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Biomedical subjects

F A Kingdom

Publications and source records attributed to F A Kingdom.

At least 19 recordsLinked to original sources

The role of chromatic contrast and luminance polarity in stereoscopic segmentation.

We have investigated whether our ability to discriminate the stereoscopic depth of random-dot targets set amongst random-depth distractors is facilitated when target and distractors differ in particular combinations of colour and luminance polarity. For flat-plane targets, stereo-thresholds were found to be lower with a target-distractor colour/luminance difference, but only when that difference enabled the target elements to be identified in the monocular image, either by virtue of being less numerous than the distractors, or because the subject knew beforehand the target's colour/luminance. If neither of these conditions prevailed, stereoscopic thresholds were no different when target and distractors were segregated by colour/luminance than if they were not. For sine-wave disparity grating stimuli, in which subjects were required to discriminate the orientation of the depth corrugations, no advantage was found when target and distractors were segregated by colour/luminance under any condition. These results suggest that segregation by colour/luminance is only beneficial to the stereoscopic processing of random-element stimuli when the task can be performed by attending to a small number of target elements. A corollary to this conclusion is that stereopsis mechanisms do not automatically pre-filter the image into different colour/luminance maps.

Color Perception↗

Sensitivity to contrast histogram differences in synthetic wavelet-textures.

Recent research on texture synthesis suggests that characterisation of those properties of textures to which human observers are sensitive may be provided by the histograms of the coefficients of a wavelet decomposition. In this study we examined the properties of wavelet histograms that affect texture discrimination by measuring observer sensitivity to differences in the wavelet histograms of synthetic textures. The textures, generated via Gabor micropattern synthesis, were broadband, with amplitude spectra that are characteristic of natural images, i.e. 1/f. We measured texture-difference thresholds for three moments of the wavelet histograms -- variance, skew and kurtosis -- by manipulating the contrast, phase, and density, of the Gabor elements used to construct the textures. Observers discriminated more efficiently between textures that had differences in kurtosis, than between textures that had differences in either variance or skew. Performance was compared to two model observers; one used the pixel-luminance histogram, the other used the histogram of the output of wavelet-filters. The results support the idea that the visual system is relatively sensitive to the kurtosis, or 4th moment, of the wavelet histogram of textures. We argue that higher than 4th-order moments will, in practice, become increasingly difficult for the visual system to represent because the lack of a perfect match between the elements and the receptive fields effectively blurs the response histogram, thereby attenuating higher moments.

Contrast Sensitivity↗

Motion-surface labeling by orientation, spatial frequency and luminance polarity in 3-D structure-from-motion.

A compelling percept of three-dimensionality is attainable from a purely motion-defined simulation of a transparent rotating cylinder, referred to as 3-D structure-from-motion (SFM). Interestingly, subjects rarely perceive reversals of the cylinder's direction of rotation when they are introduced. Treue, Andersen, Ando, and Hildreth (Vision Res. 35 (1995) 139-148) have argued that this reflects the visual system's insensitivity to the textural detail on the cylinder's motion surfaces. We have recently shown however that with cylinders made from oriented micropatterns, motion reversals are perceived when the orientations of the micropatterns are different on the cylinder's front/back surfaces, suggesting that the visual system is sensitive to the type of feature in these stimuli (Vision Res. 39 (1999) 881-886). In the present study we extended this finding by testing for feature-sensitivity along other dimensions besides orientation, specifically spatial frequency, colour and luminance polarity. We found that subjects perceived more rotation direction reversals when the front/back surfaces of the cylinder were segregated, as opposed to non-segregated by feature-type, along all of these dimensions except, notably, colour. We also investigated the stage at which the feature-sensitivity is incorporated in 3-D SFM. We reasoned that if 3-D SFM mechanisms were tuned, or labeled for feature-type, swapping of features during the cylinder's rotation would result in illusory reversals in just the feature-segregated condition, whereas if grouping of like-features preceded the formation of 3-D motion surfaces, no such illusory reversals would be expected. We found that feature-swapping resulted in more illusory reversals in the feature-segregated compared to non-segregated conditions, supporting the mechanism tuning, or labeling, hypothesis.

