Search PubMed⌕ Search

SEARCH · Search PubMed

Results for “Dancing”

Search indexed PubMed citations on genomics, clinical trials, systematic reviews and public health. Explore titles, authors and supplied subject terms, then open the PubMed record.

Quote a phrase for an exact phrase match. Source license links do not imply unrestricted reuse.

At least 37 records · Page 2Linked to original sources

Energy cost of square dancing.

This experiment was concerned with determining the energy cost of two popular Western square dancing routines: the "Mish-Mash," which is a relatively fast-moving dance with quick movements, and the "Singing" dance, which is a slower and more deliberate type of dance. The subjects were four middle-aged couples, veteran members of a local square dancing club. Sitting and standing pulmonary ventilations were determined through the use of the Tissot gasometer. Kofrańyi-Michaelis respirometers were employed for the dance routine ventilations. These apparatus were fitted with a Monoghan neoprene cushion plastic mask. Gas samples were collected in polyethylene metallized bags and analyzed for O2 and CO2 content. The net energy cost for the two dances was appropriately summarized. The results indicated that for the males the net average energy cost of the "Mish-Mash" dance was 0.085 and 0.077 kcal/min per kg for the "Singing" dance. For the females, the cost was 0.088 and 0.084 kcal/min per kg, respectively. A net average cost of these two dances yielded a caloric expenditure of 5.7 kcal/min for a 70-kg male and 5.2 kcal/min for a 60-kg female. It was indicated that during the course of a typical square dance evening, a 70-kg man would expend some 425 kcal. while a 60-kg female would burn some 390 kcal. The energy cost of the dances studied were determined to be within the permissible work load of a functional class 1 patient with diseases of the heart as determined by the American Heart Association.

Adult↗

A comparison of the relation between oxygen uptake and heart rate during different styles of aerobic dance and a traditional step test in women.

The oxygen uptake and heart rate in various styles of dance and in a graded step test have been compared in ten healthy women aged [mean (SD)] 34 (5) years. Dance was choreographed into progressively more energetic sequences typical of community classes, and videotaped. Oxygen uptake was assessed using a respirometer carried in a back-pack. Each of the two tests (dance and step) took 15-20 min and measurements were made in randomised balanced order on the same day. The mean oxygen costs of dance ranged from 1.29 l.min-1 for low impact style to 1.83 l.min-1 for high impact style with arm work; mean heart rates were 135 and 174 beats.min-1 respectively. Low impact dance raised heart rates above 60% of predicted maximum and so would provide training; during high impact dance recorded heart rates sometimes exceeded recommended safe limits. The addition of arm work significantly increased heart rates in both high and low impact dance but when oxygen pulses for each style of dance were compared no significant differences attributable to arm work were found. Moreover calculated differences between oxygen uptakes in stepping and dance at the same heart rates (those recorded during dance) were not significant for any of the four styles. Analysis of variance confirmed that neither arm work nor impact contributed significantly to the differences, so there was no evidence that these forms of dance change the normal relation between heart rate and oxygen uptake found in dynamic activities with large muscle groups such as stepping.

Adult↗

The effects of dance team participation on female adolescent physical fitness and self-concept.

The purpose of this study was to determine to what extent female physical fitness and self-concept are affected by dance team participation in high school. Eight dancers were tested once prior to and once four months after dance team participation. Eight participants from physical education classes, matched for age, weight, height, grade, and race, were tested once at the same time as the second dance team test. Physiological tests were maximum oxygen uptake, sit-and-reach, one-repetition maximum bench press, skinfolds, and hydrostatic weighing. The self-concept tests were Coopersmith Self-Esteem Inventory, Tennessee Self-Concept Scale, and Body Cathexis Scale. Dependent one-tailed t tests were run to determine differences between dance team pre- and posttests and control and dance team posttests. Dance subjects increased maximum oxygen uptake and one-repetition maximum bench press in addition to improving their body composition as evidenced by a significant decrease in total skinfolds and a near significant decrease in percent body fat. The dance team had a significantly higher maximum oxygen uptake than did controls. No other significant differences were seen between groups. Dance team participants significantly improved physical self and social self on the Tennessee Self-Concept Scale. No other significant differences were seen. A factor that may have affected the self-concept results in this study was low dance team status, due to a combination of unsuccessful previous dance teams and a losing football season. Within the limitations of this study, these results indicate that physical fitness is improved as a result of dance team participation; however, self-concept seems to be affected only minimally, if at all, as compared with participation in physical education classes.

Adolescent↗

A comparison of the dance language in Apis mellifera carnica and Apis florea reveals striking similarities.

