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Mireille Besson

Publications and source records attributed to Mireille Besson.

At least 19 recordsLinked to original sources

Behavioural and event-related potentials evidence for pitch discrimination deficits in dyslexic children: improvement after intensive phonic intervention.

Although it is commonly accepted that dyslexic children have auditory phonological deficits, the precise nature of these deficits remains unclear. This study examines potential pitch processing deficit in dyslexic children, and recovery after specific training, by measuring event-related brain potentials (ERPs) and behavioural responses to pitch manipulations within natural speech. In two experimental sessions, separated by 6 weeks of training, 10 dyslexic children, aged 9-12, were compared to reading age-matched controls, using sentences from children's books. The pitch of the sentence's final words was parametrically manipulated (either congruous, weakly or strongly incongruous). While dyslexics followed a training focused on phonological awareness and grapheme-to-phoneme conversion, controls followed a non-auditory training. Before training, controls outperformed dyslexic children in the detection of the strong pitch incongruity. Moreover, while strong pitch incongruities were associated with increased late positivity (P300 component) in controls, no such pattern was found in dyslexics. Most importantly, pitch discrimination performance was significantly improved, and the amplitude of the late positivity to the strong pitch incongruity enhanced, for dyslexics after a relatively brief period of training, so that their pattern of response more closely resemble those of controls.

Auditory Perceptual Disorders↗

Musical training and language-related brain electrical activity in children.

This experiment aimed at testing whether 8 weeks of musical training affect the ability of 8-year-old children to detect pitch changes in language. Twenty nonmusician children listened to linguistic phrases that ended with prosodically congruous words or with weak or strong pitch incongruities. We recorded reaction times, error rates, and event-related brain potentials to the final words. Half of the children followed music training and the other half painting training, and all children were retested following training. For both groups, the weak incongruity was the most difficult to detect, but performance was not significantly different between groups. However, the amplitude of a late positive component was largest to strong incongruities and was reduced after training only in the music group. These results suggest that a relatively short exposure to pitch processing in music exerts some influence on pitch processing in language.

Brain↗

Musician children detect pitch violations in both music and language better than nonmusician children: behavioral and electrophysiological approaches.

The idea that extensive musical training can influence processing in cognitive domains other than music has received considerable attention from the educational system and the media. Here we analyzed behavioral data and recorded event-related brain potentials (ERPs) from 8-year-old children to test the hypothesis that musical training facilitates pitch processing not only in music but also in language. We used a parametric manipulation of pitch so that the final notes or words of musical phrases or sentences were congruous, weakly incongruous, or strongly incongruous. Musician children outperformed nonmusician children in the detection of the weak incongruity in both music and language. Moreover, the greatest differences in the ERPs of musician and nonmusician children were also found for the weak incongruity: whereas for musician children, early negative components developed in music and late positive components in language, no such components were found for nonmusician children. Finally, comparison of these results with previous ones from adults suggests that some aspects of pitch processing are in effect earlier in music than in language. Thus, the present results reveal positive transfer effects between cognitive domains and shed light on the time course and neural basis of the development of prosodic and melodic processing.

Acoustic Stimulation↗

Effects of aging on arithmetic problem-solving: an event-related brain potential study.

Younger and older participants were asked to indicate if 240 complex two-digit addition problems were smaller than 100 or not. Half of the problems were small-split problems (i.e., the proposed sums were 2% or 5% away from 100; e.g., 53 + 49) and half were large-split problems (i.e., proposed sums were 10% or 15% away from 100; 46 + 39). Behavioral and event-related potential (ERP) data revealed that (a) both groups showed a split effect on both reaction times and percent errors, (b) split effects were smaller for older than for younger adults in ERPs, and (c) the hemispheric asymmetry (left hemisphere advantage) reported for younger adults was reduced in older adults (age-related hemispheric asymmetry reduction). These results suggest that older adults tend to use only one strategy to solve all problems, whereas younger adults flexibly and adaptively use different strategies for small and large-split problems. Implications of these findings for our understanding of age-related similarities and differences in arithmetic problem-solving are discussed.

Adult↗

Visually induced auditory expectancy in music reading: a behavioral and electrophysiological study.

The general aim of this experiment was to investigate the processes involved in reading musical notation and to study the relationship between written music and its auditory representation. It was of main interest to determine whether musicians are able to develop expectancies for specific tonal or atonal auditory events based on visual score alone. Can musicians expect an "atonal" event or will it always sound odd? Moreover, it was of interest to determine whether the modulations in amplitude of a late positive component (P600) described in previous studies are linked to a general mismatch detection process or to specific musical expectancies. Results showed clearly that musicians are able to expect tonal auditory endings based on visual information and are also able to do so for atonal endings, although to a smaller extent. Strong interactions seem to exist between visual and auditory musical codes and visual information seems to influence auditory processing as early as 100 msec. These results are directly relevant for the question of whether music reading is actually music perception.

Adult↗

On-line processing of "pop-out" words in spoken French dialogues.