Color Perception↗

On the interference of task-irrelevant hue variation on texture segmentation.

Although natural images often include discordant information about object boundaries, the majority of research on texture segmentation has involved variation along a single dimension, e.g. colour, orientation, size. In this study, we examined orientation-based texture segmentation in the presence and absence of task-irrelevant colour variation. Previously, it had been shown that orientation-based texture segmentation was impaired if the elements, normally of one colour, were randomly allocated one of two colours (Morgan et al, 1992 Proceedings of the Royal Society of London, Series B 248 291-295). We found that this interference disappeared, however, when the spatial pattern of the colour variation was regular, as opposed to random, and when the elements were randomly positioned. We consider four models of how relevant and irrelevant texture information might combine to produce the interference effect, with special regard to these new findings. None of the models could account for the dependency of the interference effect on the spatial arrangement of colour and orientation in the texture. We suggest that inter-element separation and spatial-frequency selectivity are critical variables in the interference effect.

Color Perception↗

Precision, accuracy, and range of perceived achromatic transparency.

How accurately do human observers perceive the properties of an achromatic transparent filter with both reflective and transmissive components? To address this question, a novel six-luminance stimulus was employed, consisting of three transparent layer luminances set against three background luminances, which satisfied the conventional constraints of perceptual transparency. In one experiment, subjects adjusted one of the three layer luminances to complete the impression of a uniform transparent disk. It was found that the luminance-based formulation of Metelli's episcotister model and a model based on ratios of Michelson contrasts best predicted the subjects' settings, which were both accurate and precise. In another experiment, pairs of stimuli selected from a range with various values of the adjustable layer luminance were presented in a series of forced-choice trials. A modified implementation of the pair comparisons method was employed to recover the distribution that describes each subject's preference pattern. Results showed that there exists a reasonably wide range of stimuli that give rise to at least some degree of perceived transparency.

Humans↗

Luminance spatial scale facilitates stereoscopic depth segmentation.

Are differences in luminance spatial frequency between surfaces that overlap in depth useful for surface segmentation? We examined this question, using a novel stimulus termed a dual-surface disparity grating. The dual-surface grating was made from Gabor micropatterns and consisted of two superimposed sinusoidal disparity gratings of identical disparity-modulation spatial frequency and orientation but of opposite spatial phase. Corrugation amplitude thresholds for discrimination of the orientation of the dual-surface grating were obtained as a function of the difference in Gabor (luminance) spatial frequency between the two surfaces. When the Gabor micropatterns on the two surfaces were identical in spatial frequency, thresholds were very high and in some instances impossible to obtain. However, with as little as a 1-octave difference in spatial frequency between the surfaces, thresholds fell sharply to near-asymptotic levels. The fall in thresholds paralleled a change in the appearance of the stimulus from one of irregular depth to stereo transparency. The most parsimonious explanation for this finding is that the introduction of a between-surface luminance spatial-frequency difference reduces the number of spurious cross-surface binocular matches, thus helping to reveal the three-dimensional structure of the stimulus.

Depth Perception↗

Segregation by color/luminance does not necessarily facilitate motion discrimination in the presence of motion distractors.

Under what circumstances is the common motion of a group of elements more easily perceived when the elements differ in color and/or luminance polarity from their surround? Croner and Albright (1997), using a conventional global motion paradigm, first showed that motion coherence thresholds fell when target and distractor elements were made different in color. However, in their paradigm, there was a cue in the static view of the stimulus as to which elements belonged to the target. Arguably, in order to determine whether the visual system automatically groups, or prefilters, the image into different color maps for motion processing, such static form cues should be eliminated. Using various arrangements of the global motion stimulus in which we eliminated all static form cues, we found that global motion thresholds were no better when target and distractors differed in color than when they were identical, except under certain circumstances in which subjects had prior knowledge of the specific target color. We conclude that, in the absence of either static form cues or the possibility of selective attention to the target color, features with similar colors/luminance-polarities are not automatically grouped for global motion analysis.

