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PubMed2001

A role for muscarinic excitation: control of specific singing behavior by activation of the adenylate cyclase pathway in the brain of grasshoppers.

Muscarinic acetylcholine receptors exert slow and prolonged synaptic effects in both vertebrate and invertebrate nervous systems. Through activation of G proteins, they typically decrease intracellular cAMP levels by inhibition of adenylate cyclase or stimulate phospholipase C and the turnover of inositol phosphates. In insects, muscarinic receptors have been credited with two main functions: inhibition of transmitter release from sensory neuron terminals and regulation of the excitability of motoneurons and interneurons. Our pharmacological studies with intact and behaving grasshoppers revealed a functional role for muscarinic acetylcholine receptors as being the basis for specific arousal in defined areas of the brain, underlying the selection and control of acoustic communication behavior. Periodic injections of acetylcholine into distinct areas of the brain elicited songs of progressively increasing duration. Coinjections of the muscarinic receptor antagonist scopolamine and periodic stimulations with muscarine identified muscarinic receptor activation as being the basis for the underlying accumulation of excitation. In contrast to reports from other studies on functional circuits, muscarinic excitation was apparently mediated by activation of the adenylate cyclase pathway. Stimulation of adenylate cyclase with forskolin and of protein kinase A with 8-Br-cAMP mimicked the stimulatory effects of muscarine whereas inhibition of adenylate cyclase with SQ22536 and of protein kinase A with H-89 and Rp-cAMPs suppressed muscarine-stimulated singing behavior. Activation of adenylate cyclase by muscarinic receptors has previously been reported from studies on membrane preparations and heterologous expression systems, but a physiological significance of this pathway remained to be demonstrated in an in vivo preparation.

8-Bromo Cyclic Adenosine Monophosphate↗

PubMed1977

Genetic instability in Drosophila melanogaster: putative multiple insertion mutants at the singed bristle locus.

A series of eleven independent mutants at the X chromosome singed bristle (sn) locus of Drosophila melanogaster is described. All mutants descend from flies caught in the wild and bred in the laboratory. On the basis of their inordinately high spontaneous mutation frequency, ten of the mutants are classified as putative insertion mutants. Reversions to wild type occur at frequencies of 10(-4)-10(-3). Some reversions appear to be losses of the inserted element, others appear (by analogy with prokaryotes) to be changes in the orientation of the inserted elements. Consistent with the insertion hypothesis, some sn mutants generate what are interpreted to be deletions at the sn locus. In their mutational properties, the sn mutants are analogous to insertion sequence (IS) elements and bacteriophage Mu of Escherichia coli, but the precise nature of the insertion remains unknown.

Alleles↗

PubMed1993

Fascin, an echinoid actin-bundling protein, is a homolog of the Drosophila singed gene product.

A cDNA for fascin, an actin-bundling protein in echinoderms, has been cloned, sequenced, and expressed. The predicted mass of the protein is approximately 55 kDa, similar to that observed for fascin purified from sea urchin eggs. Bacterially expressed fascin reacts with antibodies prepared against sea urchin egg fascin. Fascin has a strong sequence similarity to the singed gene (sn) product in Drosophila and has similarities with a 55-kDa human actin-bundling protein. No extensive similarities were found with other known actin-binding/bundling proteins, indicating that this is a separate gene family.

Amino Acid Sequence↗

PubMed2003

Nothing to say, something to sing: primary progressive dynamic aphasia.

We describe a 76-year-old man (ADY) with dynamic aphasia in the setting of a degenerative frontal lobe dementia: primary progressive dynamic aphasia. He displayed a striking paucity of propositional speech despite intact speech production, and preserved singing and prosody. Vocal expression in the verbal and musical domains was investigated in a series of neuropsychological experiments based on novel language and musical tasks that were designed to establish the nature and specificity of the verbal output deficit. The features of the language disorder indicated that the speech output pathway was disrupted at the early stage of generation of a new pre-verbal message. In contrast, tests of musical output demonstrated that the generation of new musical ideas was unimpaired. The domain-specificity of dynamic aphasia may result from the disruption of specific cognitive processes necessary for the creation of verbal messages, as well as selective damage of brain regions involved in language production.

Aged↗

PubMed2004

Small groups and problem-based learning: are we singing from the same hymn sheet?

