Biomedical subjects

B Delgutte

Publications and source records attributed to B Delgutte.

At least 19 recordsLinked to original sources

PubMed2002

Neural correlates of the precedence effect in the inferior colliculus: effect of localization cues.

The precedence effect (PE) is an auditory phenomenon involved in suppressing the perception of echoes in reverberant environments, and is thought to facilitate accurate localization of sound sources. We investigated physiological correlates of the PE in the inferior colliculus (IC) of anesthetized cats, with a focus on directional mechanisms for this phenomenon. We used a virtual space (VS) technique, where two clicks (a "lead" and a "lag") separated by a brief time delay were each filtered through head-related transfer functions (HRTFs). For nearly all neurons, the response to the lag was suppressed for short delays and recovered at long delays. In general, both the time course and the directional patterns of suppression resembled those reported in free-field studies in many respects, suggesting that our VS simulation contained the essential cues for studying PE phenomena. The relationship between the directionality of the response to the lead and that of its suppressive effect on the lag varied a great deal among IC neurons. For a majority of units, both excitation produced by the lead and suppression of the lag response were highly directional, and the two were similar to one another. For these neurons, the long-lasting inhibitory inputs thought to be responsible for suppression seem to have similar spatial tuning as the inputs that determine the excitatory response to the lead. Further, the behavior of these neurons is consistent with psychophysical observations that the PE is strongest when the lead and the lag originate from neighboring spatial locations. For other neurons, either there was no obvious relationship between the directionality of the excitatory lead response and the directionality of suppression, or the suppression was highly directional whereas the excitation was not, or vice versa. For these neurons, the excitation and the suppression produced by the lead seem to depend on different mechanisms. Manipulation of the directional cues (such as interaural time and level differences) contained in the lead revealed further dissociations between excitation and suppression. Specifically, for about one-third of the neurons, suppression depended on different directional cues than did the response to the lead, even though the directionality of suppression was similar to that of the lead response when all cues were present. This finding suggests that the inhibitory inputs causing suppression may originate in part from subcollicular auditory nuclei processing different directional cues than the inputs that determine the excitatory response to the lead. Neurons showing such dissociations may play an important role in the PE when the lead and the lag originate from very different directions.

Acoustic Stimulation↗

PubMed2001

Neurobiological foundations for the theory of harmony in western tonal music.

Basic principles of the theory of harmony reflect physiological and anatomical properties of the auditory nervous system and related cognitive systems. This hypothesis is motivated by observations from several different disciplines, including ethnomusicology, developmental psychology, and animal behavior. Over the past several years, we and our colleagues have been investigating the vertical dimension of harmony from the perspective of neurobiology using physiological, psychoacoustic, and neurological methods. Properties of the auditory system that govern harmony perception include (1) the capacity of peripheral auditory neurons to encode temporal regularities in acoustic fine structure and (2) the differential tuning of many neurons throughout the auditory system to a narrow range of frequencies in the audible spectrum. Biologically determined limits on these properties constrain the range of notes used in music throughout the world and the way notes are combined to form intervals and chords in popular Western music. When a harmonic interval is played, neurons throughout the auditory system that are sensitive to one or more frequencies (partials) contained in the interval respond by firing action potentials. For consonant intervals, the fine timing of auditory nerve fiber responses contains strong representations of harmonically related pitches implied by the interval (e.g., Rameau's fundamental bass) in addition to the pitches of notes actually present in the interval. Moreover, all or most of the partials can be resolved by finely tuned neurons throughout the auditory system. By contrast, dissonant intervals evoke auditory nerve fiber activity that does not contain strong representations of constituent notes or related bass notes. Furthermore, many partials are too close together to be resolved. Consequently, they interfere with one another, cause coarse fluctuations in the firing of peripheral and central auditory neurons, and give rise to perception of roughness and dissonance. The effects of auditory cortex lesions on the perception of consonance, pitch, and roughness, combined with a critical reappraisal of published psychoacoustic data on the relationship between consonance and roughness, lead us to conclude that consonance is first and foremost a function of the pitch relationships among notes. Harmony in the vertical dimension is a positive phenomenon, not just a negative phenomenon that depends on the absence of roughness--a view currently held by many psychologists, musicologists, and physiologists.