Attention↗

The functional role of oriented spatial filters in the perception of mirror symmetry--psychophysics and modeling.

We investigated human sensitivity to vertical mirror symmetry in noise patterns filtered for narrow bands of variable orientations. Sensitivity is defined here as the amount of spatial phase randomization corresponding to 75% correct performance in a 2AFC detection task. In Experiment 1, sensitivity was found to be high for tests patterns of all orientations except those parallel to the axis of symmetry. This implies that corresponding mirror-orientations (e.g. -45 and +45 degrees ) are combined prior to symmetry detection. In Experiment 2, observers detected symmetry in tests of variable orientation in the presence of either non-symmetric or symmetric masks filtered for orientations either parallel or perpendicular to the axis. Observers were found to be primarily affected by masks of the same orientation as the test, thus suggesting that symmetry is computed separately in distinct mirror-orientation channels. In Experiment 3, observers detected a symmetric test of variable height and width embedded in random noise. Data revealed that mirror symmetry is computed over a spatial integration region (IR) that remains approximately constant in area but whose height-to-width aspect ratio changes from 20:1 to 2:1 as orientation is varied from parallel to perpendicular to the axis. We compare human data against that of an ideal observer to identify key factors that limit visual performance and discuss the implications for the functional architecture of symmetry perception. We also propose a multi-channel model of symmetry detection that combines the output of oriented spatial filters in a simple and physiologically plausible manner. Particular emphasis is placed on the notion that changes in the shape of the IR with orientation compensate for changes in information density and partially equate performance across orientations.

Humans↗

Global factors that determine the maximum disparity for seeing cyclopean surface shape.

A disparity gradient limit explains why the maximum amplitude of sinusoidal disparity gratings increases with decreasing disparity spatial frequency. It also explains why the largest disparity for binocular fusion (diplopia threshold) varies directly with stimulus element separation. Does a disparity gradient limit also apply to the detection of cyclopean shape? A previous study addressed this question and concluded that it does not. We examined this question by measuring the largest disparity amplitude (dmax) at which observers could judge the shape of cyclopean disparity gratings. We used trapezoidal, triangular, sinusoidal, and square wave gratings in order to dissociate the effects of disparity gradient and disparity spatial frequency. Gabor micropatterns were used to minimize potential scale-dependent interactions with luminance processing. Our results support a disparity gradient limit for cyclopean shape perception, with additional factors being involved at high disparity spatial frequencies. Combining the gradient limit hypothesis with lowpass disparity filtering describes the pattern of dmax for both smooth and discontinuous surface shapes.

Depth Perception↗

Local luminance factors that determine the maximum disparity for seeing cyclopean surface shape.

We measured the maximum disparity grating amplitude (d(max)) for seeing cyclopean surface shape, using stereograms made from dense arrays of micropatterns, whose luminance characteristics were manipulated. In Experiment 1, we used disparity gratings made from Gabor micropatterns. D(max) was found to vary inversely both with luminance spatial frequency and with Gabor size, but was constant for a constant bandwidth (frequency times size). To test whether this was due to changes in bandwidth per se or to changes in the number of local features, in Experiment 2 we manipulated the local feature content with a range of micropatterns that we termed 'edgels'. The results supported neither hypothesis. In Experiment 3 we varied the phases of the Fourier components of square wave edgels, thereby introducing more features, and we found that this did not change d(max). Taken together, our results show that d(max) decreases with an increase in the number of local luminance cycles at each luminance scale. D(max) is mainly limited by false target matching between similar components of the micropatterns. Stereopis, in terms of surface shape perception, is served only by first order mechanisms, and only by luminance filters that are broadband.

Depth Perception↗

Luminance spatial frequency differences facilitate the segmentation of superimposed textures.