Recently, commented that there is a need for better ways of looking at how teaching and learning work in the PBL approach before it is banished to the wilderness of other educational innovations. The premise of this paper is that better ways of looking at how PBL works are dependent on better ways of understanding PBL. The recent exchange of views in the literature about the value of the small-group learning environment in PBL suggests that there is a variety of perspectives on the role and purpose of the small group. The debaters will have difficulty settling their differences or even understanding each other's point of view if they are not 'singing from the same hymn sheet'. In pursuit of clarifying the issue and contributing to an enhanced understanding of PBL, this paper critiques published views of the small-group learning environment against a way of looking at PBL as a whole approach to learning medicine.

Australia↗

PubMed2005

The effects of a song-singing programme on the affective speaking intonation of people with traumatic brain injury.

PRIMARY OBJECTIVE: To examine changes in the relationship between intonation, voice range and mood following music therapy programmes in people with traumatic brain injury. RESEARCH DESIGN: Data from four case studies were pooled and effect size, ANOVA and correlation calculations were performed to evaluate the effectiveness of treatment. METHODS AND PROCEDURES: Subjects sang three self-selected songs for 15 sessions. Speaking fundamental frequency, fundamental frequency variability, slope, voice range and mood were analysed pre- and post-session. RESULTS: Immediate treatment effects were not found. Long-term improvements in affective intonation were found in three subjects, especially in fundamental frequency. Voice range improved over time and was positively correlated with the three intonation components. Mood scale data showed that immediate effects were in the negative direction whereas there weres increases in positive mood state in the longer-term. CONCLUSIONS: Findings suggest that, in the long-term, song singing can improve vocal range and mood and enhance the affective intonation styles of people with TBI.

Adult↗

PubMed2004

Leading limb preference during brachiation in the gibbon family member, Hylobates syndactylus (siamangs): a study of the effects of singing on lateralisation.

Individual-level lateralisations are common among vertebrates, however population-level preferences are usually reserved for specific tasks. In humans, handedness is thought to be related to the hemispheric processing of specific aspects of language, including speech. Although nonhuman primates do not possess speech, gibbons are known to produce elaborate vocal displays often referred to as song. To investigate the evolutionary effects of singing on hand preference, this study examined leading limb preference during brachiation in the large-bodied, melodious gibbon, Hylobates syndactylus (siamangs). A total of 13 male and 12 female siamangs were observed in captive and semi-captive settings for leading limb preference during vocal and nonvocal behaviour. No significant results were found for the effect of vocalisation at the group level, although individual-level data indicated a trend towards a right shift in the vocal condition, especially for females, where 8 out of 12 demonstrated a greater reliance on a right leading limb during the vocal versus nonvocal conditions. Males were not found to possess significant preferences in either the vocal or nonvocal conditions alone, however when condition data were combined, the number of individual males lateralised was significantly greater than predicted by chance. These findings support individual, but not population-level, effects for vocalisation on leading limb preference in siamangs, and emphasise the importance of testing for sex difference in handedness and lateralisation research.

Animals↗

PubMed2004

WinSingad: a real-time display for the singing studio.

This paper describes the nature and implementation of a specially-designed integrated real-time display that is undergoing evaluation as part of a recently funded innovative pilot project to investigate the relative usefulness of computer displays in the singing studio. Following previous work that suggests that simple displays of a small number of analysis parameters are generally likely to be the most effective, the system makes available a range of complementary analyses that are plotted against time. These relate to: fundamental frequency, spectrum, spectral ratio, and vocal tract area. These can be viewed singly, multiply or in combination using a panel based design within the PC Windows environment, known as WinSingad. The algorithms used are described and the displays themselves are illustrated with results gained from the pilot phase of the research to indicate their potential usefulness.

Adult↗

PubMed2004

Vocal fold vibration and voice source aperiodicity in 'dist' tones: a study of a timbral ornament in rock singing.