Honeybees have a dance language by which successful foragers inform nestmates about attractive food patches. The classical concept of dialects in the dance language of honeybees points to two differences in the dances by different species and races, firstly in the flight distance at which the dancers start performing waggle dances instead of round dances, and secondly in the circuit duration of the waggle dance performed for a given flight distance. However, recent findings have indicated that the dance language is influenced and affected by a number of parameters, both genetic and environmental. The current study was carried out to see whether the distance at which dancers change from round dances to waggle dances is statistically different in two different species, Apis mellifera carnica and A. florea and to develop a set of definitions for such comparative studies. Results show that the two species do not differ in the relative proportion of waggle dances and round dances performed at a given distance. Thus, this study points to the need of addressing the dialect question again.

Animal Communication↗

The interplay between dancing and trophallactic behavior in the honey bee Apis mellifera.

The interplay between the recruitment dance and food-giving trophallactic contacts of returning Apis meellifera foragers was analyzed. Dancing and trophallactic events were recorded for bees returning from a rate feeder that provided 50% weight on weight sucrose solution at a constant flow rate of 5 microl min(-1). Bees that had danced immediately before their trophallactic contact had more recipients per trophallaxis compared with bees that did not dance before. Thus, besides information coded in dancing behavior, dance maneuvers could serve as a stimulus to increase attention of bees located on the dance floor to receive nectar. In addition, the number of bees receiving food during a trophallaxis showed a positive correlation with the probability of dancing immediately after contacting. The time from arrival at the hive to when the first or the subsequent contacts took place presented no correlation with the probability of dancing after trophallaxis. Also, the duration of a trophallaxis was positively correlated with the number of recipients per trophallaxis. These results suggest that returning foragers could receive information during a trophallactic contact with their hive mates that modify thresholds for dancing. Dance maneuvers and trophallactic contacts performed by foraging bees seem to be "mutually" affected.

Animals↗

Honeybee colonies achieve fitness through dancing.

The honeybee dance language, in which foragers perform dances containing information about the distance and direction to food sources, is the quintessential example of symbolic communication in non-primates. The dance language has been the subject of controversy, and of extensive research into the mechanisms of acquiring, decoding and evaluating the information in the dance. The dance language has been hypothesized, but not shown, to increase colony food collection. Here we show that colonies with disoriented dances (lacking direction information) recruit less effectively to syrup feeders than do colonies with oriented dances. For colonies foraging at natural sources, the direction information sometimes increases food collected, but at other times it makes no difference. The food-location information in the dance is presumably important when food sources are hard to find, variable in richness and ephemeral. Recruitment based simply on arousal of foragers and communication of floral odour, as occurs in honeybees, bumble bees and some stingless bees, can be equally effective under other circumstances. Clarifying the condition-dependent payoffs of the dance language provides new insight into its function in honeybee ecology.

Animal Communication↗

Heart rate and estimated energy expenditure during ballroom dancing.

Ten competitive ballroom dance couples performed simulated competitive sequences of Modern and Latin American dance. Heart rate was telemetered during the dance sequences and related to direct measures of oxygen uptake and heart rate obtained while walking on a treadmill. Linear regression was employed to estimate gross and net energy expenditures of the dance sequences. A multivariate analysis of variance with repeated measures on the dance factor was applied to the data to test for interaction and main effects on the sex and dance factors. Overall mean heart rate values for the Modern dance sequence were 170 beats.min-1 and 173 beats.min-1 for males and females respectively. During the Latin American sequence mean overall heart rate for males was 168 beats.min-1 and 177 beats.min-1 for females. Predicted mean gross values of oxygen consumption for the males were 42.8 +/- 5.7 ml.kg-1 min-1 and 42.8 +/- 6.9 ml.kg-1 min-1 for the Modern and Latin American sequences respectively. Corresponding gross estimates of oxygen consumption for the females were 34.7 +/- 3.8 ml.kg-1 min-1 and 36.1 +/- 4.1 ml.kg-1 min-1. Males were estimated to expand 54.1 +/- 8.1 kJ.min-1 of energy during the Modern sequence and 54.0 +/- 9.6 kJ.min-1 during the Latin American sequence, while predicted energy expenditure for females was 34.7 +/- 3.8 kJ.min-1 and 36.1 +/- 4.1 kJ.min-1 for Modern and Latin American dance respectively. The results suggested that both males and females were dancing at greater than 80% of their maximum oxygen consumption. A significant difference between males and females was observed for predicted gross and net values of oxygen consumption (in L.min-1 and ml.kg-1 min-1).

Adolescent↗

A test to estimate VO2max in females using aerobic dance, heart rate, BMI, and age.

