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PubMed2000

A model of the perceptual asymmetry between peaks and troughs of frequency modulation.

Pitch discrimination at peaks of frequency modulation is better than at troughs [L. Demany and K. I. McAnally, J. Acoust. Soc. Am. 96, 706-715 (1989)]. A similar asymmetry emerges within a time-domain pitch perception model based on autocorrelation. The model requires the following assumptions: (a) The neural discharge patterns must be temporally sharpened to a single narrow pulse per period (possibly by neural convergence within the cochlear nucleus). (b) Autocorrelation must be implemented as a cross correlation between the neural pulse train and a delayed pulse train convolved with a short kernel function. This kernel function must be asymmetric in time. (c) Pitch discrimination must rely on higher-order modes of the autocorrelation function. This particular implementation of the autocorrelation model produces modes that are sharper for peaks than for troughs, and thus accounts for the pitch discrimination asymmetry observed experimentally. As a by-product it can account for "hyperacute" discrimination observed at peaks of triangular modulation.

Humans↗
PubMed1981

Pitch of unequal-amplitude dichotic two-tone harmonic complexes.

Melodic interval identification experiments are reported for dichotic tone complexes of two successive random harmonics having different intensity ratios. Experimentally obtained confusion matrices are compared with theoretical matrices derived from Goldstein's optimal processor theory. Wightman's pattern transformation theory, and a newly formulated analytic pitch theory. Results confirm that at relatively low harmonic numbers, the optimal processor theory provides an excellent description of the empirical data, even for large inter-tone intensity differences, but that for complex tones of higher harmonic order analytic pitch perception plays a significant role. At harmonic numbers higher than about six, none of the examined theories or combinations of theories gives a complete account of empirical data, which underscores the fact that aural processing of complex tones is still not well understood.

Acoustic Stimulation↗
PubMed1996

Spectrum analysis, aliasing, and the perception of musical tones.

A signal-processing model is proposed in which the phenomenon of 'aliasing' is invoked to explain certain phenomena in the perception of musical tones, for which a really satisfactory explanation has not hitherto been available. It is shown that this model offers a reason why the harmonic series appears to play such a central role in tone and pitch perception, and can throw light on 'virtual pitch', 'harmonic beats', etc. Some preliminary results from a computer simulation of the model are described which are consistent with empirical data on tone perception.

Humans↗
PubMed1999

Temporal coding of periodicity pitch in the auditory system: an overview.

This paper outlines a taxonomy of neural pulse codes and reviews neurophysiological evidence for interspike interval-based representations for pitch and timbre in the auditory nerve and cochlear nucleus. Neural pulse codes can be divided into channel-based codes, temporal-pattern codes, and time-of-arrival codes. Timings of discharges in auditory nerve fibers reflect the time structure of acoustic waveforms, such that the interspike intervals that are produced precisely convey information concerning stimulus periodicities. Population-wide inter-spike interval distributions are constructed by summing together intervals from the observed responses of many single Type I auditory nerve fibers. Features in such distributions correspond closely with pitches that are heard by human listeners. The most common all-order interval present in the auditory nerve array almost invariably corresponds to the pitch frequency, whereas the relative fraction of pitch-related intervals amongst all others qualitatively corresponds to the strength of the pitch. Consequently, many diverse aspects of pitch perception are explained in terms of such temporal representations. Similar stimulus-driven temporal discharge patterns are observed in major neuronal populations of the cochlear nucleus. Population-interval distributions constitute an alternative time-domain strategy for representing sensory information that complements spatially organized sensory maps. Similar autocorrelation-like representations are possible in other sensory systems, in which neural discharges are time-locked to stimulus waveforms.

Acoustic Stimulation↗
PubMed2004

Memory for melody: infants use a relative pitch code.