Auditory Cortex↗

PubMed2001

Auditory nerve fiber responses to electric stimulation: modulated and unmodulated pulse trains.

Many modern cochlear implants use sound processing strategies that stimulate the cochlea with modulated pulse trains. Rubinstein et al. [Hear. Res. 127, 108 (1999)] suggested that representation of the modulator in auditory nerve responses might be improved by the addition of a sustained, high-rate, desynchronizing pulse train (DPT). In addition, activity in response to the DPT may mimic the spontaneous activity (SA) in a healthy ear. The goals of this study were to compare responses of auditory nerve fibers in acutely deafened, anesthetized cats elicited by high-rate electric pulse trains delivered through an intracochlear electrode with SA, and to measure responses of these fibers to amplitude-modulated pulse trains superimposed upon a DPT. Responses to pulse trains showed variability from presentation to presentation, but differed from SA in the shape of the envelope of the interval histogram (IH) for pulse rates above 4.8 kpps (kilo pulses per second). These IHs had a prominent mode near 5 ms that was followed by a long tail. Responses to modulated biphasic pulse trains resembled responses to tones in intact ears for small (<10%) modulation depths, suggesting that acousticlike responses to sinusoidal stimuli might be obtained with a DPT. However, realistic responses were only observed over a narrow range of levels and modulation depths. Improved coding of complex stimulus waveforms may be achieved by signal processing strategies for cochlear implants that properly incorporate a DPT.

Acoustic Stimulation↗

PubMed1999

A possible neurophysiological basis of the octave enlargement effect.

Although the physical octave is defined as a simple ratio of 2:1, listeners prefer slightly greater octave ratios. Ohgushi [J. Acoust. Soc. Am. 73, 1694-1700 (1983)] suggested that a temporal model for octave matching would predict this octave enlargement effect because, in response to pure tones, auditory-nerve interspike intervals are slightly larger than the stimulus period. In an effort to test Ohgushi's hypothesis, auditory-nerve single-unit responses to pure-tone stimuli were collected from Dial-anesthetized cats. It was found that although interspike interval distributions show clear phase-locking to the stimulus, intervals systematically deviate from integer multiples of the stimulus period. Due to refractory effects, intervals smaller than 5 msec are slightly larger than the stimulus period and deviate most for small intervals. On the other hand, first-order intervals are smaller than the stimulus period for stimulus frequencies less than 500 Hz. It is shown that this deviation is the combined effect of phase-locking and multiple spikes within one stimulus period. A model for octave matching was implemented which compares frequency estimates of two tones based on their interspike interval distributions. The model quantitatively predicts the octave enlargement effect. These results are consistent with the idea that musical pitch is derived from auditory-nerve interspike interval distributions.

Algorithms↗

PubMed1999

Receptive fields and binaural interactions for virtual-space stimuli in the cat inferior colliculus.

Sound localization depends on multiple acoustic cues such as interaural differences in time (ITD) and level (ILD) and spectral features introduced by the pinnae. Although many neurons in the inferior colliculus (IC) are sensitive to the direction of sound sources in free field, the acoustic cues underlying this sensitivity are unknown. To approach this question, we recorded the responses of IC cells in anesthetized cats to virtual space (VS) stimuli synthesized by filtering noise through head-related transfer functions measured in one cat. These stimuli not only possess natural combinations of ITD, ILD, and spectral cues as in free field but also allow precise control over each cue. VS receptive fields were measured in the horizontal and median vertical planes. The vast majority of cells were sensitive to the azimuth of VS stimuli in the horizontal plane for low to moderate stimulus levels. Two-thirds showed a "contra-preference" receptive field, with a vigorous response on the contralateral side of an edge azimuth. The other third of receptive fields were tuned around a best azimuth. Although edge azimuths of contra-preference cells had a broad distribution, best azimuths of tuned cells were near the midline. About half the cells tested were sensitive to the elevation of VS stimuli along the median sagittal plane by showing either a peak or a trough at a particular elevation. In general receptive fields for VS stimuli were similar to those found in free-field studies of IC neurons, suggesting that VS stimulation provided the essential cues for sound localization. Binaural interactions for VS stimuli were studied by comparing responses to binaural stimulation with responses to monaural stimulation of the contralateral ear. A majority of cells showed either purely inhibitory (BI) or mixed facilitatory/inhibitory (BF&I) interactions. Others showed purely facilitatory (BF) or no interactions (monaural). Binaural interactions were correlated with azimuth sensitivity: most contra-preference cells had either BI or BF&I interactions, whereas tuned cells were usually BF. These correlations demonstrate the importance of binaural interactions for azimuth sensitivity. Nevertheless most monaural cells were azimuth-sensitive, suggesting that monaural cues also play a role. These results suggest that the azimuth of a high-frequency sound source is coded primarily by edges in azimuth receptive fields of a population of ILD-sensitive cells.