Highlighting relevant information in a discourse context is a major aim of spoken language communication. Prosodic cues such as focal prominences are used to fulfill this aim through the pragmatic function of prosody. To determine whether listeners make on-line use of focal prominences to build coherent representations of the informational structure of the utterances, we used the brain event-related potential (ERP) method. Short dialogues composed of a question and an answer were presented auditorily. The design of the experiment allowed us to examine precisely the time course of the processing of prosodic patterns of sentence-medial or -final words in the answer. These patterns were either congruous or incongruous with regard to the pragmatic context introduced by the question. Furthermore, the ERP effects were compared for words with or without focal prominences. Results showed that pragmatically congruous and incongruous prosodic patterns elicit clear differences in the ERPs, which were largely modulated in latency and polarity by their position within the answer. By showing that prosodic patterns are processed on-line by listeners in order to understand the informational structure of the message, the present results demonstrate the psychobiological validity of the pragmatic concept of focus, expressed via prosodic cues. Moreover, the functional significance of the positive-going effects found sentence medially and negative-going effects found sentence finally is discussed. Whereas the former may reflect the processing of surprising and task-relevant prosodic patterns, the latter may reflect the integration problems encountered in extracting the overall informational structure of the sentence.

Acoustic Stimulation↗

Musical and linguistic processing in song perception.

One approach to comparing the neural bases of language and music is through the use of song, which is a unique and ecological combination of these two cognitive domains. In song, language and music are merged into one acoustic signal with two salient dimensions. By manipulating either the linguistic or musical dimensions (or both) of song and studying their relationships, it is possible to gain important information about the neural networks underlying language and music cognition. We will present a brief review followed by recent behavioral, electrophysiological, and neuroimaging studies concerned with the functional and structural relationships of music and language. These results, together with the previous studies in the field, help understanding whether the different levels of music and language processing are independent or interactive.

Acoustic Stimulation↗

Influence of musical training on pitch processing: event-related brain potential studies of adults and children.

The aim of this experiment was to determine whether eight weeks of musical training based on pitch processing could help eight-year-old children detect pitch changes in language. Results show that a relatively short exposure (eight weeks) to pitch processing in music exerts some influence on pitch processing in language. Therefore, these results are in line with the hypothesis that common processes may underlie pitch processing in language and in music.

Acoustic Stimulation↗

Brain potentials during semantic and prosodic processing in French.

The present experiment was aimed at investigating the on-line processing of semantic and prosodic information. We recorded the Event-Related brain Potentials (ERPs) to semantically and/or prosodically congruous and incongruous sentences that were presented aurally, to study the time course of semantic and prosodic processing, and to determine whether these two processes are independent or interactive. The prosodic mismatch was produced by cross-splicing the beginning of statements with the end of questions, and vice-versa. Subjects had to decide whether the sentences were semantically or prosodically congruous in two different attention conditions. Results showed that a right centro-parietal negative component (N400) was associated with semantic mismatch, and a left temporo-parietal positive component (P800) was associated with prosodic mismatch. Thus, these two electrophysiological markers of semantic and prosodic processing differed in their polarity, latency and scalp distribution. These differences may indicate that the two processes stem from different underlying generators. However, the finding that the P800 elicited by prosodic mismatch was larger when the sentences were semantically incongruous than congruous suggests that the two processes may be interactive.

Acoustic Stimulation↗

The music of speech: music training facilitates pitch processing in both music and language.

The main aim of the present experiment was to determine whether extensive musical training facilitates pitch contour processing not only in music but also in language. We used a parametric manipulation of final notes' or words' fundamental frequency (F0), and we recorded behavioral and electrophysiological data to examine the precise time course of pitch processing. We compared professional musicians and nonmusicians. Results revealed that within both domains, musicians detected weak F0 manipulations better than nonmusicians. Moreover, F0 manipulations within both music and language elicited similar variations in brain electrical potentials, with overall shorter onset latency for musicians than for nonmusicians. Finally, the scalp distribution of an early negativity in the linguistic task varied with musical expertise, being largest over temporal sites bilaterally for musicians and largest centrally and over left temporal sites for nonmusicians. These results are taken as evidence that extensive musical training influences the perception of pitch contour in spoken language.

Adult↗

Different brain mechanisms mediate two strategies in arithmetic: evidence from Event-Related brain Potentials.

Participants were asked to verify if complex additions were smaller than 100 or not. Two hundred and forty arithmetic problems were presented, with half the problems being small-split problems (i.e. proposed sums were 2 or 5% away from 100) and half being large-split problems (i.e. proposed sums were 10 or 15% away from 100). Behavioral and ERPs data indicate that participants may use two different strategies to verify complex inequalities, a whole-calculation strategy for small-split problems and an approximate-calculation strategy for large-split problems. The choice between these two strategies occurred within 250 ms post-stimulus presentation, and strategy execution was lateralized. Implications for our understanding of the brain mechanisms underlying arithmetic problem solving are discussed.

Adult↗

On the lateralization of emotional prosody: an event-related functional MR investigation.