Pitch perception is fundamental to melody in music and prosody in speech. Unlike many animals, the vast majority of human adults store melodic information primarily in terms of relative not absolute pitch, and readily recognize a melody whether rendered in a high or a low pitch range. We show that at 6 months infants are also primarily relative pitch processors. Infants familiarized with a melody for 7 days preferred, on the eighth day, to listen to a novel melody in comparison to the familiarized one, regardless of whether the melodies at test were presented at the same pitch as during familiarization or transposed up or down by a perfect fifth (7/12th of an octave) or a tritone (1/2 octave). On the other hand, infants showed no preference for a transposed over original-pitch version of the familiarized melody, indicating that either they did not remember the absolute pitch, or it was not as salient to them as the relative pitch.

Auditory Perception↗
PubMed2000

Cochlear view: postoperative radiography for cochlear implantation.

OBJECTIVE: This study aimed to define a spatial position of the cochlea in the skull based on anatomical studies and to design an appropriate method of skull radiography for demonstration of the multichannel intracochlear electrode array and the structures of the inner ear, for use in evaluating the electrode position and its related pitch perception. BACKGROUND: The conventional skull radiograph (plain radiograph) can offer a complete and direct image of an intracochlear electrode array, if the x-ray is directed to the cochlea and parallel to the axis of the cochlea. METHODS: Measurement from computed tomography imaging and three-dimensional reconstruction were performed to define the spatial position of the cochlea in the skull. RESULTS: A radiographic projection, the cochlear view, was designed. A detailed radiographic method and radiologic interpretation of the cochlear view is described. An improved clinical method for measuring the longitudinal and angular position of the electrodes from the cochlear view is recommended. CONCLUSIONS: The application of the cochlear view has proved that it is beneficial postoperatively in documenting the results of cochlear implantation, and in evaluating the depth of insertion and position of individual electrodes. It serves as a valuable reference for managing frequency mapping, optimizing speech processing strategies, and further research purposes. The method can be widely used in cochlear implant clinics because of its simplicity, low radiation, speed, and minimal cost.

Adolescent↗
PubMed1995

Pitch matching of amplitude-modulated current pulse trains by cochlear implantees: the effect of modulation depth.

An experiment was conducted with four cochlear implantees, which investigated the pitch evoked by amplitude-modulating current pulse trains delivered to a single cochlear location. These stimuli produce a pitch percept which may be similar to that of acoustic stimuli such as modulated noise for modulation frequencies in the range 80-300 Hz, approximately. The experiments investigated the effect of modulation depth on the way pitch was matched to that of unmodulated pulse trains. The method of constant stimuli was used, in which the variable parameter was the rate of the unmodulated stimulus. The modulated stimuli comprised pulses having one of two possible current values, with the higher value occurring once in every modulation period. The results showed that the matched rate fell exponentially from a value close to the carrier rate towards a value equal to the modulation frequency as the modulation depth increased. The results were compared to the predictions of a simple model in which the matched rate corresponded to a weighted average of carrier and modulation frequencies, with the weightings proportional to the number of neurons firing at each of these frequencies. The results agreed with the predictions of the model reasonably well, except in cases where the carrier rate was 700 Hz or higher, and for one subject at the highest intensity level.

Adult↗
PubMed1996

Perceptual consequences of cochlear hearing loss and their implications for the design of hearing aids.

This paper provides an overview of changes in the perception of sound that result from cochlear damage. It starts with a brief introduction to the physiology of the cochlea, emphasizing the role of the "active mechanism" and describing how cochlear function is altered by cochlear damage. Then the effects of cochlear damage on various aspects of perception are described, including absolute sensitivity, frequency selectivity, loudness perception and intensity discrimination, temporal resolution, temporal integration, pitch perception and frequency discrimination, and sound localization and other aspects of binaural and spatial hearing. The possible role of each of these aspects of auditory perception in the ability to understand speech in quiet and in noise is discussed and evaluated. It is concluded that, for losses up to about 45 dB, audibility is the single most important factor. However, for greater losses, poor discrimination of suprathreshold (audible) stimuli is also of major importance. The final section of the paper describes applications of the findings to hearing aid design. It is concluded that linear amplification can be of only limited benefit in compensating for the effects of cochlear damage. Hearing aids incorporating compression can help to compensate for the effects of reduced dynamic range. Digital signal processing to enhance spectral contrast may be of some help in compensating for the effects of reduced frequency selectivity.