OBJECTIVE: The purpose of this investigation was to develop a sub-maximal exercise test for estimating VO2max utilizing aerobic dance. EXPERIMENTAL DESIGN: One hundred females between the ages 18 to 40 yr served as the subjects for test validation. The subjects completed a treadmill test to determine VO2max and were assessed for heart rate (HR) response to a bout of aerobic dance. The data associated with responses to treadmill exercise and the aerobic dance test, in conjunction with descriptive variables (e.g., age, BMI) were utilized in the validation of the multiple regression model. MEASURES: Reliability was determined by correlation and paired "t"-tests of the aerobic dance routine test and retest trials. The construction of the multiple regression equation, via forward entry analysis, and the cross-validation of the regression equation were completed to ensure the validity and reliability of the protocol in accurately estimating VO2max. RESULTS: Test, retest reliability for the dance-exercise routine was demonstrated (r = 0.98). Moreover, no significant differences were shown between the HR responses for the test and retest trials. The multiple regression analysis yielded a three variable multiple prediction equation for estimating VO2max (R = 0.84; SEE, 5.5 ml.kg-1.min-1). The three variables were the HR response to four min of aerobic dance (HR4), body mass index (BMI), and age (years). Cross-validation of the aerobic dance test was determined with a second group of 50 female subjects (R = 0.83; SEE, 5.5 ml.kg-1.min-1). Additionally, the application of the validation group regression equation to the cross-validation group yielded a comparable R of 0.82. Comparison of the predicted values for VO2max from both equations also yielded a highly significant invariance coefficient of 0.96. Finally, the results of "t"-tests between the observed and predicted mean values for VO2max revealed no significant difference (p > 0.05). Therefore, the final prediction equation, based on collapsing the means associated with the validation and cross validation samples (n = 150), was: VO2max (ml.kg-1.min-1) = 130.18-(0.38 * HR4)-(0.81 * BMI)-(0.27 * Age); R = 0.84, SEE = 5.5 ml.kg-1.min-1. CONCLUSIONS: These results indicate that a four minute aerobic dance test provides a valid and reliable sub-maximal protocol for estimating VO2max and providing an index of aerobic fitness in apparently healthy 18 to 40 yr old females.

Adolescent↗

Effects of pollen quality and genotype on the dance of foraging honey bees.

Animals assess the quality and quantity of food and choose among different foods based on these assessments. We explored whether there was genetic variation for assessment of pollen quality by foraging honey bees, Apis mellifera. Honey bees derived from two genotypic strains foraged for pollen of varying quality from a petri dish placed inside an outdoor flight cage. The strains were the result of a colony-level, two-way selection on amount of stored pollen. We used the forager's round dance to quantify the assessments of pollen quality by individually marked worker bees. The dance rate (number of 180 degrees turns per minute) and the probability of dancing were each greater when bees foraged for pure pollen compared with a lower-quality mixture of pollen and alpha-cellulose (1:1 by volume). Bees from the high-pollen genotypic strain had a higher dance rate than those from the low-pollen strain, suggesting different assessments. Bees from the low-pollen strain, however, had a higher probability of dancing than did bees from the high-pollen strain. Dance duration was not affected by a bee's strain or by the quality of pollen. We conclude that the dance rate may be used to quantify a forager's subjective evaluation of pollen quality and that this evaluation has a genetic component. Our results also suggest that the dance may function at the colony level to recruit bees to more profitable pollen sources. Copyright 1998 The Association for the Study of Animal Behaviour.

Journal Article↗

Thermoregulation of dancing bees: thoracic temperature of pollen and nectar foragers in relation to profitability of foraging and colony need.

The thorax surface temperature of dancing honeybees (Apis mellifera carnica) recruiting nestmates to natural sources of nectar and pollen around Graz (Austria) was measured by real-time infrared thermography without touching them or disturbing social interactions. Thorax temperature during dancing was quite variable (31.4-43 degrees C). In the course of a foraging season it varied considerably and was always lower than in bees foraging from a highly profitable food source (2 molar sucrose 120 m from the hive). It averaged 38.0 degrees C (SD=2.24, n=224 dances) in the nectar foragers and 37.4 degrees C (SD=1.64, n=171) in the pollen foragers, resembling that of dancers foraging 0.5 molar sucrose from feeders with unlimited flow. Hive air temperature accounted only for about 3-8% of total variation. Foraging distance modulated dancing temperature in a way that, according to the decrease of the profitability of foraging with distance, maximum temperatures decreased and, in accordance with the increase of the dancing threshold with distance, minumum temperatures increased with distance, this way providing new support for the hypothesis that the dancing temperature is modulated by the profitability of foraging and the dancing and foraging motivation of the bees. Dancing temperature of both nectar and pollen dancers correlated with several parameters of the hive status, increasing with the amount of brood and decreasing with the amount of honey and pollen. These correlations are discussed with respect to literature reports on a colony's need for pollen and nectar, in particular the effect of brood and the amount of pollen on pollen foraging, and the effect of honey stores and demand for nectar on nectar foraging.

