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C J Darwin

Publications and source records attributed to C J Darwin.

33 records · Page 2Linked to original sources
PubMed1993

The role of timbre in the segregation of simultaneous voices with intersecting F0 contours.

When the fundamental frequency (F0) contours of two speakers' voices intersect, the listener is presented with a problem. The listener must decide which of the F0 contours emerging from the intersection is a continuation of which contour entering the intersection: have the F0 contours crossed or merely approached and parted? In the present experiment, subjects listened to two simultaneous diphthong-like sounds with F0 contours that either approached and diverged or crossed over. The task was to report whether the pitches "crossed" or "bounced" away from each other. Despite the changing timbres of the two sounds, the subjects were able to discriminate crossing and bouncing F0s, provided that the timbres of the vowels differed at the moment when their F0s were the same. When the timbres were the same, the subjects could not make the discrimination and tended to hear a bouncing percept. These results are consistent with the idea that listeners use continuity of timbre rather than continuity of F0 movement to disambiguate F0 intersections.

Acoustic Stimulation↗
PubMed1992

Grouping in pitch perception: effects of onset asynchrony and ear of presentation of a mistuned component.

Three experiments investigated how the onset asynchrony and ear of presentation of a single mistuned frequency component influence its contribution to the pitch of an otherwise harmonic complex tone. Subjects matched the pitch of the target complex by adjusting the pitch of a second similar but strictly periodic complex tone. When the mistuned component (the 4th harmonic of a 155 Hz fundamental) started 160 ms or more before the remaining harmonics but stopped simultaneously with them, it made a reduced contribution to the pitch of the complex. It made no contribution if it started more than 300 ms before. Pitch shifts and their reduction with onset time were larger for short (90 ms) sounds than for long (410 ms). Pitch shifts were slightly larger when the mistuned component was presented to the same ear as the remaining 11 in-tune harmonics than to the opposite ear. Adding a "captor" complex tone with a fundamental of 200 Hz and a missing 3rd harmonic to the contralateral ear did not augment the effect of onset time, even though the captor was synchronous with the mistuned harmonic, the mistuned component was equal in frequency to the missing 3rd harmonic of the captor complex tone and it was played to the same ear as the captor. The results show that a difference in onset time can prevent a resolved frequency component from contributing to the pitch of a complex tone even though it is present throughout that complex tone.

Acoustic Stimulation↗
PubMed1991

Effects of phase changes in low-numbered harmonics on the internal representation of complex sounds.

A series of experiments investigated the effect of phase changes in low-numbered single harmonics in target sounds that were either synthesized steady-state vowels fo periodic signals having only a single formant. A matching procedure was sued in which subjects selected a sound along a continuum differing in first formant frequency in order to get the best match with the target sound; perceptual effects of the phase manipulations in the target were detected as a change in the matched first formant frequency. Stimuli had to contain at least three harmonics to produce the effect, but id did not require a particular starting phase of the components. A suppression phenomenon is discussed, in which phase changes alter the phase-locking characteristics of auditory fibres tuned to low-numbered harmonics.

Adult↗
PubMed1989

Assessment of feature size abnormalities using receiver operating characteristic analysis.

The ability of an observer to detect variations in size of a geometrical image feature have been investigated using receiver operating characteristic (ROC) analysis. Three types of image were constructed using computer graphics: disc-shaped targets of variable radius, model chest radiographs showing a variable heart diameter and model arterial angiograms with variable vessel width. Five factors were investigated: observer experience, variation of detectability with theoretical signal-to-noise ratio, the prior probability of the presence of an abnormality, viewing distance, and uncertainty in the location of an abnormality. In all but one experiment, excellent agreement was found between measured detectabilities and the predictions of signal detection theory, providing an initial practice session was included for each observer. No significant variation in detectability was found using six different prior probabilities and two different viewing distances, and the reduction in detectability for a four-alternative location task was in good agreement with theoretical predictions. The high statistical efficiencies found for the detection of geometrical signals suggest that the levels of observer "internal" noise arising from decision-making processes during an ROC experiment are very low.

Computer Graphics↗
PubMed1989

Vowel quality changes produced by surrounding tone sequences.

In three experiments, we examined whether energy at the same frequency as one of a vowel's harmonics in the F1 region can be captured by a preceding or following sequence of tones. The position of the /I/-/E/ phoneme boundary along an F1 continuum was used to assess the extent of capture. The first two experiments showed that a sequence of tones at 500 Hz (56-msec duration at 10/sec) can perceptually remove added energy at 500 Hz from a steady vowel (F0 = 125 Hz) that forms part of the sequence. The effect is detectable with one preceding tone, asymptotes with four, and is greater when two tones follow the vowel than when none do. Rising and falling sequences of tones (at 62.5-Hz intervals or at whole-tone intervals) differ in their effect. Falling sequences behave much like constant tones at 500 Hz but with less effect, whereas rising sequences show no evidence of removing the added tone. The second experiment replicated the first and also showed that when the vowel is embedded in a rising or a falling sequence of tones that continue after it, the following tones have no effect. The third experiment suggested that the different effects found with rising versus falling sequences are qualitatively predictable on the basis of the additive effects of their constituent tones rather than by virtue of their contour. The experiments indicated that sequences of repeating tones are much more effective at capturing a harmonic from a vowel than are sequences that follow a simple pattern. This result may reflect the operation of a principle of least commitment in auditory grouping.