Cochlea↗
PubMed1992

Pitch discrimination and phase sensitivity in young and elderly subjects and its relationship to frequency selectivity.

Frequency difference limens for pure tones (DLFs) and for complex tones (DLCs) were measured for four groups of subjects: young normal hearing, young hearing impaired, elderly with near-normal hearing, and elderly hearing impaired. The auditory filters of the subjects had been measured in earlier experiments using the notched-noise method, for center frequencies (fc) of 100, 200, 400, and 800 Hz. The DLFs for both impaired groups were higher than for the young normal group at all fc's (50-4000 Hz). The DLFs at a given fc were generally only weakly correlated with the sharpness of the auditory filter at that fc, and some subjects with broad filters had near-normal DLFs at low frequencies. Some subjects in the elderly normal group had very large DLFs at low frequencies in spite of near-normal auditory filters. These results suggest a partial dissociation of frequency selectivity and frequency discrimination of pure tones. The DLCs for the two impaired groups were higher than those for the young normal group at all fundamental frequencies (fo) tested (50, 100, 200, and 400 Hz); the DLCs for the elderly normal group were intermediate. At fo = 50 Hz, DLCs for a complex tone containing only low harmonics (1-5) were markedly higher than for complex tones containing higher harmonics, for all subject groups, suggesting that pitch was conveyed largely by the higher, unresolved harmonics. For the elderly impaired group, and some subjects in the elderly normal group, DLCs were larger for a complex tone with lower harmonics (1-12) than for tones without lower harmonics (4-12 and 6-12) for fo's up to 200 Hz. Some elderly normal subjects had markedly larger-than-normal DLCs in spite of near-normal auditory filters. The DLCs tended to be larger for complexes with components added in alternating sine/cosine phase than for complexes with components added in cosine phase. Phase effects were significant for all groups, but were small for the young normal group. The results are not consistent with place-based models of the pitch perception of complex tones; rather, they suggest that pitch is at least partly determined by temporal mechanisms.

Adult↗
PubMed2004

Temporal dynamics of pitch in human auditory cortex.

Recent functional imaging studies have shown that sounds with temporal pitch produce selective activation in anterolateral Heschl's gyrus. This paper reports a magnetoencephalographic (MEG) study of the temporal dynamics of this activation. The cortical response specific to pitch was isolated from the intensity-related response in Planum temporale using a 'continuous stimulation' paradigm in which regular and irregular click trains alternate without interruption. The mean interclick interval (ICI) was 6, 12, 24, or 48 ms; the train length was 720 ms. The auditory sustained field serves as a level-dependent baseline that enhances the signal-to-noise ratio over previous techniques. The onset of pitch was accompanied by a prominent transient field, followed by a strong sustained field, both of which were associated with sources in lateral Heschl's gyrus. The sustained field rose from baseline about 70 ms after the onset of temporal regularity, asymptoted at about 450 ms, and commenced its return to baseline about 70 ms after pitch offset. The peak of the transient field occurred between 130 and 190 ms after regularity onset depending on the ICI. The latencies of the cortical pitch response are substantially longer than might be anticipated from temporal models of pitch perception. This finding suggests that the temporal integration associated with periodicity processing occurs in a subcortical structure, and that the cortical responses reflect subsequent processes involving the measurement of pitch values and changes in pitch.

Auditory Cortex↗
PubMedDate not supplied

Perception of periodicity pitch by hearing-impaired listeners.