Acoustic Stimulation↗

PubMed1996

Fractal noise strength in auditory-nerve fiber recordings.

Discharge patterns recorded from single auditory-nerve fibers have demonstrated long-range dependence, with the count variance-to-mean ratio growing as a power of the counting time for times greater than 0.1-1 s. The intent of this study is to provide a large dataset to enable a more detailed investigation of this phenomenon. Based on 108 recordings from a cat, we conclude that the presence of the fractal noise in the discharge rate is independent of characteristic frequency and stimulus level, but does depend on discharge rate. We measured the low-frequency power of the fractal noise, finding its coefficient of variation to range between 6% and 26% and to decrease as firing rate increases. Such behavior is consistent with multiplicative fractal variations in models of the hair cell membrane permeability to neurotransmitter. Measured standard deviations of spike rate correspond to a sound-pressure level difference limen of approximately 1 dB.

Acoustic Stimulation↗

PubMed1996

Neural correlates of the pitch of complex tones. I. Pitch and pitch salience.

1. The temporal discharge patterns of auditory nerve fibers in Dial-anesthetized cats were studied in response to periodic complex acoustic waveforms that evoke pitches at their fundamental frequencies. Single-formant vowels, amplitude-modulated (AM) and quasi-frequency-modulated tones. AM noise, click trains, and other complex tones were utilized. Distributions of intervals between successive spikes ("1st-order intervals") and between both successive and nonsuccessive spikes ("all-order intervals") were computed from spike trains. Intervals from many fibers were pooled to estimate interspike interval distributions for the entire auditory nerve. Properties of these "pooled interspike interval distributions," such as the positions of interval peaks and their relative heights, were examined for correspondence to the psychophysical data on pitch frequency and pitch salience. 2. For a diverse set of complex stimuli and levels, the most frequent all-order interspike interval present in the pooled distribution corresponded to the pitch heard in psychophysical experiments. Pitch estimates based on pooled interval distributions (30-85 fibers, 100 stimulus presentations per fiber) were highly accurate (within 1%) for harmonic stimuli that produce strong pitches at 60 dB SPL. 3. Although the most frequent intervals in pooled all-order interval distributions were very stable with respect to sound intensity level (40, 60, and 80 dB total SPL), this was not necessarily the case for first-order interval distributions. Because the low pitches of complex tones are largely invariant with respect to level, pitches estimated from all-order interval distributions correspond better to perception. 4. Spectrally diverse stimuli that evoke similar low pitches produce pooled interval distributions with similar most-frequent intervals. This suggests that the pitch equivalence of these different stimuli could result from central auditory processing mechanisms that analyze interspike interval patterns. 5. Complex stimuli that evoke strong or "salient" pitches produce pooled interval distributions with high peak-to-mean ratios. Those stimuli that evoke weak pitches produce pooled interval distributions with low peak-to-mean ratios. 6. Pooled interspike interval distributions for stimuli consisting of low-frequency components generally resembled the short-time auto-correlation function of stimulus waveforms. Pooled interval distributions for stimuli consisting of high-frequency components resembled the short-time autocorrelation function of the waveform envelope. 7. Interval distributions in populations of neurons constitute a general, distributed means of encoding, transmitting, and representing information. Existence of a central processor capable of analyzing these interval patterns could provide a unified explanation for many different aspects of pitch perception.

Acoustic Stimulation↗

PubMed1996

Neural correlates of the pitch of complex tones. II. Pitch shift, pitch ambiguity, phase invariance, pitch circularity, rate pitch, and the dominance region for pitch.