Do superimposed textures segregate on the basis of a difference in their luminance spatial frequency? We addressed this question using orientation-gratings, which consist of dense arrays of Gabor micropatterns whose orientations vary sinusoidally across space. Two orientation gratings of the same texture spatial frequency were combined in anti-phase, to produce a 'dual-modulation' orientation grating. Thresholds for detecting the dual-modulation gratings were measured as a function of the difference in Gabor spatial frequency between the two grating components. When the two components were made from the same Gabors, thresholds were relatively high. However a one octave difference in Gabor spatial frequency between the components caused thresholds to fall close to those of single-modulation orientation gratings. The fall in threshold was accompanied by a change in appearance of the stimulus; to that of two transparent, interwoven, flow patterns. We show that these results are incompatible with current Filter-Rectify-Filter models of 'second-order' pattern detection. Rather, they favour the idea that feature analysis precedes texture analysis, with the visual system encoding local orientation content prior to the texture stage.

Humans↗

On the relationship between the spatial channels for luminance and disparity processing.

To determine the relationship between the spatial channels for luminance and shape-from-stereo-disparity processing we measured disparity modulation sensitivity as a function of disparity spatial frequency for sinusoidal modulations of a field of Gabor micropatterns of differing luminance spatial frequency. We first examine the effects of contrast, spatial bandwidth and element density and show that it is only the last of these which is critical for the shape of the disparity modulation threshold function. We show that the shape of this function depends on the luminance spatial frequency of the surface that is modulated in depth. Specifically, low corrugation frequencies enjoy a greater scale support from the early luminance spatial filters than do high corrugation frequencies. The results are consistent with higher spatial frequency disparity channels receiving a greater input from higher spatial frequency luminance channels.

Contrast Sensitivity↗

On the mechanism for scale invariance in orientation-defined textures.

Texture perception is generally found to be scale invariant, that is, the perceived properties of textures do not change with viewing distance. Previously, Kingdom, F. A. A., Keeble, D. R. T., & Moulden, B. (Vision Research, 1995, 35, 79-91) showed that the orientation modulation function (OMF), which describes sensitivity to sinusoidal modulations of micropattern orientation as a function of modulation spatial frequency, was scale invariant--peak sensitivity occurred at a modulation spatial frequency which was invariant with viewing distance when modulation frequency was plotted in object units, e.g. cycles cm-1. We have attempted to determine the mechanism underlying the scale invariant properties of the OMF. We first confirmed that the OMF was scale invariant using Gabor-micropattern textures. We then measured OMFs at a number of viewing distances, while holding constant various stimulus features in the retinal image. The question was which stimulus feature(s) disrupted scale invariance when manipulated in this way. We found that the scale (size) of the micropatterns was a critical factor and that the most important scale parameter was the micropatterns' carrier spatial frequency. Micropattern length and density were shown to have a small influence on scale invariance, while micropattern width had no influence at all. These results are consistent with the idea that scale invariance in orientation-defined textures is a consequence of 'second-stage' texture-sensitive mechanisms being tied in spatial scale selectivity to their 'first-stage' luminance-contrast-sensitive inputs.

Humans↗

Feature specific segmentation in perceived structure-from-motion.

Motion information is important to vision for extracting the 3-D (three-dimensional) structure of an object, as evidenced by the compelling percept of three-dimensionality attainable in displays which are purely motion-defined. It has recently been shown that when subjects view a rotating transparent cylinder of dots simulated with parallel projection, they rarely perceive rotation reversals which are physically introduced (Treue, Andersen, Ando & Hildreth, Vision Research, 35;1995:139-148). We show however that when the elements defining the cylinder are oriented, the number of perceived reversals increases systematically to near maximum as the difference between element orientations on the two surfaces increases. These results imply that structure-from-motion mechanisms are capable of exploiting local feature differences between the different surfaces of a moving object.

Depth Perception↗

On the apparent collapse of stereopsis in random-dot-stereograms at isoluminance.