The perception of periodicity pitch was examined in normal and hearing-impaired listeners. Hearing-impaired listeners exhibited varying degrees of damage to the basal (steep and gradual high frequency hearing losses) and apical (low-frequency hearing losses) portions of the cochlea. The four groups of listeners matched the pitch of the sinusoids to the pitch of air conduction pulse trains with pulse repetition frequencies of 150 and 250 located at center frequencies of 2000 and 4000 Hz. Normal-hearing listeners had no difficulty in perceiving the periodicity pitch. Hearing-loss subjects presented complex response patterns that seemed related to damage to high-frequency (basal) portions of the cochlea, but in general, did not make pitch matches corresponding to the wave-form periodicity. The data support experiments suggesting that the basal portion of the cochlea is responsible for the detection of periodicity pitch. It is also suggested that place information may influence pitch recognition for hearing-imparied listeners.

Hearing Disorders↗
PubMed1978

Pitch and pitch discrimination of broadband signals with rippled power spectra.

A random-interval pulse train or wide-band noise when delayed (tau) and added back to itself (cos+) produces a stimulus with a consinusoidally varying (or trippled) power spectrum. The spacing between the peaks in the spectrum is equal to the reciprocal of the delay (1/tau). If the stimulus is delayed and added back at 180 degrees phase reversal (cos-), then a cosinusoidally varying power spectrum is generated whose spectral peaks are separated by 1/tau, but whose peaks are displaced by 1/2tau relative to the power spectrum of the cos+ stimulus generated with the same day, tau. These stimuli yield a pitch, such that the pitch of the cos+ stimulus is equal to approximately 1/tau and the pitches of the cos- stimuli are equal to approximately 0.9/tau and 1.1/tau. These pitch matching results were studied using a variety of matching stimuli and conditions. Following the identification of the pitches, a method of limits and a same-different procedure were used to study the pitch discriminability of both the cos+ and cos- stimuli. Delays (tau) ranging from 1 to 10 ms were studied covering a pitch range of 90-1100 Hz. The pitch discriminations associated with the cos+ and cos- stimuli were essentially the same for both the random-interval pulse train and the wide-band stimuli. These pitch-discrimination results are compared to those associated with a periodic pulse train. The research is also discussed in terms of discriminations of delayed sounds in reverberant environments. These are consistent with assumptions concerning the autocorrelation of the rippled stimuli within the dominant frequency region for pitch perception.

Acoustics↗
PubMed2005

Sensory contributions to impaired prosodic processing in schizophrenia.

BACKGROUND: Deficits in affect recognition are prominent features of schizophrenia. Within the auditory domain, patients show difficulty in interpreting vocal emotional cues based on intonation (prosody). The relationship of these symptoms to deficits in basic sensory processing has not been previously evaluated. METHODS: Forty-three patients and 34 healthy comparison subjects were tested on two affective prosody measures: voice emotion identification and voice emotion discrimination. Basic auditory sensory processing was measured using a tone-matching paradigm and the Distorted Tunes Test (DTT). A subset of subjects was also tested on facial affect identification and discrimination tasks. RESULTS: Patients showed significantly impaired performance on all emotion processing tasks. Within the patient group, a principal components analysis demonstrated significant intercorrelations between basic pitch perception and affective prosodic performance. In contrast, facial affect recognition deficits represented a distinct second component. Prosodic affect measures correlated significantly with severity of negative symptoms and impaired global outcome. CONCLUSIONS: These results demonstrate significant relationships between basic auditory processing deficits and impaired receptive prosody in schizophrenia. The separate loading of auditory and visual affective recognition measures suggests that within-modality factors may be more significant than cross-modality factors in the etiology of affect recognition deficits in schizophrenia.

Adult↗
PubMed2005

Perceptual differences between low and high rates of stimulation on single electrodes for cochlear implantees.