The acoustic characteristics of so-called 'dist' tones, commonly used in singing rock music, are analyzed in a case study. In an initial experiment a professional rock singer produced examples of 'dist' tones. The tones were found to contain aperiodicity, SPL at 0.3 m varied between 90 and 96 dB, and subglottal pressure varied in the range of 20-43 cm H2O, a doubling yielding, on average, an SPL increase of 2.3 dB. In a second experiment, the associated vocal fold vibration patterns were recorded by digital high-speed imaging of the same singer. Inverse filtering of the simultaneously recorded audio signal showed that the aperiodicity was caused by a low frequency modulation of the flow glottogram pulse amplitude. This modulation was produced by an aperiodic or periodic vibration of the supraglottic mucosa. This vibration reduced the pulse amplitude by obstructing the airway for some of the pulses produced by the apparently periodically vibrating vocal folds. The supraglottic mucosa vibration can be assumed to be driven by the high airflow produced by the elevated subglottal pressure.

Air Pressure↗

PubMed2003

Revisiting the dissociation between singing and speaking in expressive aphasia.

We investigated the production of sung and spoken utterances in a non-fluent patient, C.C., who had a severe expressive aphasia following a right-hemisphere stroke, but whose language comprehension and memory were relatively preserved. In experiment 1, C.C. repeated familiar song excerpts under four different conditions: spoken lyrics, sung lyrics on original melody, lyrics sung on new but familiar melody and melody sung to a neutral syllable "la". In experiment 2, C.C. repeated novel song excerpts under three different conditions: spoken lyrics, sung lyrics and sung-to-la melody. The mean number of words produced under the spoken and sung conditions did not differ significantly in either experiment. The mean number of notes produced was not different either in the sung-to-la and sung conditions, but was higher than the words produced, hence showing a dissociation between C.C.'s musical and verbal productions. Therefore, our findings do not support the claim that singing helps word production in non-fluent aphasic patients. Rather, they are consistent with the idea that verbal production, be it sung or spoken, result from the operation of same mechanisms.

Aphasia, Broca↗

PubMed1988

Molecular analysis of an unstable P element insertion at the singed locus of Drosophila melanogaster: evidence for intracistronic transposition of a P element.

In a companion study, a number of P element insertions into the singed locus were characterized. Here is reported a detailed analysis of the structure and mutability of another P element insertion at sn, known as sncm. Under conditions which mobilize P elements, sncm mutates at high frequency to both wild-type (sn+) and to a much more extreme allele (snext). Wild-type revertants appear to represent precise or nearly precise excisions of the P element. Certainly two, and most likely all five, of the snext alleles studied result from the insertion of a duplicate copy of this P element into a nearby site in an inverted orientation. We propose a model in which both the sn+ and snext mutational events can be explained by excision of the P element from one chromatid followed by reintegration into the sister chromatid at a nearby site (intracistronic transposition). Finally, it is shown that the snext alleles are themselves unstable and the structure of a resulting chromosome aberration is examined.

Alleles↗

PubMed1999

Localization of cerebral activity during simple singing.

Cerebral blood flow (CBF) was measured with PET during rudimentary singing of a single pitch and vowel, contrasted to passive listening to complex tones. CBF increases in cortical areas related to motor control were seen in the supplementary motor area, anterior cingulate cortex, precentral gyri, anterior insula (and the adjacent inner face of the precentral operculum) and cerebellum, replicating most previously seen during speech. Increases in auditory cortex were seen within right Heschl's gyrus, and in the posterior superior temporal plane (and the immediately overlying parietal cortex). Since cortex near right Heschl's has been linked to complex pitch perception, its asymmetric activation here may be related to analyzing the fundamental frequency of one's own voice for feedback-guided modulation.

Adult↗

PubMed1999

Localization of cerebral activity during simple singing.

Adult↗

PubMed2003

Song syntax changes in Bengalese finches singing in a helium atmosphere.

Male Bengalese finches rely heavily on hearing to maintain adult songs and deafening a bird changes its song syntax immediately. Eight adult male Bengalese finches were placed in a helium atmosphere, which changes the resonance of the vocal tract. Undirected songs were recorded before, during and after this procedure, and the changes in song structure were analyzed. A helium environment increases the amplitude of higher harmonics, as in other bird species. Furthermore, note-to-note transition patterns that were never recorded when singing in normal air appeared in the songs sung in helium air. Therefore, helium can be used to cause reversible syntactical re-organization of songs in Bengalese finches, which can be used to study the neural mechanisms of auditory feedback.