Journal Article↗

A comparison between two forms of aerobic dance and treadmill running.

Aerobic dance has been reported to result in a disproportionately higher heart rate than running at a similar percent of VO2max. It has been suggested that the extensive use of the arms overhead during aerobic dance results in an increase in sympathetic outflow thereby disproportionately increasing the heart rate. To compare the hemodynamic and sympathetic nervous system activity responses during aerobic dance and treadmill running, nine healthy females exercised at approximately 50% of their VO2max during each of the following three exercise trials: aerobic dance where the arms were used extensively overhead (ABOVE), aerobic dance where the arms were kept below the shoulders (BELOW), and treadmill running (TR). Mean heart rate values during the ABOVE, BELOW, and TR trials were 136 beats.min-1 for all three trials. Mean VO2 values during the ABOVE, BELOW, and TR trials were 1.48, 1.51, and 1.47 l.min-1, respectively, and were not significantly different. Mean cardiac output for the ABOVE, BELOW, and TR trials were 13.5, 14.0, and 13.0 1. min-1, respectively, and were not significantly different. Postexercise blood lactate and norepinephrine values were not significantly different among the three trials. These results suggest a similar relationship between heart rate and VO2 during low intensity aerobic dance and running and do not support the contention that the use of the arms overhead during aerobic dance exercise elicits a disproportionately greater increase in heart rate as compared with running. Additionally these results demonstrate similar cardiovascular and sympathetic nervous system responses between aerobic dance exercise and running.

Adult↗

Relationship of body image and creative dance movement.

Findings supporting the proposition that dance movement improves a person's body image have been contradictory. Previous work focussed on styles such as ballet, jazz, and modern dance but it is arguable that creative dance movement, with its less structured approach and absence of predetermined performance standards, will have a positive influence on body image. This study examine scores on the Multidimensional Body-Self Relations Questionnaire of 112 women between 18 and 69 years who had been actively participating in creative dance movement courses for periods ranging from two weeks to 16.5 years. Subjects experienced in creative dance movement were more satisfied with their appearance, fitness, and body parts than subjects with less than five years of experience. Differences in evaluation of health were not clearly established. Given this analysis and the potential for wide-spread clinical use of creative dance movement with people having body-image disturbances, empirical research on the relationship between creative dance movement and body image is warranted.

Adolescent↗

Physical demands during folk dancing.

This investigation was undertaken to evaluate the aerobic demands during one of the most popular and demanding Swedish folk dances the "hambo". Six men and six women, ranging in age from 22 to 32, participated. Their physical work capacity was investigated on a bicycle ergometer and a treadmill, using two to three submaximal and one maximal loads. All subjects were moderately well-trained and their average maximal oxygen uptake on the treadmill were 2.5 and 3.7 l/min (42.8 and 53.2 ml/kg . min-1) for women and men, respectively. When dancing the "hambo" the heart rate was telemetered, and the Douglas bag technique was used for measurements of pulmonary ventilation and oxygen uptake. The physical demand during "hambo" dancing was high in all subjects. Oxygen uptake was 38.5 and 37.3 ml/kg . min-1 and heart rate 179 and 172 in women and men, respectively. Women used 90% and men 70% of their maximal aerobic power obtained on the treadmill. The pulmonary ventilation and respiratory quotient of the female subjects were lower when dancing as compared to running, possibly because of voluntary restriction of the movements of the thoracic cage. Some popular Scandinavian folk dances are performed at a speed and with an activity pattern resembling the "hambo", while others are performed at a slower pace. The exercise intensity used in "hambo" is more than sufficient to induce training effects in the average individual provided that the dancing is performed at the frequency and for length of time usually recommended for physical training. For older or less fit people dances with a slow pace can be used for training purposes.

Adult↗

Social dancing: a way to support intellectual, emotional and motor functions in persons with dementia.