1. The neural correlates of low pitches produced by complex tones were studied by analyzing temporal discharge patterns of auditory nerve fibers in Dial-anesthetized cats. In the previous paper it was observed that, for harmonic stimuli, the most frequent interspike interval present in the population of auditory nerve fibers always corresponded to the perceived pitch (predominant interval hypothesis). The fraction of these most frequent intervals relative to the total number of intervals qualitatively corresponded to strength (salience) of the low pitches that are heard. 2. This paper addresses the neural correlates of stimuli that produce more complex patterns of pitch judgments, such as shifts in pitch and multiple pitches. Correlates of pitch shift and pitch ambiguity were investigated with the use of harmonic and inharmonic amplitude-modulated (AM) tones varying either in carrier frequency or modulation frequency. Pitches estimated from the pooled interval distributions showed shifts corresponding to "the first effect of pitch shift" (de Boer's rule) that is observed psychophysically. Pooled interval distributions in response to inharmonic stimulus segments showed multiple maxima corresponding to the multiple pitches heard by human listeners (pitch ambiguity). 3. AM and quasi-frequency-modulated tones with low carrier frequencies produce very similar patterns of pitch judgments, despite great differences in their phase spectra and waveform envelopes. Pitches estimated from pooled interval distributions were remarkably similar for the two kinds of stimuli, consistent with the psychophysically observed phase invariance of pitches produced by sets of low-frequency components. 4. Trains of clicks having uniform and alternating polarities were used to investigate the relation between pitches associated with periodicity and those associated with click rate. For unipolar click trains, where periodicity and rate coincide, physiologically estimated pitches closely follow the fundamental period. This corresponds to the pitch at the fundamental frequency (F0) that is heard. For alternating click trains, where rate and periodicity do not coincide, physiologically estimated pitches always closely followed the fundamental period. Although these pitch estimates corresponded to periodicity pitches that are heard for F0s > 150 Hz, they did not correspond to the rate pitches that are heard for F0s < 150 Hz. The predominant interval hypothesis thus failed to predict rate pitch. 5. When alternating-polarity click trains are high-pass filtered, rate pitches are strengthened and can also be heard at F0s > 150 Hz. Pitches for high-pass-filtered alternating click trains were estimated from pooled responses of fibers with characteristic frequencies (CFs) > 2 kHz. Roughly equal numbers of intervals at 1/rate and 1/F0 were found for all F0s studied, from 80 to 160 Hz, producing pitch estimates consistent with the rate pitches that are heard after high-pass filtering. The existence region for rate pitch also coincided with the presence of clear periodicities related to the click rate in pooled peristimulus time histograms. These periodicities were strongest for ensembles of fibers with CFs > 2 kHz, where there is widespread synchrony of discharges across many fibers. 6. The "dominance region for pitch" was studied with the use of two harmonic complexes consisting of harmonics 3-5 of one F0 and harmonics 6-12 of another fundamental 20% higher in frequency. When the complexes were presented individually, pitch estimates were always close to the fundamental of the complex. When the complexes were presented concurrently, pitch estimates always followed the fundamental of harmonics 3-5 for F0s of 150-480 Hz. For F0s of 125-150 Hz, pitch estimates followed one or the other fundamental, and for F0s < 125 Hz, pitch estimates followed the fundamental of harmonics 6-12. (ABSTRACT TRUNCATED)

Acoustic Stimulation↗

PubMed1993

Antimasking effects of the olivocochlear reflex. II. Enhancement of auditory-nerve response to masked tones.