Previous research has shown that increases in the rate of stimulation on a single electrode yield changes in pitch perception until the rate is increased beyond a given critical rate, after which changes in rate are only perceived as changes in loudness. The critical rate beyond which a rate increase no longer elicits a pitch change in most subjects is approximately 300 Hz, although a small number of subjects have been observed to have critical rates up to approximately 1000 Hz. In this article, we sought to determine if increasing the rate of stimulation beyond the critical rate (up to 12.8 kHz) would eventually result in new changes of perception (other than loudness.) Our data replicate the previously observed results that rates between approximately 300 and 1500 Hz are indistinguishable from each other. However, we observed the finding that a rate of stimulation well above the critical rate (starting between 1500 Hz and 12.8 kHz, depending on electrode and subject) can elicit changes in perception. The perceptual differences between these high rates were sometimes but not always labeled as pitch changes. This phenomenon needs further research to assess its potential relevance to speech perception using high rates of stimulation.

Acoustic Stimulation↗
PubMed1983

Simulation of auditory analysis of pitch: an elaboration on the DWS pitch meter.

A model was developed for estimating the pitch of complex sounds that are partially masked by background sound. Our ultimate aim is to obtain a model that can separate two simultaneous sounds on the basis of the harmonic structure of at least one of the sounds. The MDWS model is an extension of the Duifhuis, Willems, and Sluyter pitch meter (DWS) [J. Acoust. Soc. Am. 71, 1568-1580 (1982)] which is a practical implementation of Goldstein's optimum processor theory of pitch perception [J. Acoust. Soc. Am. 54, 1496-1516 (1973)]. The main modifications incorporated in MDWS consist of a more faithful modeling of auditory frequency analysis and of an alteration to the criterion used to decide which fundamental best fits a set of resolved components. Effects of the latter modification were investigated in a comparison between model estimates of the pitch of inharmonic complex signals and results obtained for humans. Furthermore, the accuracy of model estimates of the pitch of periodic signals (among which were synthesized vowel sounds), partially masked by noise, was compared with the just noticeable difference of fundamental frequency of these sounds for human observers. The results of these two tests show that the model estimates come close to human perception.

Humans↗
PubMed1978

Self-perception of speaking pitch levels.

The literature has noted that speakers often perceive their own speaking pitch levels differently than listeners perceive them. However, little information is available regarding the specific characteristics of such perceptual differences. Speaking pitch level self-perception was explored in a group of 11 young adult males who served both as talkers and listeners. As a talker, each subject judged his own speaking pitch level in the process of speaking (live judgments) and during taped replay (taped judgments). The subjects' self-rankings in these two tasks and the rank order of taped voices as judged by listeners were compared to fundamental frequency rankings for the voices. The results indicated that the subjects judged their own taped voices in the same way that the listeners judged them, and the judgments corresponded to fundamental frequency rankings. During the live judgments, the subjects avoided extreme self-rankings, preferring to rank themselves closer to an average pitch level. The findings may have clinical significance in the remediation of certain voice disorders.

Acoustics↗
PubMed2005

Vocal amusia in a professional tango singer due to a right superior temporal cortex infarction.

We describe the psychophysical features of vocal amusia in a professional tango singer caused by an infarction mainly involving the superior temporal cortex of the right hemisphere. The lesion also extended to the supramarginal gyrus, the posterior aspect of the postcentral gyrus and the posterior insula. She presented with impairment of musical perception that was especially pronounced in discriminating timbre and loudness but also in discriminating pitch, and a severely impaired ability to reproduce the pitch just presented. In contrast, language and motor disturbances were almost entirely absent. By comparing her pre- and post-stroke singing, we were able to show that her singing after the stroke lacked the fine control of the subtle stress and pitch changes that characterized her pre-stroke singing. Such impairment could not be explained by the impairment of pitch perception. The findings suggest that damage to the right temporoparietal cortex is enough to produce both perceptive and expressive deficits in music.

Aged↗