Animals↗

PubMed2002

A partially 3-O-methylated (1-->4)-linked alpha-D-galactan and alpha-D-mannan from Pleurotus ostreatoroseus Sing.

The two main water-soluble extracellular polysaccharides produced by the basidiomycete fungus Pleurotus ostreatoroseus Sing were isolated and purified. They were characterized using 13C, 1H, and 1H, 13C HMQC NMR spectroscopy, methylation analysis, and Smith degradation. One was a mannan having a main chain of (1-->6)-linked alpha-D-mannopyranosyl residues, almost all of which were branched at O-2 with side chains of different lengths, containing 2-O- and 3-O-linked mannopyranosyl units. The other was a partially 3-O-methylated (1-->4)-linked alpha-D-galactopyranan, a structure that has not been previously described.

Galactans↗

PubMed2006

Breathing pattern and kinematics in normal subjects during speech, singing and loud whispering.

AIMS: We used for the first time a non-invasive optoelectronic plethysmography to assess breathing movements and to provide a quantitative description of chest wall kinematics during phonation. METHODS: Volumes of different chest wall compartments (abdomen and lung apposed to rib cage and abdomen) were assessed using optoelectronic plethysmography in 16 normal Italians (eight men) during reading, singing and high-effort whispering (HW). RESULTS: During phonation the breathing pattern was different from quiet breathing and exercise. (1) During phonation, tidal volume and expiratory time increased while inspiratory time decreased. The expiratory volume changes and flows during HW were considerably greater than during vocalization. During HW, the overall end-expiratory thoracic volume significantly decreased as a result of decreased volume of all compartments and essentially impinged on the maximal expiratory flow-volume curve. (2) While, as previously shown, during exercise the expired volume is due entirely to the abdomen, during phonation all three chest wall compartments contribute to it. Under all conditions studied breathing was, on average, more costal in females than in males but this was mainly related to different size rather than gender per se. CONCLUSIONS: Physical characteristics have a greater importance than gender in determining breathing pattern and chest wall kinematics during phonation. The activity of the control of expiration during phonation is more complex than during exercise.

Adult↗

PubMed2005

Glottal open quotient in singing: measurements and correlation with laryngeal mechanisms, vocal intensity, and fundamental frequency.

This article presents the results of glottal open-quotient measurements in the case of singing voice production. It explores the relationship between open quotient and laryngeal mechanisms, vocal intensity, and fundamental frequency. The audio and electroglottographic signals of 18 classically trained male and female singers were recorded and analyzed with regard to vocal intensity, fundamental frequency, and open quotient. Fundamental frequency and open quotient are derived from the differentiated electroglottographic signal, using the DECOM (DEgg Correlation-based Open quotient Measurement) method. As male and female phonation may differ in respect to vocal-fold vibratory properties, a distinction is made between two different glottal configurations, which are called laryngeal mechanisms: mechanism 1 (related to chest, modal, and male head register) and mechanism 2 (related to falsetto for male and head register for female). The results show that open quotient depends on the laryngeal mechanisms. It ranges from 0.3 to 0.8 in mechanism 1 and from 0.5 to 0.95 in mechanism 2. The open quotient is strongly related to vocal intensity in mechanism 1 and to fundamental frequency in mechanism 2.

Acoustics↗

PubMed2005

Two-dimensional model of vocal fold vibration for sound synthesis of voice and soprano singing.

Voiced sounds were simulated with a computer model of the vocal fold composed of a single mass vibrating both parallel and perpendicular to the airflow. Similarities with the two-mass model are found in the amplitudes of the glottal area and the glottal volume flow velocity, the variation in the volume flow waveform with the vocal tract shape, and the dependence of the oscillation amplitude upon the average opening area of the glottis, among other similar features. A few dissimilarities are also found in the more symmetric glottal and volume flow waveforms in the rising and falling phases. The major improvement of the present model over the two-mass model is that it yields a smooth transition between oscillations with an inductive load and a capacitive load of the vocal tract with no sudden jumps in the vibration frequency. Self-excitation is possible both below and above the first formant frequency of the vocal tract. By taking advantage of the wider continuous frequency range, the two-dimensional model can successfully be applied to the sound synthesis of a high-pitched soprano singing, where the fundamental frequency sometimes exceeds the first formant frequency.

Humans↗