1. The antimasking effects of olivocochlear (OC) efferent feedback were studied in anesthetized or decerebrate cats by comparing responses of single auditory-nerve fibers (ANFs) to tone bursts in continuous masking noise seen with and without addition of a moderate-level contralateral noise known to activate the OC reflex. Responses were measured as a function of tone-burst intensity, tone-burst frequency, and masker intensity and were analyzed so as to allow quantitative estimates of the detectability of the tone bursts against the noise background. 2. Addition of the contralateral OC elicitor both increased the maximum discharge rates to the masked tone bursts and decreased the rates to the ipsilateral masker. The rate increases to the tone bursts could be explained on the basis of a decrease in adaptation caused by decreasing the steady response to the masker. The result is a steepening of the rate-versus-level function for masked tone bursts and a concomitant increase in the estimated discriminability of small increments of tone-burst intensity. 3. For tone bursts at the fiber's characteristic frequency (CF), the OC effects on detection threshold for the masked tone bursts depended on masker level, with small increases in threshold for low masker levels and somewhat larger decreases in threshold for higher masker levels. For tone bursts below CF, OC effects, when present, always decreased the detection threshold. 4. The largest antimasking effects were seen for fibers with CFs between 6 and 12 kHz and for masker levels within 20 dB of the fiber's threshold to the masker. These trends appeared to hold for fibers of all spontaneous rates (SRs). 5. Enhancement of the response to unmasked tone bursts and concomitant decrease in the "spontaneous rate" was elicited by OC activation in fibers if threshold sensitivity approached -10 dB SPL. This "enhancement-in-quiet" appears to arise when an animal-generated noise produces a continuous response (in the absence of purposely applied sound) that is suppressed by OC activity. This finding raises questions as to the range of "true" spontaneous rates in the cat. 6. The results highlight two important distinctions between the effects of OC feedback in quiet versus those in noise. In quiet, the effects are predominately suppressive and are restricted to stimuli at frequencies near a fiber's CF and at intensities within its dynamic range. In continuous background noise, the OC reflex can enhance the responses to transient stimuli. Such effects are seen throughout the fiber's response area.(ABSTRACT TRUNCATED AT 400 WORDS)

Animals↗

PubMed1992

Phase-locking of auditory-nerve discharges to sinusoidal electric stimulation of the cochlea.

The activity of auditory-nerve fibers was recorded in anesthetized cats in response to sinusoidal electric stimuli applied through a bipolar electrode pair inserted about 5 mm into the cochlea through the round window. The synchronization index was calculated from period histograms for frequencies ranging from 0.2 to over 10 kHz. The stimulus artifact was largely eliminated through the use of differential micropipettes and an adaptive digital filter. Measured synchronization indices were many times larger than the indices that could be attributed to the residual stimulus artifact. Synchronization indices at each stimulus frequency varied considerably from fiber to fiber, even in the same animal. The dependence of synchrony on stimulus frequency was also variable, decreasing monotonically in some fibers and nonmonotonically in others. The average electric synchronization index for all fibers did not fall as steeply with frequency as does the average synchrony for acoustic stimuli. The finding of significant phase locking to electric stimuli well above 1 kHz suggests that the poor frequency discrimination of cochlear-implant recipients for single-channel stimulation above this frequency may be due to the inability of the central processor to make effective use of the available phase-locking information for monaural stimulation.

Acoustic Stimulation↗

PubMed1990

Two-tone rate suppression in auditory-nerve fibers: dependence on suppressor frequency and level.

The growth of two-tone rate suppression with suppressor level was studied for auditory-nerve fibers in anesthetized cats. The level of a tone at the characteristic frequency (CF) was adjusted by an adaptive procedure (PEST) so that, when presented with a suppressor tone, the CF tone would produce a criterion discharge rate. Suppression (in dB) was defined as the CF-tone level that met criterion in the presence of a suppressor minus the level that met criterion in quiet. The growth of suppression with suppressor level was well characterized by a straight line whose slope (in dB-excitor/dB-suppressor) varied with suppressor frequency by as much as a factor of 10 in the same fiber. These slope differences were systematically related to the position of the suppressor frequency relative to the fiber CF: for below-CF suppressors, slopes ranged from 1 to 3 dB/dB, while, for above-CF suppressors, they were between 0.15 and 0.7 dB/dB. Slopes decreased rapidly with increasing suppressor frequency near the CF, but, for frequencies well below the CF, the slope reached a maximum that increased gradually with CF. These results resemble psychophysical data on the growth of masking and psychophysical suppression, and pose difficulties for existing models of two-tone suppression.

Adaptation, Physiological↗

PubMed1990

Physiological mechanisms of psychophysical masking: observations from auditory-nerve fibers.

