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PubMed1997

Oliver St John Gogarty.

Oliver St John Gogarty--Otolaryngologist to fashionable Edwardian Dublin--was a distinguished poet and a Senator in the fledgling Irish Free State after its establishment in 1922. He numbered amongst his acquaintances the poet William Butler Yeats, the novelist James Joyce and a host of political and literary persona who helped to shape modern Ireland. He was satirised as 'stately plump Buck Mulligan' in Joyce's novel Ulysses.

History, 19th Century↗
PubMed1999

Deafness as self-representation of a 16th century poet.

In his best poems, the Renaissance poet Sabo Bobaljević Glusac emphasizes his hearing impairment, placing his deafness at the centre of attention. These works are not only a poignant expression of an individual artist's suffering, but they may also add to our understanding of the situation of deaf persons. This self-reflection can be seen as a detail that will enhance our ability to communicate with deaf people in order not only to help them hear us, but also to make us hear them as well.

Croatia↗
PubMed1991

Historical terminology of eating disorders.

Using a wide range of rare, early printed sources, including literary material, some of the first English language dictionaries, medical lexicons and medical texts, the historical origins, development and application of five terms relating to eating abnormalities are investigated. It is demonstrated that four of these, which are in current psychiatric usage, exhibited notable consistency of meaning and application over many centuries.

Feeding and Eating Disorders↗
PubMed1996

A savant poet.

Poems by an individual with a diagnosis of Asperger's Syndrome were analysed and compared with those of a comparison poet. Though the savant poet performed less efficiently on formal language tests supposed to tap creativity, there were few differences between the two poets in regard to the poems' content and the use of various structural devices. The poems by the savant referred more often to aspects of self-analysis, while descriptions of people not related to the self were less frequent. Both poets made use of similes and metaphors. The results are discussed in terms of different modular domains within the language system.

Aptitude↗
PubMed2005

A proper diet: medicine and history in Crecas Caslari's Esther.

A pair of early-fourteenth-century texts by a Jewish physician offers an unusual glimpse of Jewish acculturation in medieval Provence. Their fate, moreover, illustrates the complexity of Jewish identity and memory, built on scaffolding assembled and reassembled over years of dislocation. Composed around 1327 in Avignon, Crescas Caslari's two verse narratives recount the biblical story of Esther. One version, in rhymed couplets, is the vernacular used by Provençal Jews, and the other version is in Hebrew. The Romance version survives in two incomplete fragments, enough to demonstrate a lively adaptation of romance narrative conventions and a sure literary hand. Except as a curiosity, it very quickly faded from sight. The Hebrew version, albeit complete, has had only a slightly securer footing in history. One manuscript copy, dated 1402 and now in the Bodleian Library in Oxford, survives in an anthology of Purim parodies and hymns copied in a Provençal hand; another, now in the British Library, is preserved in an eighteenth-century festival prayer book of the Avignon rite. A printed version containing some striking variants appeared in Salonika, on the press of Isaac Jehun, in 1853.

Alcoholism↗
PubMed1993

Phonological devices in poems by English and Italian children.

Poems were elicited from 133 English children between two and six and 171 Italian children between three and seven, using a similar technique, and the results were compared. Both groups produced large numbers of poems. There were great similarities and some differences. The majority of poems in both samples contained phonological devices (mostly rhyme and alliteration) and the proportion was higher (87%) in the Italian sample than in the English sample (59%). The proportion of poems that contained rhyme was close to 45% in each sample, with no consistent age difference in either sample. About one-third of Italian poems and just over a fifth of English poems contained alliteration. The frequency of alliteration declined with age in the English sample but not in the Italian sample. Possible reasons for the differences between the samples are considered. It is argued that the similarities are more important, and their theoretical implications are discussed.

Child↗