In order to investigate the lateralization of emotional speech we recorded the brain responses to three emotional intonations in two conditions, i.e., "normal" speech and "prosodic" speech (i.e., speech with no linguistic meaning, but retaining the 'slow prosodic modulations' of speech). Participants listened to semantically neutral sentences spoken with a positive, neutral, or negative intonation in both conditions and judged how positive, negative, or neutral the intonation was on a five-point scale. Core peri-sylvian language areas, as well as some frontal and subcortical areas were activated bilaterally in the normal speech condition. In contrast, a bilateral fronto-opercular region was active when participants listened to prosodic speech. Positive and negative intonations elicited a bilateral fronto-temporal and subcortical pattern in the normal speech condition, and more frontal activation in the prosodic speech condition. The current results call into question an exclusive right hemisphere lateralization of emotional prosody and expand patient data on the functional role of the basal ganglia during the perception of emotional prosody.

Adult↗

Let's face the music: a behavioral and electrophysiological exploration of score reading.

This experiment was carried out to determine whether reading diatonic violations in a musical score elicits similar endogenous ERP components when hearing such violations in the auditory modality. In the behavioral study, musicians were visually presented with 120 scores of familiar musical pieces, half of which contained a diatonic violation. The score was presented in a measure-by-measure manner. Self-paced reading was significantly delayed for measures containing a violation, indicating that sight reading a violation requires additional effort. In the ERP study, the musical phrases were presented in a "RSVP"-like manner. We predicted that diatonic violations would elicit a late positive component. However, the ERP associated with the measure where a violation was presented showed a negativity instead. The negativity started around 100 ms and lasted for the entire recording period. This long-lasting negativity encompassed at least three distinct effects that were possibly related to violation detection, working memory processing, and a further integration/interpretation process.

Adult↗

Audiovisual interactions in music reading. A reaction times and event-related potentials study.

The general aim of this experiment was to investigate the processes involved in reading musical notation and to study the relationship between written music and its auditory representation. Our main interest was to determine if musicians can develop expectancies for plausible or implausible auditory events on the sole basis of the visual score. Results showed that musicians can clearly expect auditory endings on the basis of visual information. These findings enliven the discussion on the question of whether music reading is actually music perception.

Auditory Perception↗

Prosodic and melodic processing in adults and children. Behavioral and electrophysiologic approaches.

The results of a series of experiments aimed at directly comparing the prosodic level of processing in language with the melodic level of processing in music are reported. The first series of experiments was conducted on adults, musicians and nonmusicians, and the second one on 7- to 9-year-old musician and nonmusician children. However, as this last study is still in progress, only preliminary results will be presented. The theoretic framework within which these experiments are taking place is described. The first problem concerns the specificity of the perceptive and cognitive computations necessary to perceive and understand language. We argue that comparing language with music can provide interesting insights into this complex issue. The second problem is linked to the relationship between different types of learning. Does early musical training influence the way in which musicians process some aspects of language as prosody? These two problems are considered and the results of the experiments are described.

Adult↗

An fMRI study of music sight-reading.

The brain areas involved in music reading were investigated using fMRI. In order to evaluate the specificity of these areas we compared reading music notation to reading verbal and number notations in a task that required professional pianists to play the notes (in musical and verbal notations) and the numbers displayed on a 5-key keyboard. Overall, the three tasks revealed a similar pattern of activated brain areas. However, direct contrasts between the music notation and the verbal or the numerical notation tasks also revealed specific major foci of activation in the right occipito-temporal junction, superior parietal lobule and the intraparietal sulcus. We interpret the right occipito-temporal difference as due to differences at the encoding level between notes, words and numbers. This area might be analogous to one described for words, called the visual word form area. The parietal activations are discussed in terms of visuo-motor transcoding pathways that differ for the three types of notations used. Finally, we present a model of music reading that can possibly explain our findings.

Auditory Perception↗

Emotional prosody: sex differences in sensitivity to speech melody.

Emotional prosody is defined as the ability to express emotions through variations of different parameters of the human speech, such as pitch contour, intensity and duration. A recent study has discovered clear differences between men and women in the time course of emotional prosodic processing. There are several interpretations of these intriguing results that hold promise for future studies on language comprehension.

Journal Article↗

Processing pitch and duration in music reading: a RT-ERP study.

The originality of this study is to examine the processing of pitch and duration in music reading, using both electrophysiological and behavioral methods. Specifically, it was of interest to determine whether pitch and duration in music reading are processed independently or jointly. A probe, comprising a key and time signature was presented, and participants were required to compute the tonic and/or the best fitting duration. A target note followed the probe and participants made a match/mismatch judgment on the dimension they were required to analyze (i.e. pitch or duration). We hypothesized that, if pitch and duration are processed independently results should show no interference of the irrelevant dimension on the relevant. Results showed that early differences emerged in the ERPs as a function of the task to be performed on the target in block 1. Moreover, RTs were shorter in the pitch than in the duration task and for congruous than incongruous targets. In the ERPs, this congruity effect was reflected by a negative component, to incongruous targets. Most importantly, the congruency of the target note on the irrelevant dimension did not have any effect on the ERPs, suggesting that pitch and duration are processed independently.

Adult↗