Masking might be due either to the spread of the excitation produced by the masker to the place of the tone signal along the cochlea or to the suppression of the response to the signal by the masker. In order to identify the contributions of these two mechanisms to tone-on-tone masking, masked thresholds of auditory-nerve fibers were measured in anesthetized cats using the same stimulus paradigms and detection criteria as in psychophysics. Suppressive masking was identified by comparing thresholds for simultaneous masking with those for a nonsimultaneous masking technique resembling pulsation thresholds. These nonsimultaneous thresholds do not include the contribution of suppression to masking because suppression only occurs for stimuli that overlap in time. For each masker and signal frequency, the fibers with the lowest (or "best") masked thresholds had characteristic frequencies (CF) slightly on the opposite side of the masker frequency with respect to the signal frequency, consistent with the psychophysical phenomenon of off-frequency listening. Patterns of best masked thresholds against signal frequency resembled psychophysical masking patterns in that they showed a maximum for signal frequencies close to the masker, and a skew toward high frequencies. Masking was found to be both excitatory and suppressive, with the relative contribution of the two mechanisms depending on the frequency separation between signal and masker. Suppressive masking was large for signal frequencies well above the masker. For these conditions, simultaneous thresholds grew more rapidly with masker level than did nonsimultaneous thresholds, suggesting that the upward spread of masking is largely due to the growth of suppression rather than to that of excitation.

Acoustic Stimulation↗

PubMed1984

Speech coding in the auditory nerve: V. Vowels in background noise.

Responses of auditory-nerve fibers to steady-state, two-formant vowels in low-pass background noise (S/N = 10 dB) were obtained in anesthetized cats. For fibers over a wide range of characteristic frequencies (CFs), the peaks in discharge rate at the onset of the vowel stimuli were nearly eliminated in the presence of noise. In contrast, strong effects of noise on fine time patterns of discharge were limited to CF regions that are far from the formant frequencies. One effect is a reduction in the amplitude of the response component at the fundamental frequency in the high-CF regions and for CFs between F1 and F2 when the formants are widely separated. A reduction in the amplitude of the response components at the formant frequencies, with concomitant increase in components near CF or low-frequency components occurs in CF regions where the signal-to-noise ratio is particularly low. The processing schemes that were effective for estimating the formant frequencies and fundamental frequency of vowels in quiet generally remain adequate in moderate-level background noise. Overall, the discharge patterns contain many cues for distinctions among the vowel stimuli, so that the central processor should be able to identify the different vowels, consistent with psychophysical performance at moderate signal-to-noise ratios.

Action Potentials↗

PubMed1984

Speech coding in the auditory nerve: I. Vowel-like sounds.

Discharge patterns of auditory-nerve fibers in anesthetized cats were recorded in response to a set of nine steady-state, two-formant vowels presented at 60 and 75 dB SPL. The largest components in the discrete Fourier transforms of period histograms were almost always harmonics of the vowel fundamental frequency that were close to one of the formant frequencies, the fundamental frequency or the fiber characteristic frequency (CF). For any fiber, the position of its CF relative to the formant frequencies (F1 and F2) appears to determine which of these components dominates the response. Specifically, the response characteristics of the tonotopically arranged array of fibers can be described in terms of five CF regions: (1) a low-CF region below F1 in which the largest response components are the harmonics of the fundamental frequency closest to CF; (2) a region centered around CF = F1 in which the first formant and its harmonics are the largest components; (3) an intermediate region between F1 and F2 with prominent components at both the fiber CF and the fundamental frequency; (4) a region centered around CF = F2 in which harmonics close to the second formant are the largest for frequencies above the fundamental; and (5) a high-CF region in which response spectra tend to show broad, multiple peaks at the formant and fundamental frequencies. These CF regions are related to the phonetic descriptions of vowels. For example, the extent of the low-CF region is largest for "open" vowels (which have a high F1), and the intermediate region is distinct only for "spread" vowels for which F1 and F2 are more than 1.5-2 octaves apart. For all vowels, response activity for the majority of fibers is concentrated near the formant frequencies, in contrast to responses to broadband noise for which components near CF are dominant.

Animals↗

PubMed1984

Speech coding in the auditory nerve: II. Processing schemes for vowel-like sounds.