Dementia causes serious impairments and the inability to perform those activities which give meaning to a person's life. Therefore, these persons are in need of professional nursing care interventions as well as a special supporting environment. In this study, social dancing has been regarded as a nursing intervention that supports persons with dementia in nursing home settings. The aim was to find out how persons with dementia functioned in social dance sessions, in order to understand the reasons behind the use of social dancing as a nursing intervention in a nursing home setting. Six persons with dementia were videotaped during four dance sessions in one nursing home. The qualitative content analyses were carried out deductively, using a guide developed from the variables in the Gottfries, Bråne and Steen rating scale (GBS scale). The findings show that, for persons with dementia, retained abilities were prominent in dancing. It was obvious that social dancing was supportive and seemed to have meaning to both patients and their carers. Social dancing seems to be a nursing intervention that supports patients' positive feelings, communication and behaviour. The carers' preunderstanding of the patients' levels of dementia and the wholeness of the situation was of importance.

Aged↗

Validity and generalizability of social dance performance ratings.

The purpose of three related studies was to develop a social dance instrument that had logical validity and generalizable performance ratings. Three social dance experts critiqued the instrument and concluded the items described the characteristics of good social dance performance. Twelve couples from a social dance class were videotaped for 5 min while performing the fox trot. Their performances were evaluated by a different set of coders in each of the three generalizability (G-) studies conducted (Subjects x Coders x Days ANOVA design). Dance performances were held constant across coding occasions so the day facet represents degree of consistency in coding, not stability of subjects' performances. Decision (D-) studies were also conducted for various measurement conditions. Results of the G-studies indicated that coders with several years of experience teaching and evaluating dance had less systematic coder bias and less systematic coder bias for a subset of dancers than coders who had little or no experience evaluating movement of any form. The performance ratings given by novice coders could be generalized for any randomly selected coder evaluating on any given day (G = .79). It was concluded the social dance test was valid and coders could be trained to obtain generalizable performance ratings.

Adult↗

The physiological effects of aerobic dance. A review.

Aerobic dance exercise is currently one of the most commonly practised adult fitness activities. The majority of the research pertaining to this form of exercise supports its application as a valid cardiovascular training alternative, especially for adult females if performed according to the American College of Sports Medicine (ACSM) guidelines. If, however, the participant is interested in modifying body composition, training frequency, duration, or efforts toward caloric restriction may need to be increased or altered beyond those employed in the aerobic dance training investigations. The amount of energy expended during a bout of aerobic dance can vary dramatically according to the intensity of the exercise. 'Low intensity' dance exercise is usually characterised by less large muscle activity and/or less lower extremity impact, and music of slower tempo. Dance exercise representative of this variety requires a cost of approximately 4 to 5 kcal/minute. Several trials, however, have shown that vigorous 'high intensity' aerobic dance which entails using the large muscle groups can require 10 to 11 kcal/minute. The associated training outcomes could be affected by such differences in dance exercise intensity and style.

Adult↗

The effects of long-term aerobic dance on agility and flexibility.

BACKGROUND: The benefits of aerobic dance toward the contribution to overall wellness have been studied in a skewed manner. Numerous studies in the past have examined the cardiorespiratory benefits of aerobic dance. Fewer studies have reported the effects on agility, flexibility and coordination. Moreover even fewer studies have used aerobic dance instructors as subjects. METHODS: To examine the effects of long-term aerobic dance on agility and selected measures of flexibility, fifty-four experienced and non-experienced aerobic dance teachers were tested on these parameters. RESULTS: No significant differences were identified in any parameter. CONCLUSIONS: On the basis of the present data we conclude that extended participation in aerobic dance does not contribute to better sit and reach flexibility, trunk flexibility, dynamic rotational flexibility or agility and that aerobic dance teachers should participate in general flexibility stretching activities and secondary activities to improve and/or maintain agility and general coordination.

Adult↗

Elder-caregiver care negotiations as dances of dependency.

Well-developed metaphors function as heuristic devices for the communication of scientific ideas. When applied to common, typical situations, metaphorical conceptualization enables a richer and deeper understanding. In this article, the routinized and taken-for-granted situation of elder-caregiver care negotiations is examined through the use of a dance metaphor, the dance of dependency. Metaphorical models of theory are intended to be elaborated and developed in ways that good poetic metaphors are not. Therefore, we systematically describe the general aspects of the dance (rules, facilitators, performances, aesthetics) and relate the specific elements of a dance to the dance of dependency. The picture that emerges is one of elder-caregiver care negotiations as performances, with elders as agents who actively and creatively engage caregivers in their dances of dependency. Participants in these dances sustain a complex organization of behavior to meet the situational demands and maintain themselves as fully integrated participants, based on standards set forth by the jointly negotiated working consensus of the dyad. The resulting description extends what is currently understood about everyday care negotiations, allowing an appreciation of the processes and dynamics by which care negotiations and elder-caregiver relational cultures in multiple contexts unfold, change, and are challenged.

Aged↗