Reconstructing, recognizing, and reproducing object figures: a fixed order.

R J Hofmann; G Freidt

doi:10.1080/00223980.1978.9921463

Home/Archive/PubMed

PubMed · 671379

Reconstructing, recognizing, and reproducing object figures: a fixed order.

R J Hofmann·G Freidt

View original source ↗Export metadata ↓

Abstract

In this study it is hypothesized that there are three distinct levels of representation and that these levels are hierarchical. The hypothesis was tested by having 100 six-year old boys and girls represent one of the most basic Bender-Gestalt figures. It was demonstrated that a representation of this figure through object reconstruction is prerequisite to recognizing the object figure from a collection of figures which in turn is prerequisite to representing the object figure using a pencil-and-paper reproduction.

Explore related subjects

Art Bender-Gestalt Test Child Child, Preschool Female Form Perception Humans Male Memory Mental Recall Motor Skills Pattern Recognition, Visual Psychomotor Disorders Journal Article

Keep this discovery

Explore connections, maps & timelines

BibTeX RIS

R J Hofmann, G Freidt. 1978. Reconstructing, recognizing, and reproducing object figures: a fixed order.. https://doi.org/10.1080/00223980.1978.9921463

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related citations

PubMed2007

Dementia and art: neuronal intermediate filament inclusion disease and dissolution of artistic creativity.

The paper presents a new case of neuronal intermediate filament inclusion disease (NIFID), a recently described new variant of early-onset frontotemporal dementia. Documented with repetitive brain images, morphologically proven cases additionally endorse evolving the clinical and pathological phenotype of NIFID. For the first time the paper describes the probable influence of NIFID on the artistic creativity of an accomplished artist showing rapid dissolution of artistic talent.

Art↗

PubMed2007

The Tempest.

Explore the source record for details and available documents.

Art↗

PubMed2007

Then melancholy, now depression: a modern interpretation of Rembrandt's mental state in midlife.

The authors identify two Rembrandt etchings of 1642, Saint Jerome in a Dark Chamber and A Scholar at a Table by Candlelight, as self-portraits. Considered with biographical data, the prints suggest that Rembrandt suffered from a bipolar personality disorder, manifest in exuberance and lavish spending in the 1630s, and then, after the death of the artist's wife, in clinical depression in the early 1640s. Depression is depicted in the prints by their dark ambiance, and the figure's pose is traditional in art to represent melancholia, one of the four classical humors conventionally ascribed to artistic genius. In addition, the authors identify as a portrait of his wife the object at which the "scholar" is looking. Although the panel is turned away from the viewer of the etching, its size, shape, and material suggest that it is a painting that survives in Kassel, Germany.

Art↗