Several processing schemes by which phonetically important information for vowels can be extracted from responses of auditory-nerve fibers are analyzed. The schemes are based on power spectra of period histograms obtained in response to a set of nine two-formant, steady-state, vowel-like stimuli presented at 60 and 75 dB SPL. One class of "local filtering" schemes, which was originally proposed by Young and Sachs [J. Acoust. Soc. Am. 66, 1381-1403 (1979)], consists of analyzing response patterns by filters centered at the characteristic frequencies (CF) of the fibers, so that a tonotopically arranged measure of synchronized response can be obtained. Various schemes in this class differ in the characteristics of the filter. For a wide range of filter bandwidths, formant frequencies correspond approximately to the CFs for which the response measure is maximal. If in addition, the bandwidths of the analyzing filters are made compatible with psychophysical measures of frequency selectivity, low-frequency harmonics of the stimulus fundamental are resolved in the output profile, so that fundamental frequency can also be estimated. In a second class of processing schemes, a dominant response component is defined for each fiber from a 1/6 octave spectral representation of the response pattern, and the formant frequencies are estimated from the most frequent values of the dominant component in the ensemble of auditory-nerve fibers. The local filtering schemes and the dominant component schemes can be related to "place" and "periodicity" models of auditory processing, respectively.

Animals↗

PubMed1984

Speech coding in the auditory nerve: III. Voiceless fricative consonants.

Responses of auditory-nerve fibers in anesthetized cats were recorded for synthetic voiceless fricative consonants. The four stimuli (/x/, /s/, /s/, and /f/) were presented at two levels corresponding to speech in which the levels of the vowels would be approximately 60 and 75 dB SPL, respectively. Discharge patterns were characterized in terms of PST histograms and their power spectra. For both stimulus levels, frequency regions in which the stimuli had considerable energy corresponded well with characteristic-frequency (CF) regions in which average discharge rates were the highest. At the higher level, the profiles of discharge rate against CF were more distinctive for the stimulus onset than for the central portion. Power spectra of PST histograms had large response components near fiber characteristic frequencies for CFs up to 3-4 kHz, as well as low-frequency components for all fibers. The relative amplitudes of these components varied for the different stimuli. In general, the formant frequencies of the fricatives did not correspond with the largest response components, except for formants below about 3 kHz. Processing schemes based on fine time patterns of discharge that were effective for vowel stimuli generally failed to extract the formant frequencies of fricatives.

Action Potentials↗

PubMed1984

Speech coding in the auditory nerve: IV. Sounds with consonant-like dynamic characteristics.

Discharge patterns of auditory-nerve fibers in anesthetized cats were obtained for two stimulus levels in response to synthetic stimuli with dynamic characteristics appropriate for selected consonants. A set of stimuli was constructed by preceding a signal that was identified as /da/by another sound that was systematically manipulated so that the entire complex would sound like either /da/, /ada/, /na/, /sa/, /sa/, or others. Discharge rates of auditory-nerve fibers in response to the common /da/-like formant transitions depended on the preceding context. Average discharge rates during these transitions decreased most for fibers whose CFs were in frequency regions where the context had considerable energy. Some effect of the preceding context on fine time patterns of response to the transitions was also found, but the identity of the largest response components (which often corresponded to the formant frequencies) was in general unaffected. Thus the response patterns during the formant transitions contain cues about both the nature of the transitions and the preceding context. A second set of stimuli sounding like /s/ and /c/ was obtained by varying the duration of the rise in amplitude at the onset of a filtered noise burst. At both 45 and 60 dB SPL, there were fibers which showed a more prominent peak in discharge rate at stimulus onset for /c/ than for /s/, but the CF regions that reflected the clearest distinctions depended on stimulus level. The peaks in discharge rate that occur in response to rapid changes in amplitude or spectrum might be used by the central processor as pointers to portions of speech signals that are rich in phonetic information.

Action Potentials↗

PubMed1980

Representation of speech-like sounds in the discharge patterns of auditory-nerve fibers.

It is now possible to study how acoustic characteristics important for speech discrimination are represented in the discharge patterns of auditory-nerve fibers. The electrical activity of single auditory-nerve fibers in response to speech-like sounds (single and two formant synthetic stimuli and "fricative" noise bursts) was recorded with microelectrodes in anesthetized cats. Results demonstrate that a conceptualization of some basic properties of responses to simple acoustic stimuli is useful in interpreting qualitatively how certain characteristics of speech-like sounds can be coded. Specific examples are given for (1) the rapid changes in amplitude and spectrum that occur for each syllable, (2) the fundamental frequency of voiced sounds, and (3) the spectral envelope of fricative consonants. It is also shown that the presence of background noise can have qualitatively different effects on how various characteristics of speech-like sounds are represented.

Animals↗