Attention↗
PubMed1986

Mistuning a harmonic of a vowel: grouping and phase effects on vowel quality.

The harmonic sieve has been proposed as a mechanism for excluding extraneous frequency components from the estimate of the pitch of a complex sound. The experiments reported here examine whether a harmonic sieve could also determine whether a particular harmonic contributes to the phonetic quality of a vowel. Mistuning a harmonic in the first formant region of vowels from an /I/-/e/ continuum gave shifts in the phoneme boundary that could be explained by (i) phase effects for small amounts of mistuning and (ii) a harmonic sievelike grouping mechanism for larger amounts of mistuning. Similar grouping criteria to those suggested for pitch may operate for the determination of first formant frequency in voiced speech.

Humans↗
PubMed1986

The representation of steady-state vowel sounds in the temporal discharge patterns of the guinea pig cochlear nerve and primarylike cochlear nucleus neurons.

We have recorded the responses of fibers in the cochlear nerve and cells in the cochlear nucleus of the anesthetized guinea pig to synthetic vowels [i], [a], and [u] at 60 and 80 dB SPL. Histograms synchronized to the pitch period of the vowel were constructed, and locking of the discharge to individual harmonics was estimated from these by Fourier transformation. In cochlear nerve fibers from the guinea pig, the responses were similar in all respects to those previously described for the cat. In particular, the average-localized-synchronized-rate functions (ALSR), computed from pooled data, had well-defined peaks corresponding to the formant frequencies of the three vowels at both sound levels. Analysis of the components dominating the discharge could also be used to determine the voice pitch and the frequency of the first formants. We have computed similar population measures over a sample of primarylike cochlear nucleus neurons. In these primarylike cochlear nucleus cell responses, the locking to the higher-frequency formants of the vowels is weaker than in the nerve. This results in a severe degradation of the peaks in the ALSR function at the second and third formant frequencies at least for [i] and [u]. This result is somewhat surprising in light of the reports that primarylike cochlear nucleus cells phaselock, as well as do cochlear nerve fibers.

Animals↗
PubMed1984

Perceiving vowels in the presence of another sound: constraints on formant perception.

Speech is normally heard against a background of other sounds, yet our ability to isolate perceptually the speech of a particular talker is poorly understood. The experiments reported here illustrate two different ways in which a listener may decide whether a tone at a harmonic of a vowel's fundamental forms part of the vowel. First, a tone that starts or stops at a different time from a vowel is less likely to be heard as part of that vowel than if it is simultaneous with it; moreover, this effect occurs regardless of whether the tone has been added to a normal vowel, or to a vowel that has already been reduced in energy at the tone's frequency. Second, energy added simultaneously with a vowel, at a harmonic frequency near to the vowel's first formant, may or may not be fully incorporated into the vowel percept, depending on its relation to the first formant: When the additional tone is just below the vowel's first formant frequency, it is less likely to be incorporated than energy that is added at a frequency just above the first formant. Both experiments show that formants may only be estimated after properties of the sound wave have been grouped into different apparent sound sources. The first result illustrates a general auditory mechanism for performing perceptual grouping, while the second result illustrates a mechanism that may use a more specific constraint on vocal-tract transfer functions.

Humans↗
PubMed1983

Perceptual cues to the onset of voiced excitation in aspirated initial stops.

Previous experiments on the perception of initial stops differing in voice-onset time have used sounds where the boundary between aspiration and voicing is clearly marked by a variety of acoustic events. In natural speech these events do not always occur at the same moment and there is disagreement among phoneticians as to which mark the onset of voicing. The three experiments described here examine how the phoneme boundary between syllable-initial, prestress /b/ and /p/ is influenced by the way in which voicing starts. In the first experiment the first 30 ms of buzz excitation is played at four different levels relative to the steady state of the vowel and with two different frequency distributions: In the F1-only conditions buzz is confined to the first formant, whereas in the F123 conditions all three formants are excited by buzz. The results reject the hypothesis that voicing is perceived to start when periodic excitation is present in the first formant. The results of the third experiment show also that buzz excitation confined to the fundamental frequency for 30 ms before the onset of full voicing (formant excitation) has little effect on the voicing boundary. The second experiment varies aspiration noise intensity and buzz onset intensity independently. Together with the first experiment it shows that: (1) at all buzz onset levels a change in aspiration intensity moves the boundary by about the 0.43 ms/dB found by Repp [Lang. Speech 27, 173-189 (1979)]; (2) when buzz onsets at levels greater than - 15 dB relative to the final vowel level, changes in buzz onset level again move the /b/-/p/ boundary by the same amount; (3) when buzz onsets at levels less than - 15 dB relative to the vowel, decreasing the buzz onset level gives more /p/- percepts than Repp's ratio predicts. This last result, taken with the results of the first experiment, may reflect a decision based on overall intensity about when voicing has started.

Cues↗
PubMed1978

Range effect in the perception of voicing.

The location of the voicing boundary in the perception of initial stop consonants is shown to vary according to the range of voice-onset times used in a block of trials and according to the order in which blocks covering different ranges are presented. Although these range effects introduce methodological complications into the interpretation of adaptation experiments, they appear to be qualitatively different from adaptation effects and, it is suggested, may provide a metric for assessing the auditory tolerance of phonological categories.

Humans↗