We have investigated the apparent collapse of stereopsis obtained with random-dot-stereograms at isoluminance. Contrast thresholds for both depth and form discrimination of targets in random-dot- and figural stereograms were measured at a number of disparitics, using both isoluminant and isochromatic stimuli. All contrast thresholds for stereoscopic tasks were normalised to contrast thresholds for detecting the appropriate stimulus. We found that at isoluminance contrast thresholds for depth judgements were not higher for random-dot compared to figural stereograms, even when normalised to the same thresholds obtained with isochromatic stimuli. On the other hand contrast thresholds for three-dimensional form judgements were much higher than those for depth judgements in isoluminant, compared to isochromatic random-dot-stereograms. This specific impairment of stereoscopic form (as opposed to depth) processing at isoluminance was confirmed in a further experiment in which subjects were required to judge the presence and orientation of depth corrugations in a disparity-modulated random-dot-stereogram.

Color Perception↗

Modulation frequency and orientation tuning of second-order texture mechanisms.

Modulation frequency and orientation tuning of second-order mechanisms underlying the detection of modulation in local spatial-frequency information are assessed by using an oblique-masking paradigm. Stimuli were Gabor-filtered noise patterns in which the local carrier spatial frequency was modulated about an average value of 4.7 cycles per degree (cpd) according to sinusoidal function. Thresholds were determined for spatial-frequency modulated test patterns (0.2 and 0.8 cpd) with fixed vertical carrier and modulation orientations presented alone and in the presence of spatiotemporally superimposed masks. Mask modulation frequency (0.1, 0.2, 0.4, 0.8, or 1.6 cpd), modulation orientation (0 degree, 45 degrees, or 90 degrees relative to vertical), and carrier orientation (18.5 degrees or 90 degrees relative to vertical) were manipulated independently while the mask modulation amplitude remained fixed at 0.25. Manipulating the modulation frequency of the mask revealed some modulation frequency specificity, particularly at lower test modulation frequencies. Spatial-frequency modulated masks produced threshold elevations regardless of the local carrier orientation. However, there was no evidence of threshold elevation when the mask modulation orientation was orthogonal to that of the test pattern. These results suggest a second-order texture mechanism that is tuned to both modulation frequency and modulation orientation but is not selective in terms of the orientation of first-order inputs.

Contrast Sensitivity↗

Spatial-scale contribution to the detection of mirror symmetry in fractal noise.

We investigated how the detection of mirror symmetry depends on the distribution of contrast energy across spatial scales. Stimuli consisted of vertically symmetric noise patterns with fractal power spectra defined by 1/f beta slopes (-2 < or = beta < or = 5). While overall rms contrast remained fixed at 25%, symmetry-detection thresholds were obtained by corrupting the signal with variable amounts of noise with identical spectral characteristics. A first experiment measured thresholds as a function of spectral slope, and performance was found to be substantially facilitated in images with power spectra that characterize natural scenes (1.2 < or = beta < or = 3.2). In a second experiment, symmetry was removed from randomly chosen octave bands and replaced by noise with the same spectral profile. Results revealed that only in images with 1/f2 spectra does performance decrease by constant amounts across all frequency bands. Together, the results imply that symmetry mechanisms extract equal amounts of information from constant-octave frequency bands but lack the ability to whiten stimuli whose spectral slopes differ from those of natural scenes. Results are qualitatively well predicted by a multichannel model that (1) relies on spatial filters with equal-volume point-spread functions and constant-octave frequency bandwidths and (2) restricts the computation of symmetry to spatial regions whose dimensions are proportional to the filters' spatial scale. These findings are also consistent with the notion that mechanisms that mediate the perception of form exploit the ability of early vision to reduce second-order redundancy in natural scenes.

Artifacts↗

On the binocular summation of chromatic contrast.

The binocular summation of chromatic contrast was investigated under a variety of stimulus conditions. Binocular and monocular contrast detection thresholds were measured using 0.5 cpd Gabor patches. It was found that, using stimuli which contained combinations of chromatic and luminance contrast, binocular detection could take place independently in luminance-contrast- and chromatic-contrast-sensitive mechanisms. It was also found that, with chromatic stimuli, levels of binocular summation were above those expected from probability summation between the eyes, and thus showed evidence for binocular neural summation within chromatic detection mechanisms. The implications of these results for (a) the binocularity of chromatic detection mechanisms, and (b) the suggested link between stereopsis and binocular neural summation, are discussed.

Color Perception↗