung volume changes, and lung sounds at four locations on the right chest wall. For each microphone airflow dependent power spectra were computed by using fast Fourier transformation. Lung sound intensity was expressed as log power (in dB) at 200 Hz at inspiratory flow rates of 1 and 2 l/s and at an expiratory flow rate of 1 l/s. RESULTS: Lung sound intensity was well repeatable on two separate days, the intraclass correlation coefficient ranging from 0.77 to 0.94 between the four microphones. The intensity was strongly influenced by microphone location and airflow. There was, however, no significant difference in lung sound intensity at any flow rate between the normal and the emphysema group. CONCLUSION: Airflow standardised lung sound intensity does not differ between normal and emphysematous subjects. This suggests that the auscultatory finding of diminished breath sounds during the regular physical examination in patients with emphysema is due predominantly to airflow limitation.

Aged↗

Role of cat primary auditory cortex for sound-localization behavior.

Small lesions designed to completely destroy the cortical zone of representation of a restricted band of frequency were introduced within the primary auditory cortex (AI) in adult cats. Physiological mapping was used to guide placement of lesions. Sound-localization performance was evaluated prior to and after induction of these lesions in a seven-choice free-sound-field apparatus. All tested cats had profound contralateral hemifield deficits for the localization of brief tones at frequencies roughly corresponding to those whose representations were destroyed by the lesion. Sound-localization performance was normal at all other test frequencies. In a single adult cat, a massive lesion destroyed nearly all auditory cortex unilaterally, with only the representation of a narrow band of frequency within AI spared by the lesion. This cat had normal abilities for azimuthal sound localization across that frequency band but a profound contralateral deficit for the azimuthal localization of brief sounds at all other frequencies. Recorded sound-localization deficits were permanent. Localization of long-duration tones was not affected by a unilateral AI lesion. These studies indicate that, at least in cats, AI is necessary for normal binaural sound-localization behavior; among auditory cortical fields, AI is sufficient for normal binaural sound-localization behavior; sound-location representation is organized by frequency channel in the auditory forebrain; and AI in each hemisphere contributes to only contralateral free-sound-field location representation